A mononym is a name composed of only one word. An individual who is known and addressed by a mononym is a mononymous person.
A mononym may be the person's only name, given to them at birth. This was routine in most ancient societies, and remains common in modern societies such as in Afghanistan, Bhutan, some parts of Indonesia (especially by older Javanese people), Myanmar, Mongolia, Tibet, and South India.
Dante Alighieri (Italian: [ˈdante aliˈɡjɛːri]; most likely baptized Durante di Alighiero degli Alighieri; c. May 1265 – September 14, 1321), widely known mononymously as Dante, was an Italian poet, writer, and philosopher. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language.
At a time when Latin was still the dominant language for scholarly and literary writing—and when many Italian poets drew inspiration from French or Provençal traditions—Dante broke with both by writing in the vernacular, specifically his native Tuscan dialect. His De vulgari eloquentia (On Eloquence in the Vernacular) was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as The New Life (1295) and Divine Comedy helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later follow.
Claudius Ptolemy (/ˈtɒləmi/; Ancient Greek: Πτολεμαῖος, Ptolemaios; Latin: Claudius Ptolemaeus; c. 100 – 160s/170s AD), better known mononymously as Ptolemy, was a Greco-Roman mathematician, astronomer, astrologer, geographer, and music theorist who wrote about a dozen scientific treatises, three of which were important to later Byzantine, Islamic, and Western European science. The first was his astronomical treatise now known as the Almagest, originally entitled Mathēmatikḗ Syntaxis (Μαθηματικὴ Σύνταξις, Mathēmatikḗ Syntaxis, lit. 'Mathematical Treatise'). The second is the Geography, which is a thorough discussion on maps and the geographic knowledge of the Greco-Roman world. The third is the astrological treatise in which he attempted to adapt horoscopic astrology to the Aristotelian natural philosophy of his day. This is sometimes known as the Apotelesmatika (Αποτελεσματικά, 'On the Effects') but more commonly known as the Tetrábiblos (from the Koine Greek meaning 'four books'; Latin: Quadripartitum).
The Catholic Church promoted his work, which included the only mathematically sound geocentric model of the Solar System, and unlike most Greek mathematicians, Ptolemy's writings (foremost the Almagest) never ceased to be copied or commented upon, both in late antiquity and in the Middle Ages. However, it is likely that only a few truly mastered the mathematics necessary to understand his works, as evidenced particularly by the many abridged and watered-down introductions to Ptolemy's astronomy that were popular among the Arabs and Byzantines. His work on epicycles is now seen as a very complex theoretical model built in order to explain a false tenet based on faith.
Eduardo De Filippo OMRI (Italian: [eduˈardo de fiˈlippo]; 26 May 1900 – 31 October 1984), also known mononymously as Eduardo, was an Italian actor, director, screenwriter, and playwright, best known for his Neapolitan works Filumena Marturano and Napoli milionaria. Considered one of the most important Italian artists of the 20th century, De Filippo was the author of many theatrical dramas staged and directed by himself first and later awarded and played outside Italy. For his artistic merits and contributions to Italian culture, he was named senator for life by the President of the Italian Republic Sandro Pertini.
Michelangelo di Lodovico Buonarroti Simoni (6 March 1475 – 18 February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. He was born in the Republic of Florence but was mostly active in Rome from his 30s onwards. His work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era.
Michelangelo achieved fame early. Two of his best-known works, the Pietà and David, were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes in the history of Western art: the scenes from Genesis on the ceiling of the Sistine Chapel in Rome, and The Last Judgment on its altar wall. His design of the Laurentian Library pioneered Mannerist architecture. At the age of 71, he succeeded Antonio da Sangallo the Younger as the architect of St. Peter's Basilica. Michelangelo transformed the plan so that the Western end was finished to his design, as was the dome, with some modification, after his death.
Katsushika Hokusai (葛飾 北斎; c. 31 October 1760 – 10 May 1849), known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock print series Thirty-Six Views of Mount Fuji includes the iconic print The Great Wave off Kanagawa. Hokusai was instrumental in developing ukiyo-e from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century.
Hokusai created the monumental Thirty-Six Views of Mount Fuji as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, The Great Wave off Kanagawa and Fine Wind, Clear Morning, that secured his fame both in Japan and overseas.
Bhutanese names usually consist of one or two given names, and no family names, with the exception of names of foreign origin and some family names of prominent families, such as the royal family name Wangchuck. The second given name or the combination of the given names may indicate a person's gender.
Bhutanese people are traditionally mononymous. There are around 19,000 unique names in Bhutan, and the most common names are Tshering, Sonam, Dorji, Kinley, Sangay, and Karma. Babies are typically not named immediately after birth; instead, parents will seek spiritual guidance from a religious leader such as a lama to name their babies within the first few weeks of their life. Names often have some religious significance. Some famous lamas are asked to name babies every time they travel, which can become taxing, so they may carry slips of paper with pre-written names on them to give out quickly. Some lamas may impart blessings on children by giving them names derived from their own. Names may also be chosen by looking through religious texts or through astrological symbols. Many people are named after the day of the week on which they were born. When babies are named, there is a ceremony at a local temple or monastery. Blessings are offered to local gods to ensure the well-being of the children. New names are usually given to babies, but adults may also assume new names at different stages of their lives.