Haarlem Mannerists in the context of "Bartholomeus Spranger"

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⭐ Core Definition: Haarlem Mannerists

Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, especially Mannerist ornament in architecture; this article concentrates on those times and places where Northern Mannerism generated its most original and distinctive work.

The three main centres of the style were in France, especially in the period 1530–1550, in Prague from 1576, and in the Netherlands from the 1580s—the first two phases very much led by royal patronage. In the last 15 years of the century, the style, by then becoming outdated in Italy, was widespread across northern Europe, spread in large part through prints. In painting, it tended to recede rapidly in the new century, under the new influence of Caravaggio and the early Baroque, but in architecture and the decorative arts, its influence was more sustained.

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Haarlem Mannerists in the context of The Fall of the Titans

The Fall of the Titans is an oil painting of the Titanomachy by the Dutch painter Cornelis van Haarlem in 1588–1590. It measures 239 × 307 cm (94 × 121 in). The work is in the collection of the Statens Museum (the national art gallery) in Copenhagen, Denmark. It is an ambitious work of the Haarlem Mannerists, and a display of the artist's ability to devise and depict a large number of varied poses for the male nudes.

In Greek mythology, the Titans were members of the second generation of divine beings, descending from the primordial deities and preceding the Olympians. Based on Mount Othrys, the Titans most famously included the first twelve children of Gaia (Mother Earth) and Uranus (Father Sky). They ruled during the legendary Golden Age, and also comprised the first pantheon of Greek deities.

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