Groningen in the context of "Groningen (province)"

Maurice of Orange (Dutch: Maurits van Oranje; 14 November 1567 – 23 April 1625) was stadtholder of all the provinces of the Dutch Republic—except Friesland—from 1585 until his death. Prior to inheriting the title Prince of Orange from his elder half-brother, Philip William, in 1618, he was known as Maurice of Nassau.

Born in Dillenburg, Nassau, Maurice was educated at the Heidelberg University and the University of Leiden. He succeeded his father, William the Silent, as stadtholder of Holland and Zeeland in 1585, and later assumed the same position in Utrecht, Guelders, and Overijssel (1590), and Groningen (1620). As Captain-General and Admiral of the Union, Maurice reorganized the Dutch States Army, transforming the Dutch Revolt into a disciplined and effective military campaign.

Oldenburg (German pronunciation: [ˈɔldn̩bʊʁk] ; Northern Low Saxon: Ollnborg) is an independent city in the state of Lower Saxony, Germany. The city is officially named Oldenburg (Oldb) (Oldenburg in Oldenburg) to distinguish from Oldenburg in Holstein.

During the French annexation (1811–1813) in the wake of the Napoleonic war against Britain, it was also known as Le Vieux-Bourg in French. The city is at the rivers Hunte and Haaren, in the northwestern region between the cities of Bremen in the east and Groningen (Netherlands) in the west. According to Germany's 2022 census, the city's population is 176.068 in 2024. Oldenburg is part of the Northwest Metropolitan Region, which is home to approximately 2.8 million people.

Megalithic architecture appeared in what is now the Netherlands during the Neolithic period, especially in the northeast. Megalithic structures, i.e. buildings made of large upright stones, occur in various forms and functions, mainly as burial sites, temples or menhirs (stones standing alone or in a formation). In the Netherlands, only burial complexes are known. These large stone tombs (Dutch: Hunebedden) were built between 3470 and 3250 BC by members of the Western Group of the Funnelbeaker culture (TBK) and were used until about 2760 BC. After the end of the Funnelbeaker culture in the Late Neolithic, the sites were reused by the Single Grave culture and the Bell Beaker culture during the ensuing Early Bronze Age and, to a lesser extent, into the Middle Ages.

Of the original 100 megalithic tombs in the Netherlands, 54 are still preserved today. Of these, 52 are located in the province of Drenthe. Two more are in the province of Groningen, one of which has been turned into a museum. There is also a site in the province of Utrecht whose classification as a megalithic tomb is uncertain. Destroyed megalithic tombs are also known from the province of Overijssel. Most of the surviving tombs are concentrated on the Hondsrug ridge between the cities of Groningen and Emmen.

Amsterdam is well known as one of the most bicycle-friendly cities, with high levels of bicycle infrastructure, planning and funding, tourism—as well as high levels of bike theft, safety concerns and overcrowding in places.

Though considered one of the best-known centers of bicycle culture worldwide, numerous other cities in the Netherlands and globally outrank Amsterdam in bike-friendliness, including The Hague, Eindhoven and Almere, which were nominated for the Fietsstad 2014 awards. The city of Groningen won the award in 2001.

Westerwolde (Dutch pronunciation: [ˌʋɛstərˈʋɔldə]) is a region in the province Groningen in the north of the Netherlands. The region is located in the most eastern part of the Netherlands, alongside the German border. It is situated around the rivers Mussel Aa, Ruiten Aa, and Westerwoldse Aa, and it contains the villages Bellingwolde, Blijham, Onstwedde, Sellingen, Ter Apel, Vlagtwedde, Vriescheloo, and Wedde. The people in Westerwolde speak Dutch and the West Low German dialect Westerwolds.

Historically, the region is one of the Ommelanden, which are the regions around the city of Groningen.

De Ploeg (Dutch pronunciation: [də ˈplux]; "The Plough" or "The Group") is an artist collective from the city of Groningen in the Netherlands. The collective was established in 1918 by a group of young artists. Their goal was to create new opportunities for exhibitions and to educate the general public about developments in art, architecture, and literature.The name was suggested by one of the founding members Jan Altink, because he felt like a lot of ground still had to be broken for modern art in Groningen. Several art styles were prominent within "De Ploeg", including expressionism, constructivism and impressionism. This artist collective still exists, but its most important time lay in the 1920s.