Hyperbole (/haɪˈpɜːrbəli/ ; adj. hyperbolic /ˌhaɪpərˈbɒlɪk/ ) is the use of exaggeration as a rhetorical device or figure of speech. In rhetoric, it is also sometimes known as auxesis (literally 'growth'). In poetry and oratory, it emphasizes, evokes strong feelings, and creates strong impressions. As a figure of speech, it is usually not meant to be taken literally.
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👉 Hyperbole in the context of Political cartoon
A political cartoon, also known as an editorial cartoon, is a cartoon graphic with caricatures of public figures, expressing the artist's opinion. An artist who writes and draws such images is known as an editorial cartoonist. They typically combine artistic skill, hyperbole and satire in order to either question authority or draw attention to corruption, political violence and other social ills.
Developed in England in the latter part of the 18th century, the political cartoon was pioneered by James Gillray, although his and others in the flourishing English industry were sold as individual prints in print shops. Founded in 1841, the British periodical Punch appropriated the term cartoon to refer to its political cartoons, which led to the term's widespread use.
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Hyperbole in the context of Metaphor
A metaphor is a figure of speech that, for rhetorical effect, refers to one thing by mentioning another. It may provide clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to create a likeness or an analogy.
Analysts group metaphors with other types of figurative language, such as hyperbole, metonymy, and simile. According to Grammarly, "Figurative language examples include similes, metaphors, personification, hyperbole, allusions, and idioms." One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from As You Like It:
Hyperbole in the context of Joke
A joke is a display of humour in which words are used within a specific and well-defined narrative structure to make people laugh and is usually not meant to be interpreted literally. It usually takes the form of a story, often with dialogue, and ends in a punch line, whereby the humorous element of the story is revealed; this can be done using a pun or other type of word play, irony or sarcasm, logical incompatibility, hyperbole, or other means. Linguist Robert Hetzron offers the definition:
It is generally held that jokes benefit from brevity, containing no more detail than is needed to set the scene for the punchline at the end. In the case of riddle jokes or one-liners, the setting is implicitly understood, leaving only the dialogue and punchline to be verbalised. However, subverting these and other common guidelines can also be a source of humour—the shaggy dog story is an example of an anti-joke; although presented as a joke, it contains a long drawn-out narrative of time, place and character, rambles through many pointless inclusions and finally fails to deliver a punchline. Jokes are a form of humour, but not all humour is in the form of a joke. Some humorous forms which are not verbal jokes are: involuntary humour, situational humour, practical jokes, slapstick and anecdotes.
Hyperbole in the context of Auxesis (rhetoric)
Auxesis (Ancient Greek: αὔξησις, aúxēsis) is the Greek word for "growth" or "increase". In rhetoric, it refers to varying forms of increase:
- hyperbole (overstatement): intentionally overstating a point, its importance, or its significance
- climax (ascending series): a series of clauses of increasing force
- amplification (rhetorical increase): extension or exaggerated, needless repetition of arguments to emphasize the point
Hyperbole in the context of Olympic-size swimming pool
An Olympic-size swimming pool is a swimming pool which conforms to the regulations for length, breadth, and depth made by World Aquatics (formerly FINA) for swimming at the Summer Olympics and the swimming events at the World Aquatics Championships. Different size regulations apply for other pool-based events, such as diving, synchronized swimming, and water polo. Less onerous breadth and depth regulations exist for lesser swimming competitions, but any "long course" event requires a course length of 50 metres (164 ft 0.5 in), as distinct from "short course" which applies to competitions in pools that are 25 metres (82 ft 0 in) in length (or 75 feet (22.9 m) in the United States). If touch pads are used in competition, then the distance is relative to the touch pads at either end of the course, so that the pool itself is generally oversized to allow for the width of the pads.
An Olympic-size swimming pool is used as a colloquial unit of volume, to make approximate comparisons to similarly sized objects or volumes. It is not a specific definition, as there is no maximum limit on the depth of an Olympic pool. The value has an order of magnitude of 1 megaliter (ML). Some style guides caution against the hyperbole of describing any relatively large pool as "Olympic-size[d]".
Hyperbole in the context of Kāvya
Kāvya (Devanagari: काव्य, IAST: kāvyá) was the Sanskrit literary style used by Indian court poets flourishing between c. 200 BCE and 1200 CE.
This literary style, which includes both poetry and prose, is characterised by abundant usage of figures of speech such as metaphors, similes, and hyperbole to create its characteristic emotional effects. The result is a short lyrical work, court epic, narrative or dramatic work. Kāvya can refer to the style or the completed body of literature. Aśvaghoṣa (c. 80–150 CE), a philosopher and poet considered the father of Sanskrit drama, is attributed with first using the term.