Heimskringla in the context of "List of Norwegian monarchs"

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⭐ Core Definition: Heimskringla

Heimskringla (Icelandic pronunciation: [ˈheimsˌkʰriŋla]) is the best known of the Old Norwegian kings' sagas. It was written in Old Norse in Iceland. While authorship of Heimskringla is nowhere attributed, some scholars assume it is written by the Icelandic knight, poet and historian, Snorri Sturluson (1178/79–1241) c. 1230. The title Heimskringla was first used in the 17th century, derived from the first two words of one of the manuscripts (kringla heimsins, "the circle of the world").

Heimskringla is a collection of sagas about Swedish and Norwegian kings, beginning with the saga of the legendary Swedish-Norwegian dynasty of the Ynglings, followed by accounts of historical Norwegian rulers from Harald Fairhair of the 9th century up to the death of the pretender Eystein Meyla in 1177.

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Heimskringla in the context of Snorri Sturluson

Snorri Sturluson (Old Norse: [ˈsnorːe ˈsturloˌson]; Icelandic: [ˈstnɔrːɪ ˈstʏ(r)tlʏˌsɔːn]; 1179 – 23 September 1241) was an Icelandic historian, poet, knight, and politician. He was elected twice as lawspeaker of the Icelandic parliament, the Althing. He is commonly thought to have authored or compiled portions of the Prose Edda, which is a major source for what is today known about Norse mythology and alliterative verse, and Heimskringla, a history of the Norse kings that begins with legendary material in Ynglinga saga and moves through to early medieval Scandinavian history. For stylistic and methodological reasons, Snorri is often taken to be the author of Egil's Saga. He was assassinated in 1241 by men claiming to be agents of the King of Norway.

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Heimskringla in the context of Erik Werenskiold

Erik Theodor Werenskiold (11 February 1855 – 23 November 1938) was a Norwegian painter and illustrator. He is especially known for his drawings for the Asbjørnsen and Moe collection of Norske Folkeeventyr, and his illustrations for the Norwegian edition of the Snorri Sturlason Heimskringla.

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Heimskringla in the context of Ynglingatal

Ynglingatal or Ynglinga tal (Old Norse: 'Enumeration of the Ynglingar') is a Skaldic poem cited by Snorri Sturluson in the Ynglinga saga, the first saga of Snorri's Heimskringla. Þjóðólfr of Hvinir (Thjodolf), who was a poet for Harald Fairhair (r. 872–930), is traditionally credited with its authorship. Snorri quotes frequently from this poem and cites it as one of the sources of the saga. The composition of the poem is dated to the 9th century.

The poem lists the partly mythical and partly historical ancient Swedish kings; twenty-seven of whom are mentioned in the poem, along with details about their deaths and burial places. The title Ynglingatal alludes to Yngling, who had the name Yngve-Frey—another name for Frey, the god who was worshipped in Sweden. Yngling allegedly descended from Frey's son Fjölnir. Snorri portrayed Harald Fairhair as a descendant of the Ynglings. The poem was written on behalf of Ragnvald Heidumhære, a cousin of King Harald Fairhair, and its last stanza is about Ragnvald.

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Heimskringla in the context of Huginn and Muninn

In Norse mythology, Huginn and Muninn (sometimes anglicized as Hugin and Munin; /ˈhɡɪn, ˈmnɪn/ or /ˈhjuːɡɪn, ˈmjuːnɪn/; roughly "mind and will" – see § Etymology) are a pair of ravens that serve under the god Odin, flying around the world (Midgard) and bringing him information. Huginn and Muninn are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources: the Prose Edda and Heimskringla; in the Third Grammatical Treatise, compiled in the 13th century by Óláfr Þórðarson; and in the poetry of skalds.

In the Poetic Edda, a disguised Odin expresses that he fears the ravens may not return from their daily flights. The Prose Edda explains that Odin is referred to as Hrafnaguð (O.N.: [ˈhrɑvnɑˌɡuð]; "raven-god") due to his association with Huginn and Muninn. In the Prose Edda and the Third Grammatical Treatise, the two ravens are described as perching on Odin's shoulders. Heimskringla details that Odin gave Huginn and Muninn the ability to speak.

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Heimskringla in the context of Skaldic poetry

A skald, or skáld (Old Norse: [ˈskɔːld]; Icelandic: [ˈskault], meaning "poet"), is one of the often named poets who composed skaldic poetry, one of the two kinds of Old Norse poetry in alliterative verse, the other being Eddic poetry. Skaldic poems were traditionally composed to honor kings, but were sometimes ex tempore. They include both extended works and single verses (lausavísur). They are characteristically more ornate in form and diction than eddic poems, employing many kennings, which require some knowledge of Norse mythology, and heiti, which are formal nouns used in place of more prosaic synonyms. Dróttkvætt metre is a type of skaldic verse form that most often use internal rhyme and alliteration.

