Gaur Brahmin in the context of "Vidyadhar Bhattacharya"

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👉 Gaur Brahmin in the context of Vidyadhar Bhattacharya

Vidyadhar Bhattacharya (Bengali: বিদ্যাধর ভট্টাচার্য) (1693-1751) was the chief architect and city planner of Jaipur, Rajputana. originally a Gaur Brahmin who hailed from Naihati of present-day West Bengal, and was already working in the Amber state as Junior Auditor when approached by Maharaja Sawai Jai Singh II in 1727 to build one of the earliest planned cities of India. City Palace, a newer addition to palace complex, was designed by Sir Samuel Swinton Jacob. He used principles of Shilpa Shastra and Vaastu Shastra to create a grid-based model of city.

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Gaur Brahmin in the context of Miyan Tansen

Rāmtanu Panday (c. 1493 – 26 April 1589), popularly referred to as Mian Tānsen (lit.'the Learned One'), or Sangeet Samrāt (lit.'Monarch of Hindustani Music'), was a Hindustani classical musician. Born into a Hindu Gaur Brahmin family in Gwalior, he learnt and perfected his art in the northwest region of modern Madhya Pradesh. He got his first break as musician and composer in the court of Raja Man Singh Tomar of Gwalior and spent most of his adult life in the court and patronage of the Hindu king of Rewa, Raja Ramchandra Singh Baghel (r. 1555–1592), where Tānsen's musical abilities and studies gained widespread fame. This reputation brought him to the attention of the Mughal Emperor Akbar. In 1562, at about the age of 60, Tānsen joined Akbar's court, and his performances became the subject of many court historians.

Numerous legends have been written about Tānsen, mixing facts and fiction, and the historicity of these stories is doubtful. Akbar considered him one of the Navaratnas Nine Ministers (the nine jewels) and gave him the title Mian, an honorific, meaning learned man.Tansen was a great composer musician and vocalist, to whom many compositions have been attributed in the northern regions of the Indian subcontinent. He was also an instrumentalist who popularized and improved musical instruments. He is among the most influential personalities in the North Indian tradition of Indian classical music, called Hindustani. His 16th-century studies in music and compositions inspired many, and he is considered by numerous North Indian gharana (regional music schools) to be their lineage founder.

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