Hindi literature in the context of "Romanization of Hindi"

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⭐ Core Definition: Hindi literature

Hindi literature (Hindi: हिंदी साहित्य, romanizedhindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi. Hindi literature is composed in three broad styles- prose (गद्य, gadya), poetry (पद्य, padya), and prosimetrum (चंपू, campū). Inspired by Bengali literature, Bharatendu Harishchandra started the modern Hindi literary practices. In terms of historical development, it is broadly classified into five prominent forms (genres) based on the date of production. They are:

  • Ādi Kāl /Vīr-Gāthā Kāl (आदि काल/वीरगाथा काल), prior to & including 14th century CE
  • Bhakti Kāl (भक्ति काल), 14th–18th century CE
  • Rīti Kāl /Śṛṅgār Kāl (रीति काल/ शृंगार काल), 18th–20th century CE
  • Ādhunik Kāl (आधुनिक काल, 'modern literature'), from 1850 CE onwards
  • Navyottar Kāl (Hindi: नव्योत्तर काल, lit.'post-modern literature'), from 1980 CE onwards

The literature was produced in languages and dialects such as Khariboli, Braj, Bundeli, Awadhi, Kannauji, as well as Chhattisgarhi. From the 20th century, works produced in Modern Standard Hindi, a register of Hindustani written in the Devanagari script, are sometimes regarded as the only basis of modern literature in Hindi (excluding Urdu literature of Hindustani language).

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Hindi literature in the context of Shardha Ram Phillauri

Shardha Ram Phillauri (September 1837 – 24 June 1881) was an Indian writer, poet and social reformer, known for his contributions to Hindi and Punjabi literature. He is best known for his Hindu religious hymn Om Jai Jagdish Hare and Bhagyawati, one of the first novels in Hindi. Phillauri has also been called the "father of modern Punjabi prose". Born in Phillaur, he visited cities across Punjab and died in Lahore in 1881.

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Hindi literature in the context of Awadhi language

Awadhi, also known as Audhi, is an Indo-Aryan language belonging to the Indo-Iranian subdivision of the Indo-European languages. It is spoken in the Awadh region of Uttar Pradesh in northern India and in Terai region of western Nepal. The name Awadh is connected to Ayodhya, the ancient city, which is regarded as the homeland of the Hindu deity Rama, the earthly avatar of Vishnu. Awadhi is also widely spoken, along with Bhojpuri, by the diaspora of Indians descended from those who left as indentured labourers during the colonial era. Along with Braj, it was used widely as a literary vehicle before being displaced by Hindi in the 19th century. Though distinct from standard Hindi, it continues to be spoken today in its unique form in many districts of central and eastern Uttar Pradesh.

The Indian government considers Awadhi to be a greater mother-tongue grouped under Eastern Hindi languages. Standard Hindi serves as the lingua franca of the region; Hindi, rather than Awadhi, is used for school instruction as well as administrative and official purposes and its literature falls within the scope of Hindi literature. Some of the most culturally significant works in Indian literature like the Ramcharitmanas and Hanuman Chalisa have been written in Awadhi.

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Hindi literature in the context of Bhartendu Harishchandra

Bharatendu Harishchandra (9 September 1850 – 6 January 1885) was an Indian poet, writer, and playwright. He authored several dramas, biographical sketches, and travel accounts with the goal of influencing public opinion. Bharatendu Harishchandra is often considered the father of modern Hindi literature and theatre. Some modern Indian authors have described him as a Yug Charan for his writing depicting the exploitative nature of the British Raj.

Writing under the pen name "Rasa," Harishchandra explored themes that portrayed the struggles of the Indian people. His works addressed issues such as poverty, dependency, British tyranny, middle-class unrest, and need for societal progress. Harishchandra opposed the conventional orthodoxy of the time and the manipulations of religious leaders. He is described by some as an influential Hindu traditionalist who used Vaishnava devotion to define a coherent Hindu religion.

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Hindi literature in the context of Jaishankar Prasad

Jaishankar Prasad (30 January 1889  – 15 November 1937) was a prominent figure in modern Hindi literature as well as Hindi theatre. Prasad was his pen name. He was also known as Chhayavadi kavi.

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Hindi literature in the context of Mohan Rakesh

Mohan Rakesh (8 January 1925 – 3 December 1972) was one of the pioneers of the Nai Kahani ("New Story") literary movement of the Hindi literature in India in the 1950s. He wrote the first modern Hindi play, Ashadh Ka Ek Din (One Day in Aashad) (1958), which won a competition organised by the Sangeet Natak Akademi. He made significant contributions to the novel, the short story, travelogue, criticism, memoir and drama.Mohan Rakesh's Aadhe-adhure is one of the most significant plays about urbanmiddle class family and poignantly projects the transition of values in the changing urban scenario in India.He was awarded the Sangeet Natak Akademi Award in 1968.

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