Indian epic poetry in the context of "Origins of Hinduism"

Play Trivia Questions online!

or

Skip to study material about Indian epic poetry in the context of "Origins of Hinduism"

Ad spacer

⭐ Core Definition: Indian epic poetry

Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called Kavya (IAST: Kāvyá). The Ramayana and the Mahabharata, which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

Indian epic poetry in the context of Ramayana

The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, romanizedRāmāyaṇam), also known as the Valmiki Ramayana or Tulsidas Ramayana, as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit epic) from ancient India, one of the two important epics of Hinduism known as the Itihasas, the other being the Mahabharata. The epic narrates the life of Rama, the seventh avatar of the Hindu deity Vishnu, who was a prince of Ayodhya in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration.

Scholarly estimates for the earliest stage of the text range from the 7th–5th to 5th–4th century BCE, and later stages extend up to the 3rd century CE, although the original date of composition is unknown. It is one of the largest ancient epics in world literature and consists of nearly 24,000 shlokas (verses), divided into seven kāṇḍa (chapters). Each shloka is a couplet (two individual lines). The Ramayana belongs to the genre of Itihasa, narratives of past events (purāvṛtta), interspersed with teachings on the goals of human life.

↑ Return to Menu

Indian epic poetry in the context of Buddhacarita

Buddhacharita (Sanskrit: बुद्धचरितम्, romanizedBuddhacaritam; transl. Acts of the Buddha) is an epic poem in the Sanskrit mahakavya style on the life of Gautama Buddha by Aśvaghoṣa of Sāketa (modern Ayodhya), composed in the early second century CE.

The author has prepared an account of the Buddha's life and teachings which, unlike other treatments such as Mahavastu (“Great Story”) and Lalitavistara (“Full Description of the Play [of the Buddha]”), is not only artistically arranged but also restrained in the description of the miracles of Gautam Buddha. His work also reflects a vast knowledge of Indian mythology and pre-Buddhist philosophy, as well as a court poet's interest in love, war, and statecraft.

↑ Return to Menu

Indian epic poetry in the context of Hindu synthesis

The history of Hinduism covers a wide variety of related religious traditions native to the Indian subcontinent. It overlaps or coincides with the development of religion in the Indian subcontinent since the Iron Age, with some of its traditions tracing back to prehistoric religions such as those of the Bronze Age Indus Valley Civilisation. Hinduism has been called the "oldest religion" in the world, but scholars regard Hinduism as a relatively recent synthesis of various Indian cultures and traditions, with diverse roots and no single founder, which emerged around the beginning of the Common Era.

The history of Hinduism is often divided into periods of development. The first period is the pre-Vedic period, which includes the Indus Valley Civilization and local pre-historic religions. Northern India had the Vedic period with the introduction of the historical Vedic religion by the Indo-Aryan migrations, starting somewhere between 1900 BCE and 1400 BCE. The subsequent period of the second urbanisation (600–200 BCE) is a formative period for Hinduism, Jainism and Buddhism followed by "a turning point between the Vedic religion and Hindu religions," during the Epic and Early Puranic period (c. 200 BCE to 500 CE), when the Epics and the first Purānas were composed. This was followed by the classical "Golden Age" of Hinduism (c. 320–650 CE), which coincides with the Gupta Empire. In this period the six branches of Hindu philosophy evolved, namely, Samkhya, Yoga, Nyaya, Vaisheshika, Mīmāṃsā, and Vedānta. Monotheistic sects like Shaivism and Vaishnavism developed during this same period through the Bhakti movement. It flourished in the medieval period from roughly 650 to 1100 CE, which forms the late Classical period or early Middle Ages, with the decline of Buddhism in India and the establishment of classical Puranic Hinduism is established.

↑ Return to Menu

Indian epic poetry in the context of Mahabharata

The Mahābhārata (/məˌhɑːˈbɑːrətə, ˌmɑːhə-/ mə-HAH-BAR-ə-tə, MAH-hə-; Sanskrit: महाभारतम्, IAST: Mahābhāratam, pronounced [mɐɦaːˈbʱaːrɐt̪ɐm]) is a smriti text (also described as a Sanskrit epic) from ancient India, one of the two important epics of Hinduism known as the Itihasas, the other being the Ramayana. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pāṇḍavas. It contains philosophical and devotional material, such as a discussion of the four "goals of life" or puruṣārtha (12.161). Among the principal works and stories in the Mahābhārata are the Bhagavad Gita, the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the Rāmāyaṇa, often considered as works in their own right.

Traditionally, the authorship of the Mahābhārata is attributed to Vyāsa. There have been many attempts to unravel its historical growth and compositional layers. The bulk of the Mahābhārata was probably compiled between the 3rd century BCE and the 3rd century CE, with the oldest preserved parts not much older than around 400 BCE. The text probably reached its final form by the early Gupta period (c. 4th century CE).

↑ Return to Menu

Indian epic poetry in the context of Mahakavya

Mahākāvya (lit. great kāvya, court epic), also known as sargabandha, is a genre of Indian epic poetry in Classical Sanskrit. The genre is characterised by ornate and elaborate descriptions of phenomena such as scenery, love, and battles. Typical examples of mahākāvya are the Kumarasambhava and the Kiratarjuniya.

The genre evolved from earlier epics, the Mahabharata and the Ramayana. Despite the length of mahākāvyas (15-30 cantos, a total of about 1500-3000 verses), they are still much shorter than the Ramayana (500 cantos, 24000 verses) and the Mahabharata (about 100000 verses).

↑ Return to Menu

Indian epic poetry in the context of Vishrava

Vishrava (Sanskrit: विश्रवा, lit.'Renown', IAST: Viśravā), also called Vishravas, is the son of Pulastya, and a powerful rishi (sage), as described in the Hindu epic Ramayana. A scholar par excellence, he earned great powers through the performance of tapasya, which in turn, earned him great name and fame amongst his fellow rishis. He is best known for being the father of the primary antagonist of the Ramayana, Ravana.

↑ Return to Menu

Indian epic poetry in the context of Kaikesi

Ramayana is one of the two major Sanskrit ancient epics (Itihasas) of Hindu literature. It was composed by sage Valmiki. This is a list of important figures that appear in the epic.

↑ Return to Menu