Ivory in the context of "Ivory carving"

Chryselephantine sculpture (from Ancient Greek χρυσός (khrusós) 'gold' and ἐλεφάντινος (elephántinos) 'ivory') is a sculpture made with gold and ivory. Chryselephantine cult statues enjoyed high status in Ancient Greece.

A treasure binding or jewelled bookbinding is a luxurious book cover using metalwork in gold or silver, jewels, or ivory, perhaps in addition to more usual bookbinding material for book covers such as leather, velvet, or other cloth. The actual bookbinding technique is the same as for other medieval books, with the folios, normally of vellum, stitched together and bound to wooden cover boards. The metal furnishings of the treasure binding are then fixed, normally by tacks, onto these boards. Treasure bindings appear to have existed from at least Late Antiquity, though there are no surviving examples from so early, and Early Medieval examples are very rare. They were less used by the end of the Middle Ages, but a few continued to be produced in the West even up to the present day, and many more in areas where Eastern Orthodoxy predominated. The bindings were mainly used on grand illuminated manuscripts, especially gospel books designed for the altar and use in church services, rather than study in the library.

The vast majority of these bookbindings were later destroyed as their valuable gold and jewels were removed by looters, or the owners when in need of cash. Others survive without their jewels, and many are either no longer attached to a book, or have been moved to a different book. Some survive in major libraries; for example, the Morgan Library in New York City, the John Rylands Library in Manchester, the British Library in London, the Bayerische Staatsbibliothek in Munich and the Bibliothèque Nationale in Paris. As the carved ivory reliefs often used could not usually be recycled, these survive in much larger numbers, giving a better idea of the numbers of treasure bindings that once existed. Other examples are recorded in documentary sources but though the books survive the covers do not. The Book of Kells lost its binding after a robbery, and the fate of the missing cover of the Book of Lindisfarne is not recorded.

A pyxis (Greek: πυξίς; pl.: pyxides) is a shape of vessel from the classical world, usually a cylindrical box with a separate lid and no handles. They were used to hold cosmetics, trinkets or jewellery, but were also used for dispensing incense and by physicians to contain medicine. Surviving pyxides are mostly Greek pottery, but could also be made from a range of other materials: wood, bronze, ivory, marble, terracotta, silver, or stone. The name derived from Corinthian boxes made of wood from the tree puksos ("boxwood"). During the Classical period, the Attic word "kylichnis" was also used to refer to the same shape. The shape of the vessel can be traced in pottery back to the Protogeometric period in Athens, however the Athenian pyxis has various shapes itself.

Minoan seals are impression seals in the form of carved gemstones and similar pieces in metal, ivory and other materials produced in the Minoan civilization. They are an important part of Minoan art, and have been found in quantity at specific sites, for example in Knossos, Malia and Phaistos. They were evidently used as a means of identifying documents and objects.

Minoan seals are of a small size, 'pocket-size', in the manner of a personal amulet. Many of the images are a similar size to a human fingernail, with a high proportion that of the nail of a little finger. They might be thought of as equivalent to the pocket-sized, 1 inch (3 cm) scaraboid seals of Ancient Egypt, which were sometimes imitated in Crete. However Minoan seals can be larger, with largest examples of many inches.

Bull-leaping (Ancient Greek: ταυροκαθάψια, taurokathapsia) is a term for various types of non-violent bull fighting. Some are based on an ancient ritual from the Minoan civilization involving an acrobat leaping over the back of a charging bull (or cow). As a sport it survives in Spain, with bulls, as recortes; in modern France, usually with cows rather than bulls, as course landaise; and in Tamil Nadu, India with bulls as Jallikattu.

Ritual leaping over bulls is a motif in Middle Bronze Age figurative art, especially in Minoan art, and what are probably Minoan objects found in Mycenaean Greece, but it is also sometimes found in Hittite Anatolia, the Levant, Bactria and the Indus Valley. It is often interpreted as a depiction of a rite performed in connection with bull worship.

Helmets using ivory from boars' tusks were known in the Mycenaean world from the 17th century BC (Shaft Graves, Mycenae) to the 10th century BC (Elateia, Central Greece). The helmet was made through the use of slivers of boar tusks which were attached to a leather base, padded with felt, in rows. A description of a boar's tusk helmet appears in book ten of Homer's Iliad, as Odysseus is armed for a night raid to be conducted against the Trojans.

Fragments of ivory which might have come from helmets of this kind have been discovered on Mycenaean sites (at Dendra, for instance, fragments were found alongside the bronze panoply excavated in 1960) and an ivory plaque, also from a Mycenaean site, represents a helmet of this kind. Although they would not provide protection as good as that of a metal helmet, they may have been worn by some leaders as a status symbol, or a means of identification.

West Africa, also known as Western Africa, is the westernmost region of Africa. The United Nations defines Western Africa as the 16 countries of Benin, Burkina Faso, Cape Verde, The Gambia, Ghana, Guinea, Guinea-Bissau, Ivory Coast, Liberia, Mali, Mauritania, Niger, Nigeria, Senegal, Sierra Leone, and Togo, as well as Saint Helena, Ascension and Tristan da Cunha (a United Kingdom Overseas Territory). As of 2021, the population of West Africa is estimated at 419 million, and approximately 382 million in 2017, of which 189.7 million were female and 192.3 million male. The region is one of the fastest growing in Africa, both demographically and economically.

Historically, West Africa was home to several powerful states and empires that controlled regional trade routes, including the Mali and Gao Empires. Positioned at a crossroads of trade between North Africa and sub-Saharan Africa, the region supplied goods such as gold, ivory, and advanced iron-working. During European exploration, local economies were incorporated into the Atlantic slave trade, which expanded existing systems of slavery. Even after the end of the slave trade in the early 19th century, colonial powers — especially France and Britain — continued to exploit the region through colonial relationships. For example, they continued exporting extractive goods like cocoa, coffee, tropical timber, and mineral resources. Since gaining independence, several West African nations, such as the Ivory Coast, Ghana, Nigeria and Senegal — have taken active roles in regional and global economies.

The Gravettian is an archaeological industry of the European Upper Paleolithic that succeeded the Aurignacian circa 33,000 years BP. It is archaeologically the last European culture many consider unified, and had mostly disappeared by c. 22,000 BP, close to the Last Glacial Maximum, although some elements lasted until c. 17,000 BP. In modern-day Portugal, Spain and France, it was succeeded by the Solutrean and by the Epigravettian in Italy, the Balkans, Ukraine and Russia.

The Gravettian culture is known for their artistic works including the famous Venus figurines, which were typically carved from either ivory or limestone. The culture was first identified at the site of La Gravette in the southwestern French department of Dordogne. While historically assumed to represent a genetically homogenous group, recent analysis of ancient DNA sequences suggests that the Gravettian was produced by multiple genetically divergent groups of hunter-gatherers. Eastern Gravettian-producing groups belong to the Věstonice cluster, while western Gravettian-producing groups belong to the Fournol cluster, both of which have genetic continuity from producers of the earlier Aurignacian. Fournol cluster-related groups are thought to be the ancestors of the producers of the following Solutrean and Magdalenian cultures present in Western Europe after the Last Glacial Maximum, while the producers of the Epigravettian are genetically distinct from Gravettian-producing groups.