Gothic architecture in the context of Erasmus House

Florence Cathedral (Italian: Duomo di Firenze), formally the Cathedral of Saint Mary of the Flower (Italian: Cattedrale di Santa Maria del Fiore [katteˈdraːle di ˈsanta maˈriːa del ˈfjoːre]), is the cathedral of the Catholic Archdiocese of Florence in Florence, Italy. Commenced in 1296 in the Gothic style to a design of Arnolfo di Cambio and completed by 1436 with a dome engineered by Filippo Brunelleschi, the basilica's exterior is faced with polychrome marble panels in various shades of green and pink, alternated by white, and features an elaborate 19th-century Gothic Revival western façade by Emilio De Fabris.

The cathedral complex, in Piazza del Duomo, includes the Florence Baptistery and Giotto's Campanile. These three buildings are part of the UNESCO World Heritage Site covering the historic centre of Florence and are a major tourist attraction of Tuscany. The basilica is one of world's largest churches and its dome is still the largest masonry dome ever constructed. The cathedral is the mother church and seat of the Archdiocese of Florence, whose archbishop is Gherardo Gambelli.

Beauty is commonly described as a feature of objects that makes them pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, art and taste are the main subjects of aesthetics, one of the fields of study within philosophy. As a positive aesthetic value, it is contrasted with ugliness as its negative counterpart.

One difficulty in understanding beauty is that it has both objective and subjective aspects: it is seen as a property of things but also as depending on the emotional response of observers. Because of its subjective side, beauty is said to be "in the eye of the beholder". It has been argued that the ability on the side of the subject needed to perceive and judge beauty, sometimes referred to as the "sense of taste", can be trained and that the verdicts of experts coincide in the long run. This suggests the standards of validity of judgments of beauty are intersubjective, i.e. dependent on a group of judges, rather than fully subjective or objective.

Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture and neoclassical architecture.

Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to other parts of Europe at different dates and with varying degrees of impact. It began in Florence in the early 15th century and reflected a revival of classical Greek and Roman principles such as symmetry, proportion, and geometry. This movement was supported by wealthy patrons, including the Medici family and the Catholic Church, who commissioned works to display both religious devotion and political power. Architects such as Filippo Brunelleschi, Leon Battista Alberti, and later Andrea Palladio revolutionized urban landscapes with domes, columns, and harmonious facades. While Renaissance architecture flourished most in Italy, its influence spread across Europe reaching France, Spain, and the Low Countries adapting to local traditions. Public buildings, churches, and palaces became symbols of civic pride and imperial strength, linking humanism with empire-building.

A tympanum (pl. tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element, although it is most commonly associated with Romanesque and Gothic architecture.

Alternatively, the tympanum may hold an inscription, or in modern times, a clock face.

The Tokyo Metropolitan Government Building (東京都庁舎, Tōkyō-to Chōsha), also referred to as the Tochō (都庁) for short, is the seat of the Tokyo Metropolitan Government, which governs the special wards, cities, towns, and villages that constitute the Tokyo Metropolis.

Located in Shinjuku ward, the building was designed by architect Kenzo Tange. It consists of a complex of three structures, each taking up a city block. The tallest of the three is the Tokyo Metropolitan Government Building No.1, a tower 48 stories tall that splits into two sections at the 33rd floor. The building also has three levels below ground. The design of the building was meant to resemble an integrated circuit, while also evoking the look of a Gothic cathedral. It is the tallest city hall in the world.

The high medieval Kingdom of Hungary was a regional power in central Europe. It came into existence in Central Europe when Stephen I, Grand Prince of the Hungarians, was crowned king in 1000 or 1001. He reinforced central authority and forced his subjects to accept Christianity. Although all written sources emphasize only the role played by German and Italian knights and clerics in the process, a significant part of the Hungarian vocabulary for agriculture and religion was taken from Slavic languages. Civil wars and pagan uprisings, along with attempts by the Holy Roman emperors to expand their authority over Hungary, jeopardized the new monarchy. The monarchy stabilized during the reigns of Ladislaus I (1077–1095) and Coloman (1095–1116). These rulers occupied Croatia and Dalmatia with the support of a part of the local population. Both realms retained their autonomous position. The successors of Ladislaus and Coloman—especially Béla II (1131–1141), Béla III (1176–1196), Andrew II (1205–1235), and Béla IV (1235–1270)—continued this policy of expansion towards the Balkan Peninsula and the lands east of the Carpathian Mountains, transforming their kingdom into one of the major powers of medieval Europe.

