Mughal architecture in the context of "Indo-Islamic architecture"

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⭐ Core Definition: Mughal architecture

Mughal architecture is the style of architecture developed in the Mughal Empire in the 16th, 17th and 18th centuries throughout the ever-changing extent of their empire in the Indian subcontinent. It developed from the architectural styles of earlier Indo-Islamic architecture and from Iranian and Central Asian architectural traditions, particularly the Timurid architecture. It also further incorporated and syncretized influences from wider Indian architecture, especially during the reign of Akbar (r. 1556–1605). Mughal buildings have a uniform pattern of structure and character, including large bulbous domes, slender minarets at the corners, massive halls, large vaulted gateways, and delicate ornamentation. Examples of the style are found mainly in modern-day India, Pakistan, Bangladesh, and Afghanistan.

The Mughal dynasty was established after the victory of Babur at Panipat in 1526. During his five-year reign, Babur took considerable interest in erecting buildings, though few have survived. His grandson Akbar commissioned extensive construction projects, and Mughal architectural style developed significantly during his reign. Among his accomplishments were Agra Fort, the fort-city of Fatehpur Sikri, and the Buland Darwaza. Akbar's son Jahangir commissioned the Shalimar Gardens in Kashmir.

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Mughal architecture in the context of Badshahi Mosque

The Badshahi Mosque (Punjabi: شاہی مسیت, romanized: śāhī masīt; Urdu: بادشاہی مسجد, romanizedbādśāhī masjid) is a Mughal-era imperial mosque located in Lahore, Punjab, Pakistan. It was constructed between 1671 and 1673 during the rule of the Mughal emperor Aurangzeb, opposite to the Lahore Fort in the northern outskirts of the historic Walled City. It is widely considered to be one of the most iconic landmarks of Pakistan.

The mosque is an important example of the Mughal architecture, with an exterior that is decorated with carved red sandstone with marble inlay. It was the largest mosque built during the Mughal era, and is currently the second largest mosque in Pakistan.

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Mughal architecture in the context of Architecture of India

Indian architecture is rooted in the history, culture, and religion of India. Among multiple architectural styles and traditions, the best-known include the many built in accordance to Indian religion and philosophy with Hindu, Jain, Buddhist, and Sikh styles of architecture being the most prevalent in India, with Indo-Islamic architecture, Rajput architecture, Mughal architecture, South Indian architecture, and Indo-Saracenic architecture having a strong presence as well.

Early Indian architecture was made from wood, which did not survive due to rotting and instability in the structures. Instead, the earliest surviving examples of Indian architecture are Indian rock-cut architecture, including many Buddhist, Hindu, and Jain temples.

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Mughal architecture in the context of Multifoil arch

A multifoil arch (or polyfoil arch), also known as a cusped arch, polylobed arch, or scalloped arch, is an arch characterized by multiple circular arcs or leaf shapes (called foils, lobes, or cusps) that are cut into its interior profile or intrados. The term foil comes from the old French word for "leaf." A specific number of foils is indicated by a prefix: trefoil (three), quatrefoil (four), cinquefoil (five), sexfoil (six), octofoil (eight). The term multifoil or scalloped is specifically used for arches with more than five foils. The multifoil arch is characteristic of Islamic art and architecture; particularly in the Moorish architecture of al-Andalus (Iberian Peninsula) and North Africa and in Mughal architecture of the Indian subcontinent. Variants of the multifoil arch, such as the trefoil arch, are also common in other architectural traditions such as Gothic architecture. 

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Mughal architecture in the context of Tomb of I'timād-ud-Daulah

Tomb of I'timād-ud-Daulah (I'timād-ud-Daulah Maqbara) is a Mughal mausoleum in the city of Agra in the Indian state of Uttar Pradesh. Often described as a "jewel box", sometimes called the "Bachcha Taj" or the "Baby Taj", the tomb of I'timād-ud-Daulah is often regarded as a draft of the Taj Mahal.

