IAST in the context of "Saptarishi"

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⭐ Core Definition: IAST

The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the 19th century from suggestions by Charles Trevelyan, William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars.

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IAST in the context of Sugriva

Sugriva (Sanskrit: सुग्रीव, lit.'beautiful necked', IAST: Sugrīva), is a character In the ancient Hindu epic Ramayana. He is the younger brother of Vali, whom he succeeded as ruler of the vanara kingdom of Kishkindha. He is a son of Surya, the Hindu deity of the sun. As the king of the vanaras, Sugriva aided Rama in his quest to liberate his wife Sita from captivity at the hands of the rakshasa king Ravana.

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IAST in the context of Koodiyattam

Koodiyattam (Malayalam: കൂടിയാട്ടം; IAST: kūṭiyāṭṭaṁ; lit.'combined act') is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of Koothu, an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity.

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IAST in the context of Devanagari

Devanagari (/ˌdvəˈnɑːɡəri/ DAY-və-NAH-gə-ree; in script: देवनागरी, IAST: Devanāgarī, Sanskrit pronunciation: [deːʋɐˈnaːɡɐriː]) is an Indic script used in the Indian subcontinent. It is a left-to-right abugida (a type of segmental writing system), based on the ancient Brāhmī script. It is one of the official scripts of India and Nepal. It was developed in, and was in regular use by, the 8th century CE. It had achieved its modern form by 1000 CE. The Devanāgarī script, composed of 48 primary characters, including 14 vowels and 34 consonants, is the fourth most widely adopted writing system in the world, being used for over 120 languages, the most popular of which is Hindi (हिन्दी).

The orthography of this script reflects the pronunciation of the language. Unlike the Latin alphabet, the script has no concept of letter case, meaning the script is a unicameral alphabet. It is written from left to right, has a strong preference for symmetrical, rounded shapes within squared outlines, and is recognisable by a horizontal line, known as a शिरोरेखा śirorekhā, that runs along the top of full letters. In a cursory look, the Devanāgarī script appears different from other Indic scripts, such as Bengali-Assamese or Gurmukhi, but a closer examination reveals they are very similar, except for angles and structural emphasis.

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IAST in the context of Swaraj

Swarāj (IAST: svarāja, lit.'self-rule') can mean, generally self-governance or "self-rule". The term was used synonymously with "home-rule" by Maharishi Dayanand Saraswati and later on by Mahatma Gandhi, but the word usually refers to Gandhi's concept of Indian independence from foreign domination. Swaraj lays stress on governance, not by a hierarchical government, but by self-governance through individuals and community building. The focus is on political decentralisation. Since this is against the political and social systems followed by Britain, Gandhi's concept of Swaraj advocated India's discarding British political, economic, bureaucratic, legal, military, and educational institutions. S. Satyamurti, Chittaranjan Das and Motilal Nehru were among a contrasting group of Swarajists who laid the foundation for parliamentary democracy in India.

Although Gandhi's aim of totally implementing the concepts of Swaraj in India was not achieved, the voluntary work organisations which he founded for this purpose did serve as precursors and role models for people's movements, voluntary organisations, and some of the non-governmental organisations that were subsequently launched in various parts of India. The student movement against oppressive local and central governments, led by Jayaprakash Narayan, Udit Swaraj and the Bhoodan movement, which presaged demands for land reform legislation throughout India, and which ultimately led to India's discarding of the Zamindari system of land tenure and social organisation, were also inspired by the ideas of Swaraj.

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IAST in the context of Gandhara civilisation

Gandhara (IAST: Gandhāra) was an ancient Indo-Aryan civilisation in present-day northwestern Pakistan and eastern Afghanistan. The core of the region of Gandhara was the Peshawar and Swat valleys, extending up to Kabul and Bagram in the west and the Pothohar Plateau in the east. However, the cultural influence of Greater Gandhara extended as far as the Bamyan valley in the west and the Karakoram range in the northeast. The region was a central location for the spread of Buddhism to Central and East Asia, with many Chinese Buddhist pilgrims visiting the region.

Between the third century BCE and third century CE, Gāndhārī, a Middle Indo-Aryan language written in the Kharosthi script and linked with the modern Dardic language family, acted as the lingua franca of the region, and through Buddhism, the language spread as far as China based on Gandhāran Buddhist texts. Famed for its unique Gandharan style of art, the region attained its height from the 1st century to the 5th century CE under the Kushan Empire, which had their twin capitals at Kapiśi and Puruṣapura, ushering the period known as Pax Kushana.

