Cloak in the context of "Pallium (Roman cloak)"

A himation (/hɪˈmætiɒn, -iən/ him-AT-ee-on, -⁠ən; Ancient Greek: ἱμάτιον) was a type of clothing, a mantle or wrap worn by ancient Greek men and women from the Archaic period through the Hellenistic period (c. 750–30 BC). It was usually worn over a chiton and/or peplos, but was made of heavier drape and played the role of a cloak or shawl. When the himation was used alone, without a chiton, it served both as a chiton and as a cloak. The himation was markedly less voluminous than the Roman toga. Many vase paintings depict women wearing a himation as a veil covering their faces.

The himation continued into the Byzantine era as "iconographic dress" used in art and by the lower classes, worn by Christ, the Virgin Mary, and biblical figures.

The triumphal entry into Jerusalem is a narrative in the four canonical Gospels describing the arrival of Jesus in Jerusalem a few days before his crucifixion. This event is celebrated each year by Christians on Palm Sunday.

According to the gospels, Jesus arrived in Jerusalem to celebrate Passover, entering the city riding a donkey. He was greeted by a crowd acclaiming him by waving palm branches and laying cloaks on the ground to honor him. This episode introduces the events of the Passion of Jesus, leading to his crucifixion and resurrection. The event is described in Matthew 21:1–11, Mark 11:1–11, Luke 19:28–44 and John 12:12–19.

A mantle (from old French mantel, from mantellum, the Latin term for a cloak) is a type of loose garment usually worn over indoor clothing to serve the same purpose as an overcoat. Technically, the term describes a long, loose cape-like cloak worn from the 12th to the 16th century by both sexes, although by the 19th century, it was used to describe any loose-fitting, shaped outer garment similar to a cape. For example, the dolman, a 19th-century cape-like woman's garment with partial sleeves is often described as a mantle.

In English, the idiom "to take up/pick up/assume the mantle" is from the Bible, and means to take a position of authority, leadership or responsibility in a particular area, especially in the sense of carrying on for a previous figure. The most notable appearance in the Bible is in 2 Kings 2:13, where Elisha takes up Elijah's mantle (Hebrew: אדרת ’addereṯ).

A robe is a loose-fitting outer garment. Unlike garments described as capes or cloaks, robes usually have sleeves. The English word robe derives from Middle English robe ("garment"), borrowed from Old French robe ("booty, spoils"), itself taken from the Frankish word *rouba ("spoils, things stolen, clothes"), and is related to the word rob.

The palla was an elegant cloak or mantle that was wrapped around the body. It was worn outside the house by (affluent) Roman women. It was a luxurious version of the Roman men's pallium. The palla was a traditional ancient Roman mantle worn by women, fastened by brooches. The shape was rectangular instead of semi-circular, as with the traditional toga. The garment dates to the 3rd century BC, but the type of dress must be much older. In Latin literature, the term palla is used ambiguously. It can denote not only a cloak, but also a foot-length sleeveless dress with straps (or a brooch) worn directly on the skin. The second is a common dress form in the entire Mediterranean world. In a Greek cultural context, this is called peplos. In a Roman cultural context, if worn by a Roman matron, it also takes the name stola.

A fibula (/ˈfɪbjʊlə/, pl.: fibulae /ˈfɪbjʊli/) is a brooch or pin for fastening garments, typically at the right shoulder. The fibula developed in a variety of shapes, but all were based on the safety-pin principle. Unlike most modern brooches, fibulae were not only decorative; they originally served a practical function: to fasten clothing for both sexes, such as dresses and cloaks.

In English, "fibula" is a word not used for modern jewellery, but by archaeologists, who also use "brooch", especially for types other than the ancient "safety pin" types, and for types from the British Isles. For Continental archaeologists, all metal jewellery clothes-fasteners are usually "fibulae".

The Tara Brooch is an Irish Celtic brooch, dated to the late 7th or early 8th century. It is of the pseudo-penannular type (with a fully closed head or hoop), and made from bronze, silver and gold. Its head consists of an intricately decorated circular ring, and overall, its front and reverse sides are equally decorated; each holds around 50 inserted cast panels packed with filigree. The brooch was constructed from numerous individually made pieces; all of the borders and terminals contain multiple panels holding multi-coloured studs, interlace patterns, filigree, and Celtic spirals. It is widely considered the most complex and ornate of its kind, and would have been commissioned as a fastener for the cloak of a high-ranking cleric or as ceremonial insignia of high office for a High King of Ireland.

The Tara Brooch was hidden on the east coast of Ireland sometime during the 11th or 12th century, most likely to protect it from Viking or Norman invaders. It was rediscovered around 1850, but the exact find-spot and circumstances are unclear. Despite its title, it was not found at the Hill of Tara but on or near the beach around Bettystown on the coast of County Meath. The name by which it became known was chosen by its first commercial owner, the Dublin-based jeweller George Waterhouse, as a marketing ploy for selling copies during the height of the 19th century Celtic Revival. For this reason, many art historians describe it with inverted commas as the "Tara" brooch.

A ball gown, ballgown or gown is a type of evening gown worn to a ball or a formal event. Most versions are cut off the shoulder with a low décolletage, exposed arms, and long bouffant styled skirts. Such gowns are typically worn with opera-length white gloves, vintage jewelry or couture, and a stole (a formal shawl in expensive fabric), cape, or cloak in lieu of a coat. Where "state decorations" are to be worn, they are on a bow pinned to the chest, and married women wear a tiara if they have one. Although synthetic fabrics are now sometimes used, the most common fabrics are satin, silk, taffeta and velvet with trimmings of lace, pearls, sequins, embroidery, ruffles, ribbons, rosettes and ruching.