Indo-Islamic architecture in the context of "Mughal architecture"

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👉 Indo-Islamic architecture in the context of Mughal architecture

Mughal architecture is the style of architecture developed in the Mughal Empire in the 16th, 17th and 18th centuries throughout the ever-changing extent of their empire in the Indian subcontinent. It developed from the architectural styles of earlier Indo-Islamic architecture and from Iranian and Central Asian architectural traditions, particularly the Timurid architecture. It also further incorporated and syncretized influences from wider Indian architecture, especially during the reign of Akbar (r. 1556–1605). Mughal buildings have a uniform pattern of structure and character, including large bulbous domes, slender minarets at the corners, massive halls, large vaulted gateways, and delicate ornamentation. Examples of the style are found mainly in modern-day India, Pakistan, Bangladesh, and Afghanistan.

The Mughal dynasty was established after the victory of Babur at Panipat in 1526. During his five-year reign, Babur took considerable interest in erecting buildings, though few have survived. His grandson Akbar commissioned extensive construction projects, and Mughal architectural style developed significantly during his reign. Among his accomplishments were Agra Fort, the fort-city of Fatehpur Sikri, and the Buland Darwaza. Akbar's son Jahangir commissioned the Shalimar Gardens in Kashmir.

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Indo-Islamic architecture in the context of Architecture of India

Indian architecture is rooted in the history, culture, and religion of India. Among multiple architectural styles and traditions, the best-known include the many built in accordance to Indian religion and philosophy with Hindu, Jain, Buddhist, and Sikh styles of architecture being the most prevalent in India, with Indo-Islamic architecture, Rajput architecture, Mughal architecture, South Indian architecture, and Indo-Saracenic architecture having a strong presence as well.

Early Indian architecture was made from wood, which did not survive due to rotting and instability in the structures. Instead, the earliest surviving examples of Indian architecture are Indian rock-cut architecture, including many Buddhist, Hindu, and Jain temples.

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Indo-Islamic architecture in the context of Coinage of India

The Coinage of India began anywhere between early 1st millennium BCE to the 6th century BCE, and consisted mainly of copper and silver coins in its initial stage. The coins of this period were Karshapanas or Pana. A variety of earliest Indian coins, however, unlike those circulated in West Asia, were stamped bars of metal, suggesting that the innovation of stamped currency was added to a pre-existing form of token currency which had already been present in the Janapadas and Mahajanapada kingdoms of the Early historic India. The kingdoms that minted their own coins included Gandhara, Kuntala, Kuru, Magadha, Panchala, Shakya, Surasena, Surashtra and Vidarbha etc.

The tradition of Indian coinage in the 2nd millennium evolved with Indo Islamic rule in India. and the British Raj in the 19th century.

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Indo-Islamic architecture in the context of Chhatri

Chhatri are semi-open, elevated, dome-shaped pavilions used as an element in Indo-Islamic architecture and Indian architecture. They are most commonly of square, octagonal, and round shapes.

Originating as a canopy above tombs, they largely serve as decorative elements as opposed to functional elements. The earliest examples of chhatri being used in the Indian subcontinent were found in the Shrine of Ibrahim in Bhadreswar, constructed between 1159 and 1175 AD.

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Indo-Islamic architecture in the context of Mosque City of Bagerhat

The Mosque City of Bagerhat (Bengali: মসজিদের শহর বাগেরহাট, romanizedMôsjider Shôhôr Bagerhat; historically known as Khalifatabad) is a UNESCO World Heritage Site in Bagerhat District, Bangladesh. It contains 360 mosques, public buildings, mausoleums, bridges, roads, water tanks and other public buildings constructed from baked brick. The mosques were built during the Bengal Sultanate in the 15th century, of which the Sixty Dome Mosque is the largest. Other mosques include the Singar Mosque, the Nine Dome Mosque, the Tomb of Khan Jahan, the Bibi Begni Mosque and the Ronvijoypur Mosque. The mosques were built during the governorship of Ulugh Khan Jahan, a Turkic military officer appointed as governor in the Sundarbans by Sultan Mahmud Shah of Bengal.