Rich in uncultivated lands, silver, gold, and salt deposits, Hungary became the preferred destination of mainly German, Italian, and French colonists. These immigrants were mostly peasants who settled in villages, but some were craftsmen and merchants, who established most of the cities of the Kingdom. Their arrival played a key role in the shaping of an urban lifestyle, habits, and culture in medieval Hungary. The location of the kingdom at the crossroads of international trade routes favored the coexistence of several cultures. Romanesque, Gothic, and Renaissance buildings and literary works written in Latin prove the predominantly Roman Catholic character of the culture; but Orthodox, and even non-Christian ethnic minority communities also existed. Latin was the language of legislation, administration and the judiciary, but "linguistic pluralism" contributed to the survival of many tongues, including a great variety of Slavic dialects.

Gothic Revival (also referred to as Victorian Gothic or Neo-Gothic) is an architectural movement that after a gradual build-up beginning in the second half of the 17th century became a widespread movement in the first half of the 19th century, mostly in England. Increasingly serious and learned admirers sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic Revival had become the pre-eminent architectural style in the Western world, only to begin to fall out of fashion in the 1880s and early 1890s.

For some in England, the Gothic Revival movement had roots that were intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. The "Anglo-Catholic" tradition of religious belief and style became known for its intrinsic appeal in the third quarter of the 19th century. Gothic Revival architecture varied considerably in its faithfulness to both the ornamental styles and construction principles of its medieval ideal, sometimes amounting to little more than pointed window frames and touches of neo-Gothic decoration on buildings otherwise created on wholly 19th-century plans, using contemporary materials and construction methods; most notably, this involved the use of iron and, after the 1880s, steel in ways never seen in medieval exemplars.

Church architecture refers to the architecture of Christian buildings, such as churches, chapels, convents, and seminaries. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions. From the Early Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were dominant features of the towns and countryside in which they stood. However, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. While a few are counted as sublime works of architecture to equal the great cathedrals and churches, the majority developed along simpler lines, showing great regional diversity and often demonstrating local vernacular technology and decoration.

Buildings were at first from those originally intended for other purposes but, with the rise of distinctively ecclesiastical architecture, church buildings came to influence secular ones which have often imitated religious architecture. In the 20th century, the use of new materials, such as steel and concrete, has had an effect upon the design of churches.

An architectural style is a classification of buildings (and nonbuilding structures) based on a set of characteristics and features, including overall appearance, arrangement of the components, method of construction, building materials used, form, size, structural design, and regional character.

Architectural styles are frequently associated with a historical epoch (Renaissance style), geographical location (Italian Villa style), or an earlier architectural style (Neo-Gothic style), and are influenced by the corresponding broader artistic style and the "general human condition". Heinrich Wölfflin even declared an analogy between a building and a costume: an "architectural style reflects the attitude and the movement of people in the period concerned".

Sucevița Monastery is an Eastern Orthodox convent situated in the Northeastern part of Romania. It is situated near the Suceviţa River, in the village Sucevița, 18 km away from the city of Rădăuţi, Suceava County. It is located in the southern part of the historical region of Bukovina (northwestern Moldavia). It was built in 1585 by Ieremia Movilă, Gheorghe Movilă and Simion Movilă.

The architecture of the church contains both Byzantine and Gothic elements, and some elements typical to other painted churches of northern Moldavia. Both interior and exterior walls are covered by mural paintings, which are of great artistic value and depict biblical episodes from the Old and New Testament. The paintings date from around 1601, which makes Sucevița one of the last monasteries to be decorated in the famous Moldavian style of exterior paintings.

Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognisable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace.

The earliest Gothic art was monumental sculpture, on the walls of Cathedrals and abbeys. Christian art was often typological in nature (see Medieval allegory), showing the stories of the New Testament and the Old Testament side by side. Saints' lives were often depicted. Images of the Virgin Mary changed from the Byzantine iconic form to a more human and affectionate mother, cuddling her infant, swaying from her hip, and showing the refined manners of a well-born aristocratic courtly lady.

Gothic fiction, sometimes referred to as Gothic horror (primarily in the 20th century), is a literary aesthetic of fear and haunting. The name of the genre is derived from the Renaissance-era use of the word "gothic", as a pejorative term meaning medieval and barbaric, which itself originated from Gothic architecture and in turn the Goths.

The first work to be labelled as Gothic was Horace Walpole's 1764 novel The Castle of Otranto, later subtitled A Gothic Story. Subsequent 18th-century contributors included Clara Reeve, Ann Radcliffe, William Thomas Beckford, and Matthew Lewis. The Gothic influence continued into the early 19th century, with Romantic works by poets such as Samuel Taylor Coleridge and Lord Byron. Novelists such as Mary Shelley, Charles Maturin, Walter Scott, and E. T. A. Hoffmann frequently drew upon Gothic motifs in their works as well.

Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.

The earliest large churches date from Late Antiquity. As Christianity and the construction of churches spread across the world, their manner of building was dependent upon local materials and local techniques. Different styles of architecture developed and their fashion spread, carried by the establishment of monastic orders, by the posting of bishops from one region to another and by the travelling of master stonemasons who served as architects. The successive styles of the great church buildings of Europe are known as Early Christian, Byzantine, Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, and various Revival styles of the late 18th to early 20th centuries, and then Modern. Underlying each of the academic styles are the regional characteristics. Some of these characteristics are so typical of a particular country or region that they appear, regardless of style, in the architecture of churches designed many centuries apart.

The Council of Clermont was a mixed synod of ecclesiastics and laymen of the Catholic Church, called by Pope Urban II and held from 17 to 27 November 1095 at Clermont, Auvergne, at the time part of the Duchy of Aquitaine.

While the council is known today primarily for the speech Pope Urban gave on the final day, it was primarily a synod focused on implementing the Cluniac reforms, enacting decrees and settling local and regional issues. This also included the extension of the excommunication of Philip I of France for his adulterous remarriage to Bertrade of Montfort and a declaration of renewal of the Truce of God, an attempt on the part of the church to reduce feuding among Frankish nobles.

The Basilica of Saint-Denis (French: Basilique royale de Saint-Denis, now formally known as the Basilique-cathédrale de Saint-Denis) is a large former medieval abbey church and cathedral in the commune of Saint-Denis, a northern suburb of Paris. The building is of singular importance historically and architecturally as its choir, completed in 1144, is widely considered the first structure to employ all of the elements of Gothic architecture.

The basilica became a place of pilgrimage and a necropolis containing the tombs of the kings of France, including nearly every king from the 10th century to Louis XVIII in the 19th century. Henry IV of France came to Saint-Denis formally to renounce his Protestant faith and become a Catholic. The queens of France were crowned at Saint-Denis, and the regalia, including the sword used for crowning the kings and the royal sceptre, were kept at Saint-Denis between coronations.

The Renaissance of the 12th century was a period of many changes at the outset of the High Middle Ages. It included social, political and economic transformations, and an intellectual revitalization of Western Europe with strong philosophical and scientific roots. These changes paved the way for later achievements such as the literary and artistic movement of the Italian Renaissance in the 15th century and the scientific developments of the 17th century.

Following the Western Roman Empire's collapse, Europe experienced a decline in scientific knowledge. However, increased contact with the Islamic world brought a resurgence of learning. Islamic philosophers and scientists preserved and expanded upon ancient Greek works, especially those of Aristotle and Euclid, which were translated into Latin, significantly revitalizing European science. During the High Middle Ages, Europe also saw significant technological advancements which spurred economic growth.