Italianate architecture in the context of "Palazzo style architecture"

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⭐ Core Definition: Italianate architecture

The Italianate style was a distinct 19th-century phase in the history of Classical architecture. Like Palladianism and Neoclassicism, the Italianate style combined its inspiration from the models and architectural vocabulary of 16th-century Italian Renaissance architecture with picturesque aesthetics. The resulting style of architecture was essentially of its own time. "The backward look transforms its object," Siegfried Giedion wrote of historicist architectural styles; "every spectator at every period—at every moment, indeed—inevitably transforms the past according to his own nature."

The Italianate style was first developed in Britain in about 1802 by John Nash, with the construction of Cronkhill in Shropshire. This small country house is generally accepted to be the first Italianate villa in England, from which is derived the Italianate architecture of the late Regency and early Victorian eras. The Italianate style was further developed and popularised by the architect Sir Charles Barry in the 1830s. Barry's Italianate style (occasionally termed "Barryesque") drew heavily for its motifs on the buildings of the Italian Renaissance, though sometimes at odds with Nash's semi-rustic Italianate villas.

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👉 Italianate architecture in the context of Palazzo style architecture

Palazzo style refers to an architectural style of the 19th and 20th centuries based upon the palazzi (palaces) built by wealthy families of the Italian Renaissance. The term refers to the general shape, proportion and a cluster of characteristics, rather than a specific design; hence it is applied to buildings spanning a period of nearly two hundred years, regardless of date, provided they are a symmetrical, corniced, basemented and with neat rows of windows. "Palazzo style" buildings of the 19th century are sometimes referred to as being of Italianate architecture, but this term is also applied to a much more ornate style, particularly of residences and public buildings.

While early Palazzo style buildings followed the forms and scale of the Italian originals closely, by the late 19th century the style was more loosely adapted and applied to commercial buildings many times larger than the originals. The architects of these buildings sometimes drew their details from sources other than the Italian Renaissance, such as Romanesque and occasionally Gothic architecture. In the 20th century, the style was superficially applied, like the Gothic Revival style, to multi-storey buildings. In the late 20th and 21st century some Postmodern architects have again drawn on the Palazzo style for city buildings.

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Italianate architecture in the context of North Terrace, Adelaide

North Terrace is one of the four terraces that bound the central business and residential district of Adelaide, the capital city of South Australia. It runs east–west along the northern edge of "the square mile". The western end continues on to Port Road and the eastern end continues across the Adelaide Parklands as Botanic Road.

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Italianate architecture in the context of Alfred Waterhouse

Alfred Waterhouse RA PPRIBA (19 July 1830 – 22 August 1905) was an English architect, particularly associated with Gothic Revival architecture, although he designed using other architectural styles as well. He is perhaps best known for his designs for Manchester Town Hall and the Natural History Museum in London. He designed other town halls, the Manchester Assize buildings—bombed in World War II—and the adjacent Strangeways Prison. He also designed several hospitals, the most architecturally interesting being the Royal Infirmary Liverpool and University College Hospital London. He was particularly active in designing buildings for universities, including both Oxford and Cambridge but also what became Liverpool, Manchester and Leeds universities. He designed many country houses, the most important being Eaton Hall in Cheshire. He designed several bank buildings and offices for insurance companies, most notably the Prudential Assurance Company. Although not a major church designer he produced several notable churches and chapels.

Financially speaking, Waterhouse was probably the most successful of all Victorian architects. He designed some of the most expensive buildings of the Victorian age. The three most costly were Manchester Town Hall, Eaton Hall and the Natural History Museum; they were also among the largest buildings of their type built during the period. Waterhouse had a reputation for being able to plan logically laid out buildings, often on awkward or cramped sites. He built soundly constructed buildings, having built up a well structured and organised architectural office, and used reliable sub-contractors and suppliers. His versatility in stylistic matters also attracted clients. Though expert within Neo-Gothic, Renaissance Revival and Romanesque Revival styles, Waterhouse never limited himself to a single architectural style. He often used eclecticism in his buildings. Styles that he used occasionally include Tudor revival, Jacobethan, Italianate, and some only once or twice, such as Scottish baronial architecture, Baroque Revival, Queen Anne style architecture and Neoclassical architecture.

