Goldsmith in the context of Religious

The Stone Age was a broad prehistoric period during which stone was widely used to make stone tools with an edge, a point, or a percussion surface. The period lasted for roughly 3.4 million years and ended between 4000 BC and 2000 BC, with the advent of metalworking. Because of its enormous timescale, it encompasses 99% of human history.

Though some simple metalworking of malleable metals, particularly the use of gold and copper for purposes of ornamentation, was known in the Stone Age, it is the melting and smelting of copper that marks the end of the Stone Age. In Western Asia, this occurred by about 3000 BC, when bronze became widespread. The term Bronze Age is used to describe the period that followed the Stone Age, as well as to describe cultures that had developed techniques and technologies for working copper alloys (bronze: originally copper and arsenic, later copper and tin) into tools, supplanting stone in many uses.

A printing press is a mechanical device for applying pressure to an inked surface resting upon a print medium (such as paper or cloth), thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in which the cloth, paper, or other medium was brushed or rubbed repeatedly to achieve the transfer of ink and accelerated the process. Typically used for texts, the invention and global spread of the printing press was one of the most influential events in the second millennium.

In Germany, around 1440, the goldsmith Johannes Gutenberg invented the movable-type printing press, which started the Printing Revolution. Modelled on the design of existing screw presses, a single Renaissance movable-type printing press could produce up to 3,600 pages per workday, compared to forty by hand-printing and a few by hand-copying. Gutenberg's newly devised hand mould made possible the precise and rapid creation of metal movable type in large quantities. His two inventions, the hand mould and the movable-type printing press, together drastically reduced the cost of printing books and other documents in Europe, particularly for shorter print runs.

Andrea del Verrocchio (/vəˈroʊkioʊ/ və-ROH-kee-oh, US also /-ˈrɔːk-/ -⁠RAW-, Italian: [anˈdrɛːa del verˈrɔkkjo]; born Andrea di Michele di Francesco de' Cioni; c. 1435 – 1488) was an Italian sculptor, painter and goldsmith who was a master of a workshop in Florence. He was the teacher of Leonardo da Vinci, with whom he painted the Baptism of Christ.

He became known as Verrocchio after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but his pupils also included Pietro Perugino and Lorenzo di Credi. His was a sculptor and sculpted the Equestrian statue of Bartolomeo Colleoni in Venice.

Antonio del Pollaiuolo (UK: /ˌpɒlaɪˈwoʊloʊ/ POL-eye-WOH-loh, US: /ˌpoʊl-/ POHL-, Italian: [anˈtɔːnjo del pollaˈjwɔːlo]; 17 January 1429/1433 – 4 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian Renaissance painter, sculptor, engraver, and goldsmith, who made important works in all these media, as well as designing works in others, for example vestments, metal embroidery being a medium he worked in at the start of his career.

His most characteristic works in his main media show largely naked male figures in complicated poses of violent action, drawing from classical examples and often centred on a heroic Hercules. He, or possibly his brother, was also an innovative painter of wide landscape backgrounds, perhaps having learnt from Early Netherlandish painting. His two papal tombs were the only monuments to survive the demolition of Old St Peter's in the next century and be reconstructed in the present St Peter's Basilica.

Theodor de Bry (also Theodorus de Bry; 1528 – 27 March 1598) was a Walloon engraver, goldsmith, editor and publisher, famous for his depictions of early European expeditions to the Americas. The Spanish Inquisition forced de Bry, a Protestant, to flee his native, Spanish-controlled Southern Netherlands. He moved around Europe, starting from his birth on the city of Liège in the Prince-Bishopric of Liège, then to Strasbourg, Antwerp, London and Frankfurt, where he settled.

De Bry created a large number of engraved illustrations for his books. Most of his books were based on first-hand observations by explorers, even if De Bry himself, acting as a recorder of information, never visited the Americas. To modern eyes, many of the illustrations seem formal but detailed.

Barclays PLC (/ˈbɑːrkliz/, occasionally /-leɪz/) is a British multinational universal bank, headquartered in London, England. Barclays operates as five divisions: the UK Consumer Bank, UK Corporate Bank, Private Bank and Wealth Management (PBWM), Investment Bank, and the US Consumer Bank.

Barclays traces its origins to the goldsmith banking business established in the City of London in 1690. James Barclay became a partner in the business in 1736. In 1896, twelve banks in London and the English provinces, including Goslings Bank, Backhouse's Bank and Gurney, Peckover and Company, united as a joint-stock bank under the name Barclays and Co. Over the following decades, Barclays expanded to become a nationwide bank. In 1967, Barclays deployed the world's first cash dispenser. Barclays has made numerous corporate acquisitions, including of London, Provincial and South Western Bank in 1918, British Linen Bank in 1919, Mercantile Credit in 1975, the Woolwich in 2000 and the North American operations of Lehman Brothers in 2008.

