Kenroku-en (Japanese: 兼六園; Garden of Six Attributes), located in Kanazawa, Ishikawa, Japan, is a strolling style garden constructed during the Edo period by the Maeda clan. Along with Kairaku-en and Kōraku-en, Kenroku-en is considered one of the Three Great Gardens of Japan and is noted for its beauty across all seasons, particularly in winter. Spread over nearly 25 acres, features of the landscape include meandering paths, a large pond, several tea houses, and one of Japan's oldest fountains. First opening to the public in 1871, the garden was later designated a National Site of Scenic Beauty in 1922, and subsequently received status as a National Site of Special Scenic Beauty in 1985. The grounds are open through paid admission year-round during daylight hours.
>>>PUT SHARE BUTTONS HERE<<<
👉 Kenroku-en in the context of Koraku-en
Kōraku-en (後楽園, Kōrakuen) is a Japanese garden located in Okayama, Okayama Prefecture. It is one of the Three Great Gardens of Japan, along with Kenroku-en and Kairaku-en. Korakuen was built in 1700 by Ikeda Tsunamasa, lord of Okayama. The garden reached its modern form in 1863.
Zhu Zhiyu, one of the greatest scholars of Confucianism in the Ming dynasty and Edo Japan, helped to redesign the garden.
- ⭐ Core Definition: Kenroku-en
- 👉 Kenroku-en in the context of Koraku-en
- Kenroku-en in the context of Kairaku-en
- Kenroku-en in the context of Three Great Gardens of Japan
- Kenroku-en in the context of Ishikawa Prefecture
- Kenroku-en in the context of Kanazawa Castle
- Kenroku-en in the context of Wabi-sabi
Kenroku-en in the context of Kairaku-en
Kairaku-en (偕楽園, Kairakuen Park) is a Japanese garden located in Mito, Ibaraki Prefecture, Japan. Along with Kenroku-en and Koraku-en, it is considered one of the Three Great Gardens of Japan.
Kenroku-en in the context of Three Great Gardens of Japan
The Three Great Gardens of Japan (日本三名園, Nihon Sanmeien), also known as "the three most famous gardens in Japan" are considered to include Kenroku-en in Kanazawa, Kōraku-en in Okayama and Kairaku-en in Mito.
The conception of gardens in a group of three is found elsewhere, for example, in the three gardens of Emperor Go-Mizunoo, who abdicated in 1629. At Shugakuin Imperial Villa, Go-Mizunoo maintained landscaped areas at separate elevations on the northeastern outskirts of Kyoto.
Kenroku-en in the context of Ishikawa Prefecture
Ishikawa Prefecture (石川県, Ishikawa-ken; Japanese pronunciation: [i.ɕi̥.ka.wa, -waꜜ.keɴ]) is a prefecture of Japan located in the Chūbu region of Honshu island. Ishikawa Prefecture has a population of 1,096,721 (1 January 2025) and has a geographic area of 4,191 km (1618 sq mi). Ishikawa Prefecture borders Toyama Prefecture to the east, Gifu Prefecture to the southeast, and Fukui Prefecture to the south.
Kanazawa is the capital and largest city of Ishikawa Prefecture, with other major cities including Hakusan, Komatsu, and Kaga. Ishikawa is located on the Sea of Japan coast and features most of the Noto Peninsula which forms Toyama Bay, one of the largest bays in Japan. Ishikawa Prefecture is part of the historic Hokuriku region and formerly an important populated center that contained some of the wealthiest han (domains) of the Japanese feudal era. Ishikawa Prefecture is home to Kanazawa Castle, Kenroku-en one of the Three Great Gardens of Japan, Nyotaimori ("body sushi"), and Kutani ware.
Kenroku-en in the context of Kanazawa Castle
Kanazawa Castle (金沢城, Kanazawa-jō) is a large, partially restored Japanese castle in Kanazawa, Ishikawa, Japan. It is located adjacent to the celebrated Kenroku-en Garden, which once formed the castle's private outer garden. It was the headquarters of Kaga Domain, ruled by the Maeda clan for 14 generations from the Sengoku period until the coming of the Meiji Restoration in 1871.
Kenroku-en in the context of Wabi-sabi
In traditional Japanese aesthetics, wabi-sabi (侘び寂び) centers on the acceptance of transience and imperfection. It is often described as the appreciation of beauty that is "imperfect, impermanent, and incomplete". It is prevalent in many forms of Japanese art.
Wabi-sabi combines two interrelated concepts: wabi (侘) and sabi (寂). According to the Stanford Encyclopedia of Philosophy, wabi may be translated as "subdued, austere beauty", and sabi as "rustic patina". Wabi-sabi derives from the Buddhist teaching of the three marks of existence (三法印, sanbōin), which include impermanence (無常, mujō), suffering (苦, ku), and emptiness or absence of self-nature (空, kū).