More than 5,500 skaldic verses have survived, preserved in more than 700 manuscripts, including in several sagas and in Snorri Sturluson's Prose Edda, a handbook of skaldic composition that led to a revival of the art. Many of these verses are fragments of originally longer works, and the authorship of many is unknown. The earliest known skald from whom verses survive is Bragi Boddason, known as Bragi the Old, a Norwegian skald of the first half of the 9th century. Most known skalds were attached to the courts of Norwegian kings during the Viking Age, and increasingly were Icelanders. The subject matter of their extended poems was sometimes mythical before the conversion to Christianity, thereafter usually historical and encomiastic, detailing the deeds of the skald's patron. The tradition continued into the Late Middle Ages.

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Heimskringla in the context of Valkyrie

In Norse mythology, a valkyrie (/ˈvælkɪri/ VAL-kirr-ee or /vælˈkɪəri/ val-KEER-ee; from Old Norse: valkyrja, lit.'chooser of the slain') is one of a host of female figures who guide souls of the dead to the god Odin's hall Valhalla. There, the deceased warriors become einherjar ('single fighters' or 'once fighters'). When the einherjar are not preparing for the cataclysmic events of Ragnarök, the valkyries bear them mead. Valkyries also appear as lovers of heroes and other mortals, where they are sometimes described as the daughters of royalty, sometimes accompanied by ravens and sometimes connected to swans or horses.

Valkyries are attested in the Poetic Edda (a book of poems compiled in the 13th century from earlier traditional sources), the Prose Edda, the Heimskringla (both by Snorri Sturluson) and the Njáls saga (one of the Sagas of Icelanders), all written—or compiled—in the 13th century. They appear throughout the poetry of skalds, in a 14th-century charm, and in various runic inscriptions.

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Heimskringla in the context of Valhalla

In Norse mythology, Valhalla (/vælˈhælə/ val-HAL, US also /vɑːlˈhɑːlə/ vahl-HAH-lə; Old Norse: Valhǫll [ˈwɑlhɒlː], lit.'Hall of the Slain') is described as a majestic hall located in Asgard and presided over by the god Odin. There were five possible realms the soul could travel to after death. The first was Fólkvangr, ruled by the goddess Freyja. The second was Hel, ruled by Hel, Loki's daughter. The third was that of the goddess Rán. The fourth was the Burial Mound where the dead could live. The fifth and last realm was Valhalla, ruled by Odin and was called the Hall of Heroes. The masses of those killed in combat (known as the einherjar), along with various legendary Germanic heroes and kings, live in Valhalla until Ragnarök, when they will march out of its many doors to fight in aid of Odin against the jötnar. Valhalla was idealized in Viking culture and gave the Scandinavians a widespread cultural belief that there is nothing more glorious than death in battle. The belief in a Viking paradise and eternal life in Valhalla with Odin may have given the Vikings a violent edge over the other raiders of their time period.

Valhalla is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, in the Prose Edda (written in the 13th century by Snorri Sturluson), in Heimskringla (also written in the 13th century by Snorri Sturluson), and in stanzas of an anonymous 10th-century poem commemorating the death of Eric Bloodaxe known as Eiríksmál as compiled in Fagrskinna. Valhalla has inspired innumerable works of art, publication titles, and elements of popular culture and is synonymous with a martial (or otherwise) hall of the chosen dead. The name is rendered in modern Scandinavian languages as Valhöll in Icelandic, while the Swedish and Norwegian form is Valhall; in Faroese it is Valhøll, and in Danish it is Valhal.

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Heimskringla in the context of Ynglinga saga

Ynglinga saga (modern Icelandic pronunciation: [ˈiŋliŋka ˈsaːɣa]) is a Kings' saga, originally written in Old Norse by the Icelandic poet and historian Snorri Sturluson about 1225. It is the first section of his Heimskringla. It was first translated into English and published in 1844 by Samuel Laing.

Snorri Sturluson based his work on an earlier Ynglingatal which is attributed to the Norwegian 9th-century skald Þjóðólfr of Hvinir, and which also appears in Historia Norwegiae. It tells the most ancient part of the story of the House of Ynglings (Scylfings in Beowulf). Snorri described the descent of the kings of Norway from this royal house of Sweden.

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Heimskringla in the context of Egil's Saga

Egill's Saga or Egil's saga (Old Norse: Egils saga [ˈeɣels ˈsɑɣɑ]; Icelandic pronunciation: [ˈeijɪls ˈsaːɣa] ) is an Icelandic saga (family saga) on the lives of the clan of Egill Skallagrímsson (Anglicised as Egill Skallagrimsson), an Icelandic farmer, viking and skald. The saga spans the years c. 850–1000 and traces the family's history from Egill's grandfather to his offspring.

Its oldest manuscript (a fragment) dates back to c. 1250 AD. The saga comprises the sole source of information on the exploits of Egill, whose life is not historically recorded. Stylistic and other similarities between Egill's Saga and Heimskringla have led many scholars to believe that they were the work of the same author, Snorri Sturluson. The work is generally referred to as Egla [ˈɛkla] by Icelandic scholars.

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