Cult (religion) in the context of "Heracles"

Sacred groves, sacred woods, or sacred forests are groves of trees that have special religious importance within a particular culture. Sacred groves feature in various cultures throughout the world. These are forest areas that are, for the most part, untouched by local people and often protected by local communities. They often play a critical role in protecting water sources and biodiversity, including essential resources for the groups that protect them.

They were important features of the mythological landscape and cult practice of Celtic, Estonian, Baltic, Germanic, ancient Greek, Near Eastern, Roman, and Slavic polytheism. They are also found in locations such as India (Maharashtra, Karnataka, Kerala, and Tamil Nadu), Japan (sacred shrine forests), China (Fengshui woodland), West Africa and Ethiopia (church forests). Examples of sacred groves include the Greco-Roman temenos, various Germanic words for sacred groves, and the Celtic nemeton, which was largely but not exclusively associated with Druidic practice.

Impiety is a perceived lack of proper respect for something considered sacred. Impiety is often closely associated with sacrilege, though it is not necessarily a physical action. Impiety cannot be associated with a cult, as it implies a larger belief system was disrespected. One of the Pagan objections to Christianity was that, unlike other mystery religions, early Christians refused to cast a pinch of incense before the images of the gods, an impious act in their eyes. Impiety in ancient civilizations was a civic concern, rather than solely religious (as religions were tied into the state). It was believed that impious actions such as disrespect towards sacred objects or priests could bring down the wrath of the gods.

Hittite mythology and Hittite religion were the religious beliefs and practices of the Hittites, who created an empire centered in Anatolia from c. 1600–1180 BC.

Most of the narratives embodying Hittite mythology are lost, and the elements that would give a balanced view of Hittite religion are lacking among the tablets recovered at the Hittite capital Hattusa and other Hittite sites. Thus, "there are no canonical scriptures, no theological disquisitions or discourses, no aids to private devotion". Some religious documents formed part of the corpus with which young scribes were trained, and have survived, most of them dating from the last several decades before the final burning of the sites. The scribes in the royal administration, some of whose archives survive, were a bureaucracy, organizing and maintaining royal responsibilities in areas that would be considered part of religion today: temple organization, cultic administration, reports of diviners, make up the main body of surviving texts.

Emar (Akkadian: 𒂍𒈥, É-mar), is an archaeological site at Tell Meskene in the Aleppo Governorate of northern Syria. It sits in the great bend of the mid-Euphrates, now on the shoreline of the man-made Lake Assad near the town of Maskanah.

It has been the source of many cuneiform tablets, making it rank with Ugarit, Mari and Ebla among the most important archaeological sites of Syria. In these texts, dating from the 14th century BC to the fall of Emar in 1187 BC, and in excavations in several campaigns since the 1970s, Emar emerges as an important Bronze Age trade center, occupying a liminal position between the power centers of Upper Mesopotamia and Anatolia–Syria. Unlike other cities, the tablets preserved at Emar, most of them in Akkadian and of the thirteenth century BC, are not royal or official, but record private transactions, judicial records, dealings in real estate, marriages, last wills, formal adoptions. In the house of a priest, a library contained literary and lexical texts in the Mesopotamian tradition, and ritual texts for local cults. The area of Emar was fortified by the Romans, Byzantines, and medieval Arabs as Barbalissos or Balis but that location is slightly removed from the more ancient tell and is dealt with in its separate article.

Horns of Consecration is a term coined by Sir Arthur Evans for the symbol, common in Minoan civilization, that is usually thought to represent the horns of the sacred bull. Evans said they were "a more or less conventionalised article of ritual furniture derived from the actual horns of the sacrificial oxen".

The porous limestone horns of consecration on the East Propyleia at Knossos (illustration, right) are restorations. Horns of consecration in stone or clay were placed on the roofs of buildings in Neopalatial Crete, or on tombs or shrines, probably as signs of sanctity of the structure. The symbol also appears on Minoan sealstones, often accompanied by the labrys (double axe) and bucranium (decorative bull skull sculpture), which are part of the iconography of Minoan bull sacrifice. Horns of consecration are among the cultic images painted on the Minoan coffins called larnakes, sometimes in isolation; they may have flowers between the horns, or the labrys.

Menrva (also spelled Menerva or Menfra) was an Etruscan goddess of war, art, wisdom, and medicine. She contributed much of her character to the Roman Minerva. She was the child of Uni and Tinia.

Although Menrva was seen by Hellenized Etruscans as their counterpart to Greek Athena, Menrva has some unique traits that make it clear that she was not an import from Greece. Etruscan artists under the influence of Greek culture, however, liked to portray Menrva with Gorgoneion, helmet, spear, and shield, and, on one mirrorback, as bursting from the head of her father, Tinia. Also, she commonly is seen as the protector of Hercle (Heracles) and Pherse (Perseus). On a bronze mirror found at Praeneste, she attends Perseus, who consults two Graeae, and, on another, holds high the head of Medusa, while she and seated Perseus and Hermes all gaze safely at its reflection in a pool at their feet. These images are more likely to reflect literary sources than any cult practice. On a bronze mirror from Bolsena, c. 300 BCE, she is portrayed attending a scene of Prometheus Unbound with Esplace (Asclepius), who bandages Prometheus' chest.