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IAST in the context of Kishkindha

Kishkindha (Sanskrit: किष्किन्धा, IAST: Kiṣkindhā) is a kingdom mentioned in Ramayana. It is ruled by King Sugriva, the younger brother of Vali, in the Sanskrit epic Ramayana. According to the Hindu epic this was the kingdom that Sugriva ruled with the assistance of his counsellor, Hanuman. Kishkindha is identified with the present location of Hampi, the erstwhile royal capital of Vijayanagara Empire.

During the Treta Yuga, the whole region was within the dense Dandaka Forest which was founded by King Danda, son of Ikshvaku, and descendant of Vaivasvata Manu in the Satya Yuga, which extended from the Vindhya range to the South Indian peninsula. Thus, this kingdom was considered that of the vanaras. During the Dvapara Yuga, the Pandava Sahadeva is stated to have visited this kingdom in the epic Mahabharata during his southern military campaign to collect tribute for Yudhishthira's Rajasuya sacrifice.

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IAST in the context of Surya

Surya (/ˈsriə/ SOO-ree-ə; Sanskrit: सूर्य, IAST: Sūrya) is the Sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Throughout Indian literature, Surya has been given multiple epitaphs such as Ravi, Vaivasvat, Bhāskara, etc. Furthermore, Surya has been described through aspects of itself which are identified as the Ādityas; including Savitr, Pushan, Mārtanda, Bhaga, etc.

The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. Surya is also regarded as the father of Sugriva and Karna, who play important roles in the two Hindu epics—the Ramayana and the Mahabharata, respectively. Surya was a primary deity in veneration by the characters of the Mahabharata and Ramayana.

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IAST in the context of Rama

Rama (/ˈrɑːmə/; Sanskrit: राम, IAST: Rāma, Sanskrit: [ˈraːmɐ] ) is a major deity in Hinduism. He is worshipped as the seventh and one of the most popular avatars of Vishnu. In Rama-centric Hindu traditions, he is considered the Supreme Being. Also considered as the ideal man (maryāda puruṣottama), Rama is the male protagonist of the Hindu epic Ramayana. His birth is celebrated every year on Rama Navami, which falls on the ninth day of the bright half (Shukla Paksha) of the lunar cycle of Chaitra (March–April), the first month in the Hindu calendar.

According to the Ramayana, Rama was born to Dasaratha and his first wife Kausalya in Ayodhya, the capital of the Kingdom of Kosala. His siblings included Lakshmana, Bharata, and Shatrughna. He married Sita. Born in a royal family, Rama's life is described in the Hindu texts as one challenged by unexpected changes, such as an exile into impoverished and difficult circumstances, and challenges of ethical questions and moral dilemmas. The most notable story involving Rama is the kidnapping of Sita by the demon-king Ravana, followed by Rama and Lakshmana's journey to rescue her.

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IAST in the context of Sita

Sita (Sanskrit: सीता; IAST: Sītā), also known as Siya, Jānaki and Maithili, is a Hindu goddess and the female protagonist of the Hindu epic Ramayana. Sita is the consort of Rama, the avatar of god Vishnu, and is regarded as an avatar of goddess Lakshmi. She is the chief goddess of the Ramanandi Sampradaya and is the goddess of beauty and devotion. Sita's birthday is celebrated every year on the occasion of Sita Navami.

Described as the daughter of Bhūmi (the earth), Sita is brought up as the adopted daughter of King Janaka of Videha. Sita, in her youth, chooses Rama, the prince of Ayodhya as her husband in a swayamvara. After the swayamvara, she accompanies her husband to his kingdom but later chooses to accompany him along with her brother-in-law Lakshmana, in his exile. While in exile, the trio settles in the Dandaka forest from where she is abducted by Ravana, the Rakshasa king of Lanka. She is imprisoned in the garden of Ashoka Vatika, in Lanka, until she is rescued by Rama, who slays her captor. After the war, in some versions of the epic, Rama asks Sita to undergo Agni Pariksha (an ordeal of fire), by which she proves her chastity, before she is accepted by Rama, which for the first time makes his brother Lakshmana angry at him.

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