Giovanni Boccaccio in the context of "Tuscany"

Dante Alighieri (Italian: [ˈdante aliˈɡjɛːri]; most likely baptized Durante di Alighiero degli Alighieri; c. May 1265 – September 14, 1321), widely known mononymously as Dante, was an Italian poet, writer, and philosopher. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language.

At a time when Latin was still the dominant language for scholarly and literary writing—and when many Italian poets drew inspiration from French or Provençal traditions—Dante broke with both by writing in the vernacular, specifically his native Tuscan dialect. His De vulgari eloquentia (On Eloquence in the Vernacular) was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as The New Life (1295) and Divine Comedy helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later follow.

Florence (/ˈflɒrəns/ FLORR-ənss; Italian: Firenze [fiˈrɛntse] ) is the capital city of the Italian region of Tuscany. It is also the most populated city in Tuscany, with 362,353 inhabitants, and 989,460 in its metropolitan province as of 2025.

Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy. The Florentine dialect forms the base of standard Italian and it became the language of culture throughout Italy due to the prestige of the masterpieces by Dante Alighieri, Petrarch, Giovanni Boccaccio, Niccolò Machiavelli and Francesco Guicciardini.

Francis Petrarch (/ˈpɛtrɑːrk, ˈpiːt-/; 20 July 1304 – 19 July 1374; Latin: Franciscus Petrarcha; modern Italian: Francesco Petrarca [franˈtʃesko peˈtrarka]), born Francesco di Petracco, was a scholar from Arezzo and poet of the early Italian Renaissance, as well as one of the earliest humanists.

Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca.

Tuscan (Italian: toscano [djaˈlɛtto tosˈkaːno; di.a-]; locally: vernacolo) is a set of Italo-Dalmatian varieties of Romance spoken in Tuscany, Corsica, and Sardinia.

Tuscan, especially its Florentine variety, formed the basis for establishing Standard Italian. Due mostly to the prestige of the works by Dante Alighieri, Petrarch, Giovanni Boccaccio, Niccolò Machiavelli, and Francesco Guicciardini, the Tuscan-derived elaboration became the primary language of culture throughout Italy, and later the official language of all of the historic Italian states and then of the Kingdom of Italy when it was formed.

Artemisia II of Caria (Greek: Ἀρτεμισία; died 351 BC) was a naval strategist, commander and the sister (and later spouse) and the successor of Mausolus, ruler of Caria. Mausolus was a satrap of the Achaemenid Empire, yet enjoyed the status of king or dynast of the Hecatomnid dynasty. After the death of her brother/husband, Artemisia reigned for two years, from 353 to 351 BCE. Her ascension to the throne prompted a revolt in some of the island and coastal cities under her command due to their objection to a female ruler. Her administration was conducted on the same principles as that of her husband; in particular, she supported the oligarchical party on the island of Rhodes.

Because of Artemisia's grief for her brother-husband, and the extravagant and bizarre forms it took, she became to later ages "a lasting example of chaste widowhood and of the purest and rarest kind of love", in the words of Giovanni Boccaccio. In art, she was usually shown in the process of consuming his ashes, mixed in a drink.

There are several figures in Greek mythology named Manto /ˈmæntoʊ/ (Ancient Greek: Μαντώ), the most prominent being the daughter of Tiresias. The name Manto derives from Ancient Greek Mantis, "seer, prophet".

• Manto, daughter of Tiresias.
• Manto, daughter of Heracles. According to Servius (comm. on Virgil, Aeneid X, 199), some held that this was the Manto for whom Mantua was named.
• Manto, daughter of the seer Polyidus. She and her sister Astycrateia were brought to Megara by their father, who came there to cleanse Alcathous for the murder of his son Callipolis. The tomb of the two sisters was shown at Megara in later times.
• Manto, daughter of another famous seer, Melampus. Her mother was Iphianeira, daughter of Megapenthes, and her siblings were Antiphates, Bias and Pronoe.
• Manto is remembered in De Mulieribus Claris, a collection of biographies of historical and mythological women by the Florentine author Giovanni Boccaccio, composed in 1361–62. It is notable as the first collection devoted exclusively to biographies of women in Western literature.