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Italianate architecture in the context of Leonardslee Gardens

Leonardslee is an English country house and English landscape garden and woodland garden in Lower Beeding, near Horsham, West Sussex, England. The Grade I listed garden is particularly significant for its spring displays of rhododendrons, azaleas, camellias, magnolias and bluebells, with the flowering season reaching its peak in May. The estate includes a 19th-century Italianate style house and lodge as well as an intact Pulhamite rockery.

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Italianate architecture in the context of Charles Barry

Sir Charles Barry FRS RA (23 May 1795 – 12 May 1860) was an English architect best known for his role in the rebuilding of the Palace of Westminster (also known as the Houses of Parliament) in London during the mid-19th century, but also responsible for numerous other buildings and gardens. He is known for his major contribution to the use of Italianate architecture in Britain, especially the use of the Palazzo as basis for the design of country houses, city mansions and public buildings. He also developed the Italian Renaissance garden style for the many gardens he designed around country houses.

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Italianate architecture in the context of Cronkhill

Cronkhill, Atcham, Shropshire, designed by John Nash, is "the earliest Italianate villa in England".

Drawing on influences from the Italian Campagna and the Picturesque, including the art of Claude Lorrain, it began an architectural style that was hugely influential in England in the first half of the nineteenth century. Major examples include Trentham Park and Osborne House. Nash's "most original building", it is Grade I listed.

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Italianate architecture in the context of Tweed Courthouse

The Tweed Courthouse (also known as the Old New York County Courthouse) is a historic courthouse building at 52 Chambers Street in the Civic Center of Manhattan in New York City, New York, U.S. It was built in the Italianate style with Romanesque Revival interiors. William M. "Boss" Tweed – the corrupt leader of Tammany Hall, a political machine that controlled the New York state and city governments when the courthouse was built – oversaw the building's erection. The Tweed Courthouse served as a judicial building for New York County, a county of New York state coextensive with the New York City borough of Manhattan. It is the second-oldest city government building in the borough, after City Hall.

The structure comprises pavilions to the east and west of a central section, as well as a rear wing to the south. Architect John Kellum and political appointee Thomas Little designed the first portion of the building, which was constructed from 1861 to 1872. Construction was interrupted in 1871 when Kellum died and the corruption involved in the building's construction was exposed to the public. The project was completed by architect Leopold Eidlitz, who added the rear wing and finished the interior between 1877 and 1881.

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Italianate architecture in the context of 280 Broadway

280 Broadway – also known as the A.T. Stewart Dry Goods Store, the Marble Palace, the Stewart Building, and the Sun Building – is a seven-story office building on Broadway, between Chambers and Reade streets, in the Civic Center neighborhood of Lower Manhattan in New York City. Built from 1845 to 1846 for Alexander Turney Stewart, the building was New York City's first Italianate commercial building and the first department store in the United States. The building also housed the original Sun newspaper from 1919 to 1950 and has served as the central offices for the New York City Department of Buildings since 2002. It is a National Historic Landmark and a New York City designated landmark.

Trench & Snook had designed the original store at the corner of Broadway and Reade Street, as well as two annexes in the early 1850s; further additions were designed by "Schmidt" in 1872 and Edward D. Harris in 1884. The facade is made of Tuckahoe marble and is divided into multiple sections, allowing the various expansions to be designed in a similar style. The ground level contains pilasters and columns, which originally framed plate-glass walls. The facade also contains a four-sided clock and a two-sided thermometer, which were added when the Sun occupied 280 Broadway. When the building was completed, the wholesale and retail departments of Stewart's store were arranged around a central rotunda. The current interior dates to 1884, when the rotunda was destroyed and the building was converted into offices.

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Italianate architecture in the context of Richard Upjohn

Richard Upjohn (22 January 1802 – 16 August 1878) was a British-American architect who immigrated to the United States and became most famous for his Gothic Revival churches. He was partially responsible for launching the movement to popularity in the United States. Upjohn also did extensive work in and helped to popularize the Italianate style. He was a founder and the first president of the American Institute of Architects. His son, Richard Michell Upjohn, (1828-1903), was also a well-known architect and served as a partner in his continued architectural firm in New York.

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