Heavy cavalry in the context of "Ancient Macedonian army"

Light cavalry comprised lightly armed and armored cavalry troops mounted on fast horses, as opposed to heavy cavalry, where the mounted riders (and sometimes the warhorses) were heavily armored. The purpose of light cavalry was primarily raiding, reconnaissance, screening, skirmishing, patrolling, and tactical communications. Prior to the 17th century they were usually armed with swords, spears, javelins, or bows, and later on with sabres, pistols, shotguns, or carbines.

Light cavalry was used infrequently by Ancient Greeks (who used hippeis such as prodromoi or sarissophoroi) and Ancient Romans (who used auxiliaries such as equites Numidarum or equites Maurorum), but were more common among the armies of Eastern Europe, North Africa, West Asia, Central Asia, and East Asia. The Arabs, Cossacks, Hungarians, Huns, Kalmycks, Mongols, Turks, Parthians, and Persians were all proficient horse archers.

A chariot is a type of vehicle similar to a cart, driven by a charioteer, usually using horses to provide rapid motive power. The oldest known chariots have been found in burials of the Sintashta culture in modern-day Chelyabinsk Oblast, Russia, dated to c. 1950–1880 BC and are depicted on cylinder seals from Central Anatolia in Kültepe dated to c. 1900 BC. The critical invention that allowed the construction of light, horse-drawn chariots was the spoked wheel.

The chariot was a fast, light, open, two-wheeled conveyance drawn by two or more equids (usually horses) that were hitched side by side, and was little more than a floor with a waist-high guard at the front and sides. It was initially used for ancient warfare during the Bronze and Iron Ages, but after its military capabilities had been superseded by light and heavy cavalries, chariots continued to be used for travel and transport, in processions, for games, and in races.

Historically, cavalry (from the French word cavalerie, itself derived from cheval meaning "horse") are groups of soldiers or warriors who fight mounted on horseback. Until the 20th century, cavalry were the most mobile of the combat arms, operating as light cavalry in the roles of reconnaissance, screening, and skirmishing, or as heavy cavalry for decisive economy of force and shock attacks. An individual soldier in the cavalry is known by a number of designations depending on era and tactics, such as a cavalryman, horseman, trooper, cataphract, knight, drabant, hussar, uhlan, mamluk, cuirassier, lancer, dragoon, samurai or horse archer. The designation of cavalry was not usually given to any military forces that used other animals or platforms for mounts, such as chariots, camels or elephants. Infantry who moved on horseback, but dismounted to fight on foot, were known in the early 17th to the early 18th century as dragoons, a class of mounted infantry which in most armies later evolved into standard cavalry while retaining their historic designation.

Cavalry had the advantage of improved mobility, and a soldier fighting from horseback also had the advantages of greater height, speed, and inertial mass over an opponent on foot. Another element of horse mounted warfare is the psychological impact a mounted soldier can inflict on an opponent.

The Battle of Lechfeld, also known as the Second Battle of Lechfeld, was a series of military engagements over the course of three days from 10–12 August 955 in which the Kingdom of Germany, led by King Otto I the Great, fought the Hungarian army led by Harka Bulcsú and the chieftains Lél and Súr. The traditional view is that with the German victory, further invasions by the Magyars into Latin Europe ended, although it is more accurate to say that the battle resulted in a stalemate between the Hungarians and Germans over the next several decades.

The Hungarians invaded the Duchy of Bavaria in late June or early July 955 with 8,000–10,000 horse archers, infantry, and siege engines, intending to draw the main German army, under Otto I, into battle in the open field and destroy it. The Hungarians laid siege to Augsburg on the river Lech. Otto I advanced to relieve the city with an army of 8,000 heavy cavalry and infantry, divided into eight legions.

The medieval Bulgarian army was the primary military body of the First and the Second Bulgarian Empires, and some Puppet states of the former, like the Despotate of Dobruja. During the first decades after the foundation of the country, the army consisted of a Bulgar cavalry and a Slavic infantry. The core of the Bulgarian army was the heavy cavalry, which consisted of ca. 12,000 heavily armed riders. At its height in the 9th and 10th centuries, it was one of the most formidable military forces in Europe and was feared by its enemies. There are several documented cases of Byzantine commanders abandoning an invasion because of a reluctance to confront the Bulgarian army on its home territory.

The army was intrinsically linked to the very existence of the Bulgarian state. Its success under Tsar Simeon I the Great marked the creation of a wide-ranging empire, and its defeat in a prolonged war of attrition in the early 11th century meant the end of Bulgarian independence. When the Bulgarian state was reestablished in 1185, a series of capable emperors achieved a remarkable string of victories over the Byzantines and the Western Crusaders, but as the state and its army fragmented in the 13th and 14th centuries, it proved unable to halt the Ottoman advance, which resulted in the conquest of all of Bulgaria by 1396/1422. It would not be until 1878, with the Liberation of Bulgaria, that a Bulgarian military would be restored.

A cataphract was a form of armoured heavy cavalry that originated in Persia and was fielded in ancient warfare throughout Eurasia and Northern Africa.

Historically, the cataphract was a very heavily armoured horseman, with both the rider and mount almost completely covered in scale or lamellar armour over chain mail, and typically wielding a kontos (lance) as his primary weapon.

Scotland Forever! is an 1881 oil painting by Elizabeth Butler depicting the start of the charge of the Royal Scots Greys, a British heavy cavalry regiment that charged with other British heavy cavalry at the Battle of Waterloo in 1815. The painting has been reproduced many times and is considered an iconic representation of the battle itself, and of heroism more generally.