Jain text in the context of "Puruşārthasiddhyupāya"

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⭐ Core Definition: Jain text

Jain literature (Sanskrit: जैन साहित्य) refers to the literature of the Jain religion. It is a vast and ancient literary tradition, which was initially transmitted orally. The oldest surviving material is contained in the canonical Jain Agamas, which are written in Ardhamagadhi, a Prakrit (Middle-Indo Aryan) language. Various commentaries were written on these canonical texts by later Jain monks. Later works were also written in other languages, like Sanskrit and Maharashtri Prakrit.

Jain literature is primarily divided between the canons of the Digambara and Śvētāmbara orders. These two main sects of Jainism do not always agree on which texts should be considered authoritative.

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👉 Jain text in the context of Puruşārthasiddhyupāya

Puruṣārthasiddhyupāya is a major Jain text authored by Amritchandra. Acharya Amritchandra was a Digambara monk who lived in the tenth century (Vikram Samvat). Puruṣārthasiddhyupāya deals with the conduct of householder (śrāvaka) in detail. Another major Jain text that deals with householder's conduct is Ratnakaranda śrāvakācāra. Puruṣārthasiddhyupāya also deals extensively with the Jain concept of ahiṃsā.

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Jain text in the context of Digambara monk

A Digambara monk or Digambara Sādhu (also muni, sādhu) is a Sādhu in the Digambar tradition of Jainism, and as such an occupant of the highest limb of the four-fold sangha. Digambar Sādhus have 28 primary attributes which includes observance of the five supreme vows of ahimsa (non-injury), truth, non-thieving, celibacy and non-possession. A Digambar Sādhu is allowed to keep only a feather whisk, a water gourd and scripture with him.

In Jainism, those śrāvakas (householders) who wish to attain moksha (liberation) renounce all possessions and become an ascetic. According to the Jain text, Dravyasamgraha:

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Jain text in the context of Kalpa Sūtra

The Kalpa Sūtra (Sanskrit: कल्पसूत्र) is an important Jain scripture containing the biographies of the Tirthankaras, notably Parshvanatha and Mahavira. Ascribed to Acharya Bhadrabahu, which would place it in the 4th century BCE, it states that it was written down 980 or 993 years after the Nirvana (Moksha) of Mahavira or 1230 years after the Nirvana of Tirthankar Parswanath.

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Jain text in the context of Niyamasara

Niyamasāra is a Jain text authored by Acharya Kundakunda, a Digambara Jain acharya. It is described by its commentators as the Bhagavat Shastra. It expounds the path to liberation.

A modern English translation was published by Vijay K. Jain in 2019.

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Jain text in the context of Pancastikayasara

Pañcāstikāyasāra ("The Essence of Reality") is an ancient Jain text authored by Acharya Kundakunda. Kundakunda explains the Jain concepts of dravya (substance) and Ethics. The work serves as a brief version of the Jaina philosophy. There are total 180 verses written in Prakrit language. The text is about five (panch) āstikāya, substances that have real existence and have substance, namely Jīva (soul), Pudgala (matter), Dharma (medium of motion), Adharma (medium of rest), and Akasa (space).

A modern English translation was published by Vijay K. Jain in 2018.

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Jain text in the context of Samayasara

Samayasāra (The Nature of the Self) is a famous Jain text composed by Kundakunda (8th c. CE)) in 439 verses. Its ten chapters discuss the nature of Jīva (pure self/soul), its attachment to Karma and Moksha (liberation). Samayasāra expounds the Jain concepts like Karma, Asrava (influx of karmas), Bandha (Bondage), Samvara (stoppage), Nirjara (shedding) and Moksha (complete annihilation of karmas).

A modern English translation was published by Vijay K. Jain in 2022.

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Jain text in the context of Dravyasamgraha

Dravyasaṃgraha (Devnagari: द्रव्यसंग्रह) (Compendium of substances) is a 10th-century Jain text in Jain Sauraseni Prakrit by Acharya Nemicandra belonging to the Digambara Jain tradition. It is a composition of 58 gathas (verses) giving an exposition of the six dravyas (substances) that characterize the Jain view of the world: sentient (jīva), non-sentient (pudgala), principle of motion (dharma), principle of rest (adharma), space (ākāśa) and time (kāla). It is one of the most important Jain works and has gained widespread popularity. Dravyasaṃgraha has played an important role in Jain education and is often memorized because of its comprehensiveness as well as brevity.

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