Minoan seals in the context of "Ivory"

Minoan art is the art produced by the Bronze Age Aegean Minoan civilization from about 3000 to 1100 BC, though the most extensive and finest survivals come from approximately 2300 to 1400 BC. It forms part of the wider grouping of Aegean art, and in later periods came for a time to have a dominant influence over Cycladic art. Since wood and textiles have decomposed, the best-preserved (and most instructive) surviving examples of Minoan art are its pottery, palace architecture (with frescos which include "the earliest pure landscapes anywhere"), small sculptures in various materials, jewellery, metal vessels, and intricately-carved seals.

It was influenced by the neighbouring cultures of Ancient Egypt and the ancient Near East, which had produced sophisticated urban art for much longer, but the character of the small but wealthy mercantile Minoan cities was very different, with little evidence of large temple-based religion, monarchs, or warfare, and "all the imaginative power and childlike freshness of a very young culture". All these aspects of the Minoan culture remain rather mysterious. Sinclair Hood described an "essential quality of the finest Minoan art, the ability to create an atmosphere of movement and life although following a set of highly formal conventions".

Minoan religion was the religion of the Bronze Age Minoan civilization of Crete. In the absence of readable texts from most of the period, modern scholars have reconstructed it almost totally on the basis of archaeological evidence such as Minoan paintings, statuettes, vessels for rituals and seals and rings. Minoan religion is considered to have been closely related to Near Eastern ancient religions, and its central deity is generally agreed to have been a goddess, although a number of deities are now generally thought to have been worshipped. Prominent Minoan sacred symbols include the bull and the horns of consecration, the labrys double-headed axe, and possibly the serpent.

The old view was that, in stark contrast to contemporary cultures in Egypt, Mesopotamia and Syria, Minoan religious practice was not centred around massive formal public temples. However, it is now thought the Minoan "palaces" and perhaps also the smaller "villas", were themselves the temples, and the performance of religious rituals were one of their main purposes. There were also rural peak sanctuaries and many sacred caves. There is a question as to how much the palace religion that seems to be shown in Minoan painting and seals was followed or even understood by most of the population.

The Minoan Genius is a legendary creature that was common in the Minoan art of the Bronze Age Minoan civilization in ancient Crete. It is portrayed sometimes with the head of a lion, or of a hippopotamus, or of other animals. It is mostly seen on Minoan seals, often in pairs as supporters of deities. It is also sometimes called a "demon", though it seems generally to be a benign figure in Minoan religion; the meaning is that of a daemon in later classical religions.

It is often portrayed with water vessels, such as ewers, so it seems to play a role as a libation bearer to deities.