Minoan painting in the context of "Minoan seals"

The wall paintings of ancient Thera are famous frescoes discovered by Spyridon Marinatos at the excavations of Akrotiri on the Greek island of Santorini (or Thera). They are regarded as part of Minoan art, although the culture of Thera was somewhat different from that of Crete, and the political relationship between the two islands at the time is unclear. They have the advantage of mostly being excavated in a more complete condition, still on their walls, than Minoan paintings from Knossos and other Cretan sites.

Most of the frescos are now in the Prehistoric Museum of Thera on Santorini, or the National Archaeological Museum of Athens, which has several of the most complete and famous scenes.

Minoan religion was the religion of the Bronze Age Minoan civilization of Crete. In the absence of readable texts from most of the period, modern scholars have reconstructed it almost totally on the basis of archaeological evidence such as Minoan paintings, statuettes, vessels for rituals and seals and rings. Minoan religion is considered to have been closely related to Near Eastern ancient religions, and its central deity is generally agreed to have been a goddess, although a number of deities are now generally thought to have been worshipped. Prominent Minoan sacred symbols include the bull and the horns of consecration, the labrys double-headed axe, and possibly the serpent.

The old view was that, in stark contrast to contemporary cultures in Egypt, Mesopotamia and Syria, Minoan religious practice was not centred around massive formal public temples. However, it is now thought the Minoan "palaces" and perhaps also the smaller "villas", were themselves the temples, and the performance of religious rituals were one of their main purposes. There were also rural peak sanctuaries and many sacred caves. There is a question as to how much the palace religion that seems to be shown in Minoan painting and seals was followed or even understood by most of the population.

The Akrotiri Boxer Fresco, discovered in 1967, is one of the Wall Paintings of Thera and a leading example of Minoan painting, though the version usually shown (as here) includes large sections "reconstructed" by archaeologists, which can be identified by their smooth texture. It is a fresco depicting two young boys wearing boxing gloves and belts and dates back to the Bronze Age, 1700 BC. Around 1600 BC, a disastrous earthquake, followed by a volcanic eruption, covered Akrotiri, Greece in a thick layer of pumice and ash, which resulted in the remarkable conservation of frescoes, including the Akrotiri Boxer Fresco, from multiple buildings throughout the town. This particular fresco was found in room B1 of Building Beta along with the Antelope Fresco. The boys' shaved heads and stray locks indicate their youth, while their darker skin tone indicates their gender. The boy on the right is completely nude except for a belt, whereas the boy on the left has jewellery; most likely markers of a higher status. They appear to be slightly over life-size at roughly 5 ft 10 in (1.78 m). To create such vibrant frescoes, a smooth lime plaster was applied to the walls and then painted over. It is impossible to know whether the match was a competitive one or simply a routine sport.