Joke in the context of "Hyperbole"

Creativity is the ability to form novel and valuable ideas or works using one's imagination. Products of creativity may be intangible (e.g. an idea, scientific theory, literary work, musical composition, or joke), or a physical object (e.g. an invention, dish or meal, piece of jewelry, costume, a painting).

Creativity may also describe the ability to find new solutions to problems, or new methods to accomplish a goal. Therefore, creativity enables people to solve problems in new ways.

Roman folklore is the folklore of ancient Rome, including genres such as myth (Roman mythology), legend, joke, charms, fable, ghostlore, and numerous others. Scholars have published various collections focused on ancient Rome's folklore. Roman folklore is closely related to Ancient Greek folklore and precedes Italian folklore.

In psychoanalysis and other psychological theories, the unconscious mind (or the unconscious) is the part of the psyche that is not available to introspection. Although these processes exist beneath the surface of conscious awareness, they are thought to exert an effect on conscious thought processes and behavior. The term was coined by the 18th-century German Romantic philosopher Friedrich Schelling and later introduced into English by the poet and essayist Samuel Taylor Coleridge.

The emergence of the concept of the unconscious in psychology and general culture was mainly due to the work of Austrian neurologist and psychoanalyst Sigmund Freud. In psychoanalytic theory, the unconscious mind consists of ideas and drives that have been subject to the mechanism of repression: anxiety-producing impulses in childhood are barred from consciousness, but do not cease to exist, and exert a constant pressure in the direction of consciousness. However, the content of the unconscious is only knowable to consciousness through its representation in a disguised or distorted form, by way of dreams and neurotic symptoms, as well as in slips of the tongue and jokes. The psychoanalyst seeks to interpret these conscious manifestations in order to understand the nature of the repressed.

A punch line (also punch-line or punchline) concludes a joke; it is intended to make people laugh. It is the third and final part of the typical joke structure. It follows the introductory framing of the joke and the narrative which sets up for the punch line.

In a broader sense, "punch line" can also refer to the unexpected and funny conclusion of any performance, situation or story.

Anti-humor or anti-comedy is a type of alternative humor that is based on the surprise factor of absence of an expected joke or of a punch line in a narration that is set up as a joke, which in turn can have a humorous effect to some. This kind of anticlimax is similar to that of the shaggy dog story. In fact, some researchers see the "shaggy dog story" as a type of anti-joke. Anti-humor is described as a form of irony or reversal of expectations that may provoke an emotion opposite to humor, such as fear, pain, embarrassment, disgust, awkwardness, or discomfort.

A one-liner is a joke that is delivered in a single line. A good one-liner is said to be pithy – concise and meaningful. Comedians and actors use this comedic method as part of their performance, and many fictional characters are also known to deliver one-liners, including James Bond, who often makes pithy and laconic quips after disposing of a villain.

An in-joke, also known as an inside joke or a private joke, is a joke with humour that is understandable only to members of an in-group; that is, people who are in a particular social group, occupation, or other community of shared interest. It is, therefore, an esoteric joke, only humorous to those who are aware of the circumstances behind it.

Typically, inside jokes use a reference in the punchline to imply that which is associated with the reference. Often, this reference refers to the punchline of another joke which was already heard by the in-group.

Alternative comedy is a term coined in the 1980s for a style of comedy that makes a conscious break with the mainstream comedic style of an era. The phrase has had different connotations in different contexts: in the UK, it was used to describe content that was an "alternative" to the mainstream stand-up of the day which took place in working men's clubs, and was characterised by unoriginal gags often containing elements of sexism and racism. In other contexts, it is the nature of the form that is "alternative", avoiding reliance on a standardised structure of a sequence of jokes with punch lines. Patton Oswalt has defined it as "comedy where the audience has no pre-set expectations about the crowd, and vice versa. In comedy clubs, there tends to be a certain vibe—alternative comedy explores different types of material."

In an interview with The A.V. Club after his performance in the 2011 comedy-drama film Young Adult, Oswalt stated: