Japanese garden in the context of "Shugakuin Imperial Villa"

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⭐ Core Definition: Japanese garden

Japanese gardens (日本庭園, nihon teien) are traditional gardens whose designs are accompanied by Japanese aesthetics and philosophical ideas, avoid artificial ornamentation, and highlight the natural landscape. Plants and worn, aged materials are generally used by Japanese garden designers to suggest a natural landscape, and to express the fragility of existence as well as time's unstoppable advance. Ancient Japanese art inspired past garden designers. Water is an important feature of many gardens, as are rocks and often gravel. Despite there being many attractive Japanese flowering plants, herbaceous flowers generally play much less of a role in Japanese gardens than in the West, though seasonally flowering shrubs and trees are important, all the more dramatic because of the contrast with the usual predominant green. Evergreen plants are "the bones of the garden" in Japan. Though a natural-seeming appearance is the aim, Japanese gardeners often shape their plants, including trees, with great rigour.

Japanese literature on gardening goes back almost a thousand years, and several different styles of garden have developed, some with religious or philosophical implications. A characteristic of Japanese gardens is that they are designed to be seen from specific points. Some of the most significant different traditional styles of Japanese garden are the chisen-shoyū-teien ("lake-spring-boat excursion garden"), which was imported from China during the Heian period (794–1185). These were designed to be seen from small boats on the central lake. No original examples of these survive, but they were replaced by the "paradise garden" associated with Pure Land Buddhism, with a Buddha shrine on an island in the lake. Later large gardens are often in the kaiyū-shiki-teien, or promenade garden style, designed to be seen from a path circulating around the garden, with fixed stopping points for viewing. Specialized styles, often small sections in a larger garden, include the moss garden, the dry garden with gravel and rocks, associated with Zen Buddhism, the roji or teahouse garden, designed to be seen only from a short pathway, and the tsubo-niwa, a very small urban garden.

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👉 Japanese garden in the context of Shugakuin Imperial Villa

The Shugaku-in Imperial Villa (修学院離宮, Shugaku-in Rikyū), or Shugaku-in Detached Palace, is a set of gardens and outbuildings (mostly teahouses) in the hills of the eastern suburbs of Kyoto, Japan (separate from the Kyoto Imperial Palace). It is one of Japan's most important large-scale cultural treasures; its gardens are one of the great masterpieces of Japanese gardening.

Although styled as a "detached palace", often translated as "imperial villa", there were never any large-scale buildings there, as there are at the Katsura Imperial Villa. The 53-hectare (133 acre) grounds actually include three separate gardens, the Lower Garden, Middle Garden (a later addition), and Upper Garden, of which the latter is the most important.

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Japanese garden in the context of Kairaku-en

Kairaku-en (偕楽園, Kairakuen Park) is a Japanese garden located in Mito, Ibaraki Prefecture, Japan. Along with Kenroku-en and Koraku-en, it is considered one of the Three Great Gardens of Japan.

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Japanese garden in the context of Kenroku-en

Kenroku-en (Japanese: 兼六園; Garden of Six Attributes), located in Kanazawa, Ishikawa, Japan, is a strolling style garden constructed during the Edo period by the Maeda clan. Along with Kairaku-en and Kōraku-en, Kenroku-en is considered one of the Three Great Gardens of Japan and is noted for its beauty across all seasons, particularly in winter. Spread over nearly 25 acres, features of the landscape include meandering paths, a large pond, several tea houses, and one of Japan's oldest fountains. First opening to the public in 1871, the garden was later designated a National Site of Scenic Beauty in 1922, and subsequently received status as a National Site of Special Scenic Beauty in 1985. The grounds are open through paid admission year-round during daylight hours.

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Japanese garden in the context of Koraku-en

Kōraku-en (後楽園, Kōrakuen) is a Japanese garden located in Okayama, Okayama Prefecture. It is one of the Three Great Gardens of Japan, along with Kenroku-en and Kairaku-en. Korakuen was built in 1700 by Ikeda Tsunamasa, lord of Okayama. The garden reached its modern form in 1863.

Zhu Zhiyu, one of the greatest scholars of Confucianism in the Ming dynasty and Edo Japan, helped to redesign the garden.

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Japanese garden in the context of Koishikawa Korakuen Garden

The Koishikawa Kōrakuen (小石川後楽園) is a large urban park in the Koishikawa neighborhood of Bunkyō, Tokyo, Japan. The Japanese garden dates from the early Edo period. and is one of three surviving daimyō gardens of the many that were created during that period, the others being the Rikugi-en and the Hama Rikyū gardens.

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Japanese garden in the context of Katsura Imperial Villa

The Katsura Imperial Villa or Katsura Detached Palace (桂離宮, Katsura Rikyū; Japanese pronunciation: [ka.tsɯ.ɾa ɾʲiꜜ.kʲɯː]) is an Imperial residence with associated gardens and outbuildings in the western suburbs of Kyoto, Japan. Located on the western bank of the Katsura River in Katsura, Nishikyō-ku, the Villa is 8km distant from the main Kyoto Imperial Palace. The villa and gardens are nationally recognized as an Important Cultural Property of Japan.

The grounds of the villa are regarded as a notable exemplar of traditional Japanese gardening. Tea ceremony houses within the strolling gardens and the main villa itself are all sited to maximize appreciation of varied foliage and changing seasonal vistas.

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Japanese garden in the context of Shukkei-en

Shukkei-en (縮景園) is a historic Japanese garden in the city of Hiroshima, Japan. The Hiroshima Prefectural Art Museum is located adjacent to the garden.

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Japanese garden in the context of Sankei-en

Sankei-en (三溪園, Three Creeks Garden) is a traditional Japanese-style garden in Naka Ward, Yokohama, Japan, which opened in 1906. Sankei-en was designed and built by Tomitaro Hara (原富太郎) (1868–1939), known by the pseudonym Sankei Hara, who was a silk trader. Almost all of its buildings are historically significant structures bought by Hara himself in locations all over the country, among them Tokyo, Kyoto, Kamakura, Gifu Prefecture, and Wakayama Prefecture. Ten have been declared Important Cultural Property, and three more are Tangible Cultural Properties of Japan designated by the City of Yokohama. Badly damaged during World War II, the garden was donated in 1953 to the City of Yokohama, which entrusted it to the Sankeien Hoshōkai Foundation (三溪園保勝会, Sankeien Hoshōkai). Sankei-en was then restored almost to its pre-war condition.

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