The site was a "mint town" of the Bengal Sultanate. Bagerhat has one of the largest concentrations of sultanate-era mosques in Bangladesh. The historic city has more than 50 structures built in the local Bengal Sultanate variant style of Indo-Islamic architecture. This is sometimes called the 'Khan Jahan Style'. These were uncovered after removing the vegetation that had obscured them from view for many centuries. The site was inscribed as a UNESCO World Heritage Site in 1983 under Criterion (iv) — “as an outstanding example of an architectural ensemble which illustrates a significant stage in human history” — the most prominent being the Sixty Dome Mosque, which features 60 pillars and 77 domes. The mosques feature terracotta artwork and arabesque.

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Indo-Islamic architecture in the context of Mahmud Gawan Madrasa

The Mahmud Gawan Madrasa is a former madrasa, now mosque, in partial ruins, located in Bidar, in the state of Karnataka, India. It was completed in 876 AH (1471/1472 CE) and is an example of the regional style of Indo-Islamic architecture under the Bahmani Sultanate. Founded by the prime-minister of the sultanate in the late 15th century, it bears testimony to the scholarly genius of Mahmud Gawan, who first came to Delhi, in exile, as a Persian trader from Gilan in Iran and moved to Bidar in 1453.

Mahmud reportedly built the madrasa with his own money and it functioned like a residential university which was built and maintained on the lines of Madrasa of Khurasan. The imposing and spacious building of the institution is considered as an architectural gem and an important landmark of Bidar.

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Indo-Islamic architecture in the context of Monuments and Forts of the Deccan Sultanates

The Deccan sultanates were five early modern kingdoms (Bijapur, Golkonda, Ahmadnagar, Bidar, and Berar) which ruled on the Deccan Plateau beginning in the late 15th century and lasting through the 17th century. The architecture the sultanates produced was a regional variant of Indo-Islamic architecture, influenced by the styles of the Delhi Sultanate and later Mughal architecture. Persian and Central Asian design features also feature in some structures. The sultanate styles differ greatly from those employed in Hindu temple architecture in the same areas.

The rulers of the five Deccan sultanates established numerous contributions in the arts, music, literature and architecture. The Bidar and Golconda forts demonstrate how architecture factored into the military planning of the sultanates. Apart from forts, these regimes also constructed many tombs, mosques, and madrasas. Gol Gumbaz (the tomb of Mohammed Adil Shah) was once the second largest dome in the world.

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Indo-Islamic architecture in the context of Indo-Saracenic architecture

Indo-Saracenic architecture (also known as Indo-Gothic, Mughal-Gothic, Neo-Mughal) was a revivalist architectural style mostly used by British architects in India in the later 19th century, especially in public and government buildings in the British Raj, and the palaces of rulers of the princely states. It drew stylistic and decorative elements from native Indo-Islamic architecture, especially Mughal architecture, which the British regarded as the classic Indian style. The basic layout and structure of the buildings tended to be close to that used in contemporary buildings in other revivalist styles, such as Gothic Revival and Neo-Classical, with specific Indian features and decoration added.

The style drew from western exposure to depictions of Indian buildings from about 1795, such as those by William Hodges and the Daniell duo (William Daniell and his uncle Thomas Daniell). The first Indo-Saracenic building is often said to be the Chepauk Palace, completed in 1768, in present-day Chennai (Madras), for the Nawab of Arcot. Bombay and Calcutta (as they then were), as the main centres of the Raj administration, saw many buildings constructed in the style, although Calcutta was also a bastion of European Neo-Classical architecture fused with Indic architectural elements. Most major buildings are now classified under the Heritage buildings category as laid down by the Archaeological Survey of India (ASI), and protected.

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