Heaven (Christianity) in the context of "Assumption of Mary"

The Second Coming (sometimes called the Second Advent or the Parousia) is the Christian and Islamic belief that Jesus Christ will return to Earth after his ascension to Heaven (the Ascension is said to have occurred about two thousand years ago). The idea is based on messianic prophecies and is part of most Christian eschatologies.

In Islamic eschatology, Jesus (ʿĪsā ibn Maryam) is also believed to return in the end times. According to Islamic belief, he will descend from Heaven to defeat the false messiah (al-Masih ad-Dajjal), restore justice, and reaffirm monotheism. His return is regarded as one of the major signs of the Day of Judgment, and he is viewed as a revered prophet, not divine, in Islamic theology.

Chapter 18 of the Gospel of Matthew contains the fourth of the five Discourses of Matthew, also called the Discourse on the Church or the ecclesiastical discourse. It compares "the greatest in the Kingdom of Heaven" to a child, and also includes the parables of the lost sheep and the unforgiving servant, the second of which also refers to the Kingdom of Heaven. The general themes of the discourse are the anticipation of a future community of followers, and the role and "spiritual condition" of his apostles in leading it.

Dale Allison states that this chapter offers "Instructions for the Church". Addressing his apostles in Matthew 18:18, Jesus states: "what things soever ye shall bind on earth shall be bound in heaven; and what things soever ye shall loose on earth shall be loosed in heaven". The discourse emphasizes the importance of humility and self-sacrifice as the high virtues within the anticipated community. It teaches that in the Kingdom of God, it is childlike humility that matters, not social prominence and clout.

In some forms of Christianity, the intermediate state or interim state is a person's existence between death and the universal resurrection. In addition, there are beliefs in a particular judgment right after death and a general judgment or last judgment after the resurrection. It bears resemblance to the Barzakh in Islam.

Early Christians looked for an imminent end of the world and many of them had little interest in an interim state between death and resurrection. The Eastern Church admits of such an intermediate state, but refrained from defining it, so as not to blur the distinction between the alternative definitive fates of Heaven and Hell. The Western Church goes differently by defining the intermediate state, with evidence from as far back as the Passion of Saint Perpetua, Saint Felicitas, and their Companions (203) of the belief that sins can be purged by suffering in an afterlife, and that purgation can be expedited by the intercession of the living.

The right hand of God is a phrase used in the Bible and common speech as a metaphor for the omnipotence of God and as a motif in art. In the Bible, to be at the right side "is to be identified as being in the special place of honor". In "The Sheep and the Goats", one of the parables of Jesus, the sheep and goats are separated with the sheep on the right hand of God and the goats on the left hand.

It is also a placement next to God in Heaven, in the traditional place of honor, mentioned in the New Testament as the place of Christ at Mark 16:19, Luke 22:69, Matthew 22:44 and 26:64, Acts 2:34 and 7:55, 1 Peter 3:22 and elsewhere. These uses reflect use of the phrase in the Old Testament, for example in Psalms 63:8 and 110:1.The implications of this anthropomorphic phrasing have been discussed at length by theologians, including Saint Thomas Aquinas.

Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.

In some strains of Christian theology, the Christian Church may be divided into:

• the Church Militant (Latin: Ecclesia militans), also called the Church Pilgrim, which consists of Christians on Earth who struggle as soldiers of Christ against sin, the devil, and "the rulers of the world of this darkness, against the spirits of wickedness in the high places";
• the Church Penitent (Latin: Ecclesia poenitens), also called the Church Suffering (Latin: Ecclesia dolens) or the Church Expectant (Latin: Ecclesia expectans), which in the theology of certain churches, especially that of the Catholic Church, consists of those Christians currently in Purgatory; and
• the Church Triumphant (Latin: Ecclesia triumphans), which consists of those who have the beatific vision and are in Heaven.

Within Catholic ecclesiology these divisions are known as the "three states of the Church." The actual language used in the Catechism of the Catholic Church states that "The three states of the Church… at the present time some of his disciples are pilgrims on earth. Others have died and are being purified, while still others are in glory, contemplating 'in full light, God himself triune and one, exactly as he is'."

According to the Acts of the Apostles, chapter 10, Saint Peter had a vision of a vessel (Greek: σκεῦος, skeuos; "a certain vessel descending upon him, as it had been a great sheet knit at the four corners") full of animals being lowered from heaven (Acts 10:11). A voice from heaven told Peter to kill and eat, but since the vessel (or sheet, ὀθόνη, othonē) contained unclean animals, Peter declined. The command was repeated two more times, along with the voice saying, "What God hath made clean, that call not thou common" (verse 15) and then the vessel was taken back to heaven (verse 16).

At this point in the narrative, messengers sent from Cornelius the Centurion arrive and urge Peter to go with them. He does so, and mentions the vision as he speaks to Cornelius, saying "God hath shewed me that I should not call any man common or unclean" (Acts 10:28). Peter related the vision again in Acts 11:4–9.

The Seven Deadly Sins and the Four Last Things is a painting attributed to the Early Netherlandish artist Hieronymus Bosch or to a follower of his, completed around 1500 or later. Since 1898 its authenticity has been questioned several times. In 2015 the Bosch Research Conservation Project claimed it to be by a follower, but scholars at the Prado, where the painting is on display in a sealed case, dismissed this argument. The painting is oil on wooden panels and is presented in a series of circular images.

Four small circles, detailing the four last things—Death, Judgment, Heaven, and Hell—surround a larger circle in which the seven deadly sins are depicted: wrath at the bottom, then (proceeding clockwise) envy, greed, gluttony, sloth, extravagance (later replaced with lust), and pride, using scenes from life rather than allegorical representations of the sins.