Greco-Roman antiquity in the context of "Farnese Collection"

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⭐ Core Definition: Greco-Roman antiquity

Classical antiquity, also known as the classical era, classical period, classical age, or simply antiquity, is the period of cultural European history between the 8th century BC and the 5th century AD. It comprises the interwoven civilizations of ancient Greece and Rome, known together as the Greco-Roman world, which played a major role in shaping the culture of the Mediterranean basin. It is the period during which ancient Greece and Rome flourished and had major influence throughout much of Europe, North Africa, and West Asia. Classical antiquity was succeeded by Late antiquity.

Conventionally, it is often considered to begin with the earliest recorded Epic Greek poetry of Homer (8th–7th centuries BC) and end with the fall of the Western Roman Empire in 476 AD. Such a wide span of history and territory covers many disparate cultures and periods. Classical antiquity may also refer to an idealized vision among later people of what was, in Edgar Allan Poe's words, "the glory that was Greece, and the grandeur that was Rome".

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πŸ‘‰ Greco-Roman antiquity in the context of Farnese Collection

The Farnese Collection is one of the first collections of artistic items from Greco-Roman antiquity. It includes some of the most influential classical works, including the sculptures that were part of the Farnese Marbles, their collection of statuary, which includes world-famous works like the Farnese Hercules, Farnese Cup, Farnese Bull and the Farnese Atlas. These statues are now displayed in the National Archaeological Museum of Naples in Italy with some in the British Museum in London.

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Greco-Roman antiquity in the context of Western civilization

Western culture, also known as Western civilization, European civilization, Occidental culture, Western society, or simply the West, is the internally diverse culture of the Western world. The term "Western" encompasses the social norms, ethical values, traditional customs, belief systems, political systems, artifacts and technologies primarily rooted in European and Mediterranean histories. A broad concept, "Western culture" does not relate to a region with fixed members or geographical confines. It generally refers to the classical era cultures of Ancient Greece, Ancient Rome, and their Christian successors that expanded across the Mediterranean basin and Europe, and later circulated around the world predominantly through colonization and globalization.

Historically, scholars have closely associated the idea of Western culture with the classical era of Greco-Roman antiquity. However, scholars also acknowledge that other cultures, like Ancient Egypt, the Phoenician city-states, and several Near-Eastern cultures stimulated and influenced it. The Hellenistic period also promoted syncretism, blending Greek, Roman, and Jewish cultures. Major advances in literature, engineering, and science shaped the Hellenistic Jewish culture from which the earliest Christians and the Greek New Testament emerged. The eventual Christianization of Europe in late-antiquity would ensure that Christianity, particularly the Catholic Church, remained a dominant force in Western culture for many centuries to follow.

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Greco-Roman antiquity in the context of Pisces (constellation)

Pisces is a constellation of the zodiac. Its vast bulk β€” and main asterism viewed in most European cultures per Greco-Roman antiquity as a distant pair of fishes connected by one cord each that join at an apex β€” are in the Northern celestial hemisphere. Its traditional astrological symbol is (β™“οΈŽ). Its name is Latin for "fishes". It is between Aquarius, of similar size, to the southwest and Aries, which is smaller, to the east. The ecliptic and the celestial equator intersect within this constellation and in Virgo. The Sun passes directly overhead of the equator, on average, at approximately this point in the sky, at the March equinox.

The right ascension/declination 00 is located within the boundaries of Pisces.

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Greco-Roman antiquity in the context of Sword-and-sandal

Sword-and-sandal, also known as peplum (pl.: pepla), is a subgenre of largely Italian-made historical, mythological, or biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as Samson and Delilah (1949), Quo Vadis (1951), The Robe (1953), The Ten Commandments (1956), Ben-Hur (1959), Spartacus (1960), and Cleopatra (1963). These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by spaghetti Western and Eurospy films.

The term "peplum" (a Latin word referring to the ancient Greek garment peplos) was introduced by French film critics in the 1960s. The terms "peplum" and "sword-and-sandal" were used in a condescending way by film critics. Later, the terms were embraced by fans of the films, similar to the terms "spaghetti Western" or "shoot-'em-ups". In their English versions, peplum films can be immediately differentiated from their Hollywood counterparts by their use of "clumsy and inadequate" English language dubbing. A 100-minute documentary on the history of Italy's peplum genre was produced and directed by Antonio Avati in 1977 titled Kolossal: i magnifici Macisti (aka Kino Kolossal).

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