Along with the main building, the structure consists of numerous outbuildings and gardens. The tomb, built between 1622 and 1628, represents a transition between the first phase of monumental Mughal architecture – primarily built from red sandstone with marble decorations, as in Humayun's Tomb in Delhi and Akbar's tomb in Sikandra – to its second phase, based on white marble and pietra dura inlay, most elegantly realized in the Taj Mahal.

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Mughal architecture in the context of Humayun's Tomb

Humayun's tomb (Persian: Maqbara-i Humayun) is the tomb of Mughal Emperor Humayun situated in Delhi, India. The tomb was commissioned by Humayun's first wife and chief consort, Empress Bega Begum under her patronage in 1558, and designed by Mirak Mirza Ghiyas and his son, Sayyid Muhammad, Persian architects chosen by her. It was the first garden-tomb on the Indian subcontinent, and is located in Nizamuddin East, Delhi, close to the Dina-panah Citadel, also known as Purana Qila (Old Fort), that Humayun found in 1538. It was also the first structure to use red sandstone at such a scale. The tomb was declared a UNESCO World Heritage Site in 1993, and since then has undergone extensive restoration work, which is complete. Besides the main tomb enclosure of Humayun, several smaller monuments dot the pathway leading up to it, from the main entrance in the West, including one that even pre-dates the main tomb itself, by twenty years; it is the tomb complex of Isa Khan Niazi, an Afghan noble in Sher Shah Suri's court of the Sur Empire, who fought against the Mughals, constructed in 1547 CE.

The complex encompasses the main tomb of the Emperor Humayun, which houses the graves of Empress Bega Begum, Hajji Begum, and also Dara Shikoh, great-great-grandson of Humayun and son of the later Emperor Shah Jahan, as well as numerous other subsequent Mughals, including Emperor Jahandar Shah, Farrukhsiyar, Rafi Ul-Darjat, Rafi Ud-Daulat, Muhammad Kam Bakhsh and Alamgir II. It represented a leap in Mughal architecture, and together with its accomplished Charbagh garden, typical of Persian gardens, but never seen before in India, it set a precedent for subsequent Mughal architecture. It is seen as a clear departure from the fairly modest mausoleum of his father, the first Mughal Emperor, Babur, called Bagh-e Babur (Gardens of Babur) in Kabul (Afghanistan). Though the latter was the first Emperor to start the tradition of being buried in a paradise garden. Modelled on Gur-e Amir, the tomb of his ancestor and Asia's conqueror Timur in Samarkand, it created a precedent for future Mughal architecture of royal mausolea, which reached its zenith with the Taj Mahal, at Agra.

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Mughal architecture in the context of Monuments and Forts of the Deccan Sultanates

The Deccan sultanates were five early modern kingdoms (Bijapur, Golkonda, Ahmadnagar, Bidar, and Berar) which ruled on the Deccan Plateau beginning in the late 15th century and lasting through the 17th century. The architecture the sultanates produced was a regional variant of Indo-Islamic architecture, influenced by the styles of the Delhi Sultanate and later Mughal architecture. Persian and Central Asian design features also feature in some structures. The sultanate styles differ greatly from those employed in Hindu temple architecture in the same areas.

The rulers of the five Deccan sultanates established numerous contributions in the arts, music, literature and architecture. The Bidar and Golconda forts demonstrate how architecture factored into the military planning of the sultanates. Apart from forts, these regimes also constructed many tombs, mosques, and madrasas. Gol Gumbaz (the tomb of Mohammed Adil Shah) was once the second largest dome in the world.

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Mughal architecture in the context of Royal Pavilion

The Royal Pavilion (also known as the Brighton Pavilion) and its surrounding gardens form a Grade I listed former royal residence located in Brighton, England. Beginning in 1787, it was built in three stages as a seaside retreat for George, Prince of Wales, who became the Prince Regent in 1811, and King George IV in 1820. It is built in the Indo-Saracenic style prevalent in India for most of the 19th century. The current appearance, with its Mughal inspired features such as bulbous domes, chhatri-topped minarets and cusped arches, is the work of the architect John Nash, who extended the building starting in 1815. George IV's successors William IV and Victoria also used the Pavilion, but Queen Victoria decided that Osborne House should be the royal seaside retreat, and the Pavilion was sold to the city of Brighton in 1850.

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