Hercules in the context of "Tetrarchy"

Heracles (/ˈhɛrəkliːz/ Ancient Greek: Ἡρακλῆς, lit. 'glory/fame of Hera'), born Alcaeus (Ἀλκαῖος, Alkaios) or Alcides (Ἀλκείδης, Alkeidēs), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon. He was a descendant of Perseus, another son of Zeus.

He was the greatest of the Greek heroes, the ancestor of royal clans known as Heracleidae (Ἡρακλεῖδαι), and a champion of the Olympian order against chthonic monsters. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. Details of his cult were adapted to Rome as well.

The Iron Age Greek migrations occurred from the middle of the 11th century to the end of the 9th century BCE (the Greek Dark Ages). The movements resulted in the settlement of the Aegean islands, Cyprus, Crete, and the western coast of Asia Minor. New cities were founded which afterwards became centers of Greek civilization. Tribal groups migrated in consecutive waves known as the Aeolic, Ionian, Doric, and Achaean (Arcadian) migrations.

Compared to the Greek colonisations of the Archaic period, the Iron Age Migrations were more ad hoc affairs, rather than being a planned settlement organised by a mother city. They are also less well-documented historically. In folk histories, they are often said to have been led by legendary leaders, such as Hercules or Orestes.

The Labours of Hercules or Labours of Heracles (Ancient Greek: ἆθλοι, âthloi, Latin: Labores) are a series of tasks carried out by Heracles, the greatest of the Greek heroes, whose name was later romanised as Hercules. They were accomplished in the service of King Eurystheus. The episodes were later connected by a continuous narrative.

The establishment of a fixed cycle of twelve labours was attributed by the Greeks to an epic poem, now lost, written by Peisander (7th to 6th centuries BC).

In Greek and Roman legendary history, Orithyia was the daughter of Marpesia, and became the queen of the Amazons. She was a key figures in the story of Hercules' quest for the girdle of the Amazon queen, his ninth labor.

Antonio del Pollaiuolo (UK: /ˌpɒlaɪˈwoʊloʊ/ POL-eye-WOH-loh, US: /ˌpoʊl-/ POHL-, Italian: [anˈtɔːnjo del pollaˈjwɔːlo]; 17 January 1429/1433 – 4 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian Renaissance painter, sculptor, engraver, and goldsmith, who made important works in all these media, as well as designing works in others, for example vestments, metal embroidery being a medium he worked in at the start of his career.

His most characteristic works in his main media show largely naked male figures in complicated poses of violent action, drawing from classical examples and often centred on a heroic Hercules. He, or possibly his brother, was also an innovative painter of wide landscape backgrounds, perhaps having learnt from Early Netherlandish painting. His two papal tombs were the only monuments to survive the demolition of Old St Peter's in the next century and be reconstructed in the present St Peter's Basilica.

In ancient Greek religion and mythology, Hebe (/ˈhiːbiː/; Ancient Greek: Ἥβη, lit. 'youth') is the goddess of youth or of the prime of life. She was the cup-bearer for the gods of Mount Olympus, serving their nectar and ambrosia. On Sicyon, she was worshipped as a goddess of forgiveness or mercy. She was often given the epithet Ganymeda ('Gladdening Princess').

Hebe is a daughter of Zeus and Hera, and the divine wife of Heracles (Roman equivalent: Hercules). She had influence over eternal youth and the ability to restore youth to mortals, a power that appears exclusive to her, as in Ovid's Metamorphoses, some gods lament the aging of their favoured mortals. According to Philostratus the Elder, Hebe was the youngest of the gods and the one responsible for keeping them eternally young, and thus was the most revered by them. Her role of ensuring the eternal youth of the other gods is appropriate to her role of serving as cup-bearer, as the word ambrosia has been linked to a possible Proto-Indo-European translation related to immortality, undying, and lifeforce. In art, she is typically depicted with her father in the guise of an eagle, often offering a cup to him. Her equivalent Roman goddess is Juventas.

In Greek mythology, Hyllus (/ˈhɪləs/; Ancient Greek: Ὕλλος, Hyllos) or Hyllas (Ὕλλᾱς, Hyllas) was a son of Heracles and Deianira and the husband of Iole.

Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, especially Mannerist ornament in architecture; this article concentrates on those times and places where Northern Mannerism generated its most original and distinctive work.

The three main centres of the style were in France, especially in the period 1530–1550, in Prague from 1576, and in the Netherlands from the 1580s—the first two phases very much led by royal patronage. In the last 15 years of the century, the style, by then becoming outdated in Italy, was widespread across northern Europe, spread in large part through prints. In painting, it tended to recede rapidly in the new century, under the new influence of Caravaggio and the early Baroque, but in architecture and the decorative arts, its influence was more sustained.