Gordon Bunshaft FAIA (May 9, 1909 – August 6, 1990) was an American architect, a leading proponent of modern design in the mid-twentieth century. A partner in Skidmore, Owings & Merrill (SOM), Bunshaft joined the firm in 1937 and remained with it for more than 40 years. His notable buildings include Lever House in New York, the Beinecke Rare Book and Manuscript Library at Yale University, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the National Commercial Bank in Jeddah, Saudi Arabia, 140 Broadway (Marine Midland Grace Trust Co.), and Manufacturers Hanover Trust Branch Bank in New York, the first post-war "transparent" bank on the East Coast.
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👉 Gordon Bunshaft in the context of Beinecke Rare Book and Manuscript Library
The Beinecke Rare Book and Manuscript Library is the rare book library and literary archive of Yale University Library in New Haven, Connecticut. It is one of the largest buildings in the world dedicated to rare books and manuscripts and is one of the largest collections of such texts. Established by a gift of the Beinecke family and given its own financial endowment, the library is financially independent from the university and is co-governed by Yale University Library and Yale Corporation.
Situated on Yale University's Hewitt Quadrangle, the building was designed by Gordon Bunshaft of Skidmore, Owings & Merrill and completed in 1963. From 2015 to 2016 the library building was closed for 18 months for major renovations, which included replacing the building's HVAC system and expanding teaching and exhibition capabilities.
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Gordon Bunshaft in the context of Hirshhorn Museum
The Hirshhorn Museum and Sculpture Garden is an art museum beside the National Mall in Washington, D.C., United States. The museum was initially endowed during the 1960s with the permanent art collection of Joseph H. Hirshhorn. It was designed by architect Gordon Bunshaft and is part of the Smithsonian Institution. It was conceived as the United States' museum of contemporary and modern art and currently focuses its collection-building and exhibition-planning mainly on the post–World War II period, with particular emphasis on art made during the last 50 years.
The Hirshhorn is situated halfway between the Washington Monument and the US Capitol, anchoring the southernmost end of the so-called L'Enfant axis (perpendicular to the Mall's green carpet). The National Archives/National Gallery of Art Sculpture Garden across the Mall, and the National Portrait Gallery/Smithsonian American Art building several blocks to the north, also mark this pivotal axis, a key element of both the 1791 city plan by Pierre L'Enfant and the 1901 MacMillan Plan.