Goldwork (embroidery) in the context of Surface embroidery


Goldwork (embroidery) in the context of Surface embroidery

⭐ Core Definition: Goldwork (embroidery)

Goldwork is the art of embroidery using metal threads. It is particularly prized for the way light plays on it. The term "goldwork" is used even when the threads are imitation gold, silver, or copper. The metal wires used to make the threads have never been entirely gold; they have always been gold-coated silver or cheaper metals, and even then the "gold" often contains a very low percentage of real gold. Most metal threads are available in silver and sometimes copper as well as gold; some are available in colors as well.

Goldwork is always surface embroidery and free embroidery. The vast majority is a form of laid work or couching; that is, the gold threads are held onto the surface of the fabric by a second thread, usually of fine silk. The ends of the thread, depending on type, are simply cut off, or are pulled through to the back of the embroidery and carefully secured with the couching thread. A tool called a mellore or a stiletto is used to help position the threads and create the holes needed to pull them through. The threads most often have metal or gold leaf wound around a textile core, or are treated with an adhesive and rolled in powdered gold or other metal.

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Goldwork (embroidery) in the context of Silver-gilt

Silver-gilt or gilded/gilt silver, sometimes known in American English by the French term vermeil, is silver (either pure or sterling) which has been gilded. Most large objects made in goldsmithing that appear to be gold are actually silver-gilt; for example, most sporting trophies (including medals such as the gold medals awarded in all Olympic Games after 1912) and many crown jewels are silver-gilt objects.

Apart from the raw materials being much less expensive to acquire than solid gold of any karat, large silver-gilt objects are also noticeably lighter, as well as more durable. (Gold is about 1.7× heavier than lead and 1.8× heavier than silver and is easily scratched and bent.) For objects that have intricate detail such as monstrances, gilding greatly reduces the need for cleaning and polishing, and so reduces the risk of damage. Ungilded silver would suffer oxidation and need frequent polishing; gold does not oxidize at all. The "gold" threads used in embroidered goldwork are normally also silver-gilt.

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Goldwork (embroidery) in the context of Pallium (Roman cloak)

The pallium was a Roman cloak. It was similar in form to the palla, which had been worn by respectable Roman women since the mid-Republican era. It was a rectangular length of cloth, as was the himation in ancient Greece. It was usually made from wool or flax, but for the higher classes it could be made of silk with the use of gold threads and embroideries.

The garment varied in fineness, colour and ornament. It could be white, purple red (purpurea from murex), black, yellow, blue, pale green, etc.

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