Image of God in the context of "Adam and Eve"

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⭐ Core Definition: Image of God

The "image of God" (Hebrew: צֶלֶם אֱלֹהִים, romanizedṣelem ʾĔlōhīm; Greek: εἰκών τοῦ Θεοῦ, romanizedeikón toú Theoú; Latin: imago Dei) is a concept and theological doctrine in Judaism and Christianity. It is a foundational aspect of Judeo-Christian belief with regard to the fundamental understanding of human nature. It stems from the primary text in Genesis 1:27, which reads (in the Authorized / King James Version): "So God created man in his own image, in the image of God created he him; male and female he created them." The exact meaning of the phrase has been debated for millennia.

Following tradition, a number of Jewish scholars, such as Saadia Gaon and Philo, argued that being made in the image of God does not mean that God possesses human-like features, but rather the reverse: that the statement is figurative language for God bestowing special honour unto humankind, which he did not confer unto the rest of creation.

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👉 Image of God in the context of Adam and Eve

Adam and Eve, according to the creation myth of the Abrahamic religions, were the first man and woman. They are central to the belief that humanity is in essence a single family, with everyone descended from a single pair of original ancestors. They also provide the basis for the doctrines of the fall of man and original sin, which are important beliefs in Christianity, although not held in Judaism or Islam.

In the Book of Genesis of the Hebrew Bible, chapters one through five, there are two creation narratives with two distinct perspectives. In the first, Adam and Eve are not named. Instead, God created humankind in God's image and instructed them to multiply and to be stewards over everything else that God had made. In the second narrative, God fashions Adam from dust and places him in the Garden of Eden. Adam is told that he can eat freely of all the trees in the garden, except for the tree of the knowledge of good and evil. Subsequently, Eve is created from one of Adam's ribs to be his companion. They are innocent and unembarrassed about their nakedness. However, a serpent convinces Eve to eat fruit from the forbidden tree, and she gives some of the fruit to Adam. These acts not only give them additional knowledge, but also give them the ability to conjure negative and destructive concepts such as shame and evil. God later curses the serpent and the ground. God prophetically tells the woman and the man what will be the consequences of their sin of disobeying him. Then he banishes them from the Garden of Eden.

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Image of God in the context of Original sin

In Christian theology, original sin (Latin: peccatum originale) is the condition of sinfulness that all humans share, which is inherited from Adam and Eve due to the Fall, involving the loss of original righteousness and the distortion of the Image of God. The biblical basis for the belief is generally found in Genesis 3 (the story of the expulsion of Adam and Eve from the Garden of Eden), and in texts such as Psalm 51:5 ("I was brought forth in iniquity, and in sin did my mother conceive me") and Romans 5:12–21 ("Therefore, just as sin entered the world through one man, and death through sin, and in this way death came to all people, because all sinned").

The specific doctrine of original sin was developed in the 2nd century struggle against Gnosticism by Irenaeus of Lyons, and was shaped significantly by Augustine of Hippo (354–430 AD), who was the first author to use the phrase "original sin". Influenced by Augustine, the Councils of Carthage (411–418 AD) and Orange (529 AD) brought theological speculation about original sin into the official lexicon of the Church.

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Image of God in the context of B'Tselem

B'Tselem (Hebrew: בְּצֶלֶם, IPA: [beˈtselem]; transl. "In the Image [of God]"; Arabic: بتسيلم), also known as the Israeli Information Center for Human Rights in the Occupied Territories, is a Jerusalem-based Israeli nonprofit organization aiming to document human rights violations in the Israeli-occupied Palestinian territories, combat any denial of the existence of such violations, and help create a human rights culture in Israel. It is headed by Yuli Novak, who took over in June 2023 from Hagai El-Ad. B'Tselem also maintains a presence in Washington, D.C., where it is known as B'Tselem USA. The organization is controversial within Israel, with reactions ranging from harsh criticism to strong praise.

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Image of God in the context of Anthropomorphism in Kabbalah

Kabbalah, the central system in Jewish mysticism, uses anthropomorphic mythic symbols to metaphorically describe manifestations of God in Judaism. Based on the verses "God created man in his own image, in the image of God created he him; male and female created he them" (Genesis 1:27) and "from my flesh shall I see God" (Job 19:26), Kabbalah uses the form of the human body to describe the structure of the human soul, and the nature of supernal Divine emanations. A particular concern of Kabbalah is sexual unity between male and female potencies in Divinity on high, depicted as interaction of the two sides in the sephiroth, Adam Kadmon the divine Anthropos, between archetypal partzufim or divine personas, and the redemption of the exiled Shekhinah, feminine divine presence, from captivity among the impure forces called qlippoth "husks" below.

Kabbalists repeatedly warn and stress the need to divest their subtle notions from any corporeality, dualism, plurality, or spatial and temporal connotations. All divine emanations are only from the spiritual perception of creation, nullifying from the Divine view into the Ohr Ein Sof (Infinite light). As "the Torah speaks in the language of Man", according to Berachot 31b and other sources, the empirical terms are necessarily imposed upon man's experience in this world. Once the analogy is described, its dialectical limitations are then related to stripping the kernel of its qlippa "husk" to arrive at a more accurate conception. Nonetheless, Kabbalists believe their mythic symbols are not arbitrary but carefully chosen terminologies that mystically point beyond their limits of language to denote subtle connotations and profound relationships in the Divine spiritual influences. More accurately, as they describe the emanation of the Material world from the Four Worlds, the analogous anthropomorphisms and material metaphors themselves derive through cause and effect from their precise root analogies on High.

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