A silversmith is a metalworker who crafts objects from silver. The terms silversmith and goldsmith are not exact synonyms, as the techniques, training, history, and guilds are (or were, at least) largely the same but differed in that the end product may vary greatly (as may the scale of objects created).

A forming press, commonly shortened to press, is a machine tool that changes the shape of a work-piece by the application of pressure. The operator of a forming press is known as a press-tool setter, often shortened to tool-setter.

Bernardo Cennini (Italian: [berˈnardo tʃenˈniːni]; 1414/15 – c. 1498) was an Italian goldsmith, sculptor and early printer of Florence. As a sculptor he was among the assistants to Lorenzo Ghiberti in the long project producing the second pair of doors—the Doors of Paradise—for the Battistero di San Giovanni. He produced the first book printed at Florence. The painter and author of a famous book on the crafts, Cennino d'Andrea Cennini, was a member of the same Florentine family.

A blacksmith is a metalsmith who creates objects primarily from wrought iron or steel, but sometimes from other metals, by forging the metal, using tools to hammer, bend, and cut (cf. tinsmith). Blacksmiths produce objects such as gates, grilles, railings, light fixtures, furniture, sculpture, tools, agricultural implements, decorative and religious items, cooking utensils, and weapons. There was a historical distinction between the heavy work of the blacksmith and the more delicate operations of a whitesmith, who usually worked in gold, silver, pewter, or the finishing steps of fine steel. The place where a blacksmith works is variously called a smithy, a forge, or a blacksmith's shop.

While there are many professions who work with metal, such as farriers, wheelwrights, and armorers, in former times the blacksmith had a general knowledge of how to make and repair many things, from the most complex of weapons and armor to simple things like nails or lengths of chain.

Benvenuto Cellini (/ˌbɛnvəˈnjuːtoʊ tʃɪˈliːni, tʃɛˈ-/, Italian: [beɱveˈnuːto tʃelˈliːni]; 3 November 1500 – 13 February 1571) was an Italian goldsmith, sculptor, and author. His best-known extant works include the Cellini Salt Cellar, the sculpture of Perseus with the Head of Medusa, and his autobiography, which has been described as "one of the most important documents of the 16th century".

Pendilia (singular pendilium; from Latin pendulus, hanging) or pendoulia (the Greek equivalent), are pendants or dangling ornaments hanging from a piece of metalwork such as a crown, votive crown, crux gemmata, or kamelaukion, and are a feature of Early Medieval goldsmith work. On crosses the pendilia may include the letters alpha and omega, and on votive offerings, which were often designed to be hung over altars and where pendilia are at their largest and most spectacular, they may spell out whole words (see illustration).

The term is commonly used in coin collecting. Pendilia are depicted on coins as jewels or pearls hanging from the sides of the crown, and occur frequently on coins of Byzantine emperors. The pendilia which hung from the Emperors' crowns began with Marcian. Although the years saw the styles of crown change, the pendilia remained, at least through Manuel II Palaiologos. Surviving crowns with pendilia include the Holy Crown of Hungary and many votive crowns of the Treasure of Guarrazar from Visigothic Spain.

Lorenzo Ghiberti (UK: /ɡɪˈbɛərti/, US: /ɡiːˈ-/, Italian: [loˈrɛntso ɡiˈbɛrti]; né di Bartolo; 1378 – 1 December 1455) was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery, the later one called by Michelangelo the Gates of Paradise. Trained as a goldsmith and sculptor, he established an important workshop for sculpture in metal. His book of Commentarii contains important writing on art, as well as what may be the earliest surviving autobiography by any artist.

Ghiberti's career was dominated by his two successive commissions for pairs of bronze doors to the Florence Baptistery (Battistero di San Giovanni). They are recognized as a major masterpiece of the Early Renaissance, and were famous and influential from their unveiling.

Jacob Perkins (July 9, 1766 – July 30, 1849) was an American inventor, mechanical engineer and physicist based in the United Kingdom. Born in Newburyport, Massachusetts, Perkins was apprenticed to a goldsmith. He soon made himself known with a variety of useful mechanical inventions and eventually had twenty-one American and nineteen English patents. Sometimes known as the father of the refrigerator. He was elected a Fellow of the American Academy of Arts and Sciences in 1813 and a member of the American Philosophical Society in 1819.

Master E. S. (c. 1420 – c. 1468; previously known as the Master of 1466) is an unidentified German engraver, goldsmith, and printmaker of the late Gothic period. He was the first major German artist of old master prints and was greatly copied and imitated. The name assigned to him by art historians, Master E. S., is derived from the monogram, E. S., which appears on eighteen of his prints (variants appear on others). The title, Master, is used for unidentified artists who operated independently. He was probably the first printmaker to place his initials on his work.

Remaining signed works by E. S. indicate that he was active in printmaking from 1450 to 1467, the latest date to appear on one of his prints. After this date, he is presumed to have died. He was the most distinguished German engraver before Martin Schongauer.