Impressionist in the context of "Honfleur"

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⭐ Core Definition: Impressionist

Impressionism was a 19th-century art movement characterized by visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.

The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, Impression, soleil levant (Impression, Sunrise), which provoked the critic Louis Leroy to coin the term in a satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper Le Charivari. The development of Impressionism in the visual arts was soon followed by analogous styles in other media that became known as Impressionist music and Impressionist literature.

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👉 Impressionist in the context of Honfleur

Honfleur (French: [ɔ̃flœʁ] ) is a commune in the Calvados department in northwestern France. It is located on the southern bank of the estuary of the Seine across from Le Havre and very close to the exit of the Pont de Normandie. The people that inhabit Honfleur are called Honfleurais.

It is especially known for its old port, characterized by its houses with slate-covered frontages, painted frequently by artists. There have been many notable artists, including Gustave Courbet, Eugène Boudin, Claude Monet and Johan Jongkind. They all met at La Ferme Saint Siméon, which is now a five-star hotel, and created the "Saint Siméon gathering", contributing to the appearance of the Impressionist movement. The Sainte-Catherine church, which has a bell tower separate from the principal building, is the largest wooden church in France.

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Impressionist in the context of Musée de l'Orangerie

The Musée de l'Orangerie (English: Orangery Museum) is an art gallery of Impressionist and Post-Impressionist paintings located in the west corner of the Tuileries Garden next to the Place de la Concorde in Paris. The museum is most famous as the permanent home of eight large Water Lilies murals by Claude Monet, and also contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Alfred Sisley, Chaïm Soutine, Maurice Utrillo, and others.

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Impressionist in the context of Camille Pissarro

Jacob Abraham Camille Pissarro (/pɪˈsɑːr/ piss-AR-oh; French: [kamij pisaʁo]; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Paul Cézanne said "he was a father for me. A man to consult and a little like the good Lord", and he was also one of Paul Gauguin's masters. Pierre-Auguste Renoir referred to his work as "revolutionary", through his artistic portrayals of the "common man", as Pissarro insisted on painting individuals in natural settings without "artifice or grandeur".

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Impressionist in the context of Gauguin

Eugène Henri Paul Gauguin (/ɡˈɡæn/; French: [øʒɛn ɑ̃ʁi pɔl ɡoɡɛ̃]; 7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism.

Gauguin was born in Paris in 1848, amidst the tumult of Europe's revolutionary year. In 1850, Gauguin's family settled in Peru, where he experienced a privileged childhood that left a lasting impression on him. Later, financial struggles led them back to France, where Gauguin received formal education. Initially working as a stockbroker, Gauguin started painting in his spare time, his interest in art kindled by visits to galleries and exhibitions. The financial crisis of 1882 significantly impacted his brokerage career, prompting a shift to full-time painting. Gauguin's art education was largely self-taught and informal, shaped significantly by his associations with other artists rather than academic training. His entry into the art world was facilitated by his acquaintance with Camille Pissarro, a leading Impressionist. Pissarro took on a mentor role for Gauguin, introducing him to other Impressionist artists and techniques.

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Impressionist in the context of J. M. W. Turner

Joseph Mallord William Turner RA (23 April 1775 – 19 December 1851), known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. His artistic style developed over his lifetime, moving away from Romanticism—bypassing the following rising style of Realism—and, instead, with his later works being a significant precursor of and presaging the later Impressionist and Abstract Art movements that arose in the decades after his death. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting. In 1969 art historian Kenneth Clark wrote of Turner: "He was a genius of the first order—far the greatest painter that England has ever produced..."

Turner was born in Maiden Lane, Covent Garden, London, to a modest lower-middle-class family and retained his lower-class accent, while assiduously avoiding the trappings of success and fame. A child prodigy, Turner studied at the Royal Academy of Arts from 1789, enrolling when he was 14, and exhibited his first work there at 15. During this period, he also served as an architectural draftsman. He earned a steady income from commissions and sales, which he often only begrudgingly accepted owing to his troubled and contrary nature. He opened his own gallery in 1804 and became professor of perspective at the academy in 1807, where he lectured until 1828. He travelled around Europe from 1802, typically returning with voluminous sketchbooks.

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Impressionist in the context of Thyssen-Bornemisza Museum

The Thyssen-Bornemisza National Museum (Spanish: Museo Nacional Thyssen-Bornemisza, pronounced [muˈseo ˈtisen boɾneˈmisa]; named after its founder, Baron Heinrich Thyssen-Bornemisza), or simply the Thyssen, is an art museum in Madrid, Spain, located near the Prado Museum on one of the city's main boulevards. It is known as part of the "Golden Triangle of Art", which also includes the Prado and the Reina Sofía national galleries. The Thyssen-Bornemisza fills the historical gaps in its counterparts' collections: in the Prado's case this includes Italian primitives and works from the English, Dutch and German schools, while in the case of the Reina Sofía it concerns Impressionists, Expressionists, and European and American paintings from the 20th century.

With over 1,600 paintings, it was once the second largest private collection in the world after the British Royal Collection. A competition was held to house the core of the collection in 1987–88 after Baron Thyssen, having unsuccessfully sought permission to enlarge his museum in Lugano (Villa Favorita), searched for a better-suited location elsewhere in Europe.

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Impressionist in the context of Albertina

The Albertina is a museum in the Innere Stadt (First District) of Vienna, Austria. It houses one of the largest and most important print rooms in the world with approximately 65,000 drawings and approximately 1 million old master prints, as well as more modern graphic works, photographs and architectural drawings. Apart from the graphics collection the museum has acquired, on permanent loan, two significant collections of Impressionist and early 20th-century art, some of which are on permanent display. The museum also houses temporary exhibitions. The museum had 360,073 visitors in 2020, down 64 percent from 2019 due to the COVID-19 pandemic, but still ranked 55th in the list of most-visited art museums in the world.

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Impressionist in the context of Pierre Renoir

Pierre Renoir (French pronunciation: [pjɛʁ ʁənwaʁ]; 21 March 1885 – 11 March 1952) was a French stage and film actor. He was the son of the impressionist painter Pierre-Auguste Renoir and elder brother of the film director Jean Renoir. He is also noted for being the first actor to play Georges Simenon's character Inspector Jules Maigret inNight at the Crossroads, directed by his brother.

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