Braj Bhasha in the context of "Hindi literature"

Hindustani classical music (also known as North Indian classical music or Shastriya Sangeet) is the classical music of the Indian subcontinent's northern regions. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th-century from Carnatic music, the classical tradition of southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu, Kannada, Tamil, Malayalam, Hindustani music largely uses compositions written in Sanskrit, Hindustani (Hindi-Urdu), Braj, Awadhi, Bhojpuri, Bengali, Rajasthani and Punjabi.

Knowledge of Hindustani classical music is taught through a network of classical music schools, called gharana. Hindustani classical music is an integral part of the culture of North India and is performed across the country and internationally. Exponents of Hindustani classical music, including Ustad Bismillah Khan, Pandit Bhimsen Joshi and Ravi Shankar have been awarded the Bharat Ratna, the highest civilian award of India, for their contributions to the arts.

Hindi theatre is theatre performed in the Hindi language, including dialects such as Braj Bhasha, Khari Boli and Hindustani. Hindi theatre is produced mainly inNorth India, and some parts of West India and Central India, which include Mumbai and Bhopal. Hindi theatre has its roots in the traditional folk theatre of North India, like Ram lila and Raslila, and also influenced by distant Sanskrit drama. Starting with Bhartendu Harishchandra in the late 19th century and subsequent playwrights like Jaishankar Prasad, Mohan Rakesh, Hindi theatre came of age in the 1940s and 50s, when IPTA movement created a new brand of theatre practitioners in Hindi speaking areas, especially with IPTA Mumbai, Prithvi Theatres of thespian Prithviraj Kapoor, and theatre artiste Habib Tanvir, paving way for next generation of artists who came out once National School of Drama, Delhi started functioning in 1959.

Twilight language or secret language is a rendering of the Sanskrit term sāṃdhyābhāṣā (written also sāndhyābhāṣā, sāṃdhyabhāṣā, sāndhyabhāṣā; Wylie: dgongs-pa'i skad, THL gongpé ké) or of their modern Indic equivalents (especially in Bengali, Odia, Assamese, Maithili, Hindi, Nepali, Braj Bhasha and Khariboli).

As popularized by Roderick Bucknell and Martin Stuart-Fox in The Twilight Language: Explorations in Buddhist Meditation and Symbolism in 1986, the notion of "twilight language" is a supposed polysemic language and communication system associated with tantric traditions in Vajrayana Buddhism and Hinduism. It includes visual communication, verbal communication and nonverbal communication. Tantric texts are often written in a form of the twilight language that is incomprehensible to the uninitiated reader. As part of an esoteric tradition of initiation, the texts are not to be employed by those without an experienced guide and the use of the twilight language ensures that the uninitiated do not easily gain access to the knowledge contained in these works.

The Prithviraj Raso (IAST: Pṛthvīrāja Rāso) is a Brajbhasha epic poem about the life of Prithviraj Chauhan (reign. c. 1177–1192 CE). It is attributed to Chand Bardai, who according to the text, was a court poet of the king.

The earliest extant copy of the text dates back to the 16th century, although some scholars date its oldest version to the 13th century. By the 19th century, several interpolations and additions had been made to the original text under the patronage from Rajput rulers. The text now exists in four recensions. It contains a mixture of historical facts and imaginary legends, and is not considered historically reliable.

Rambola Dubey (Hindi pronunciation: [rɑːməboːlɑː d̪ubeː]; 11 August 1511 – 30 July 1623), popularly known as Goswami Tulsīdās (Sanskrit pronunciation: [tʊlsiːdaːsa]), was a Vaishnava (Ramanandi) Hindu saint, devotee (भक्त) and poet, renowned for his devotion to the deity Rama. He wrote several popular works in Sanskrit, Awadhi, and Braj Bhasha, but is best known as the author of the Hanuman Chalisa and of the epic Ramcharitmanas, a retelling of the Sanskrit Ramayana, based on Rama's life, in the vernacular Awadhi language.

Tulsidas spent most of his life in the cities of Banaras (modern Varanasi) and Ayodhya. The Tulsi Ghat on the Ganges in Varanasi is named after him. He founded the Sankat Mochan Hanuman Temple in Varanasi, believed to stand at the place where he had the sight of the deity. Tulsidas started the Ramlila plays, a folk-theatre adaptation of the Ramayana.

Awadhi, also known as Audhi, is an Indo-Aryan language belonging to the Indo-Iranian subdivision of the Indo-European languages. It is spoken in the Awadh region of Uttar Pradesh in northern India and in Terai region of western Nepal. The name Awadh is connected to Ayodhya, the ancient city, which is regarded as the homeland of the Hindu deity Rama, the earthly avatar of Vishnu. Awadhi is also widely spoken, along with Bhojpuri, by the diaspora of Indians descended from those who left as indentured labourers during the colonial era. Along with Braj, it was used widely as a literary vehicle before being displaced by Hindi in the 19th century. Though distinct from standard Hindi, it continues to be spoken today in its unique form in many districts of central and eastern Uttar Pradesh.

The Indian government considers Awadhi to be a greater mother-tongue grouped under Eastern Hindi languages. Standard Hindi serves as the lingua franca of the region; Hindi, rather than Awadhi, is used for school instruction as well as administrative and official purposes and its literature falls within the scope of Hindi literature. Some of the most culturally significant works in Indian literature like the Ramcharitmanas and Hanuman Chalisa have been written in Awadhi.