The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini (c.1500–1571). It was completed in 1543 for Francis I of France (r.1515–1547), from silver plate models that had been prepared many years earlier for Cardinal Ippolito d'Este (c.1479–1520).
Functioning as more than just an expensive condiment holder, the cellar aimed to catapult conversation among intellectuals on the underlying meanings of the work. During the Renaissance, the Saliera was notable for its Mannerism. The main draw is the work's style and form, which Cellini discusses in his treatise, I trattati dell'oreficieria e della Scultura (Treatises on Goldsmithing and Sculpture) and in his autobiography. The work is the only extant gold sculpture by Benvenuto Cellini and is most famous of extant gold sculpture work to survive from the Renaissance. Ultimately, acting as a paradigm for 'renaissance gold smithery,' the sculptor showcased the multifaceted meanings of small objects of the era.
