Fulla (Old Norse: [ˈfulːɑ], possibly 'bountiful') or Volla (Old High German, 'plenitude') is a goddess in Germanic mythology. In Norse mythology, Fulla is described as wearing a golden band and as tending to the ashen box and the footwear owned by the goddess Frigg, and, in addition, Frigg confides in Fulla her secrets. Fulla is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; the Prose Edda, written in the 13th century by Snorri Sturluson; and in skaldic poetry. Volla (Folla) is attested in the "Horse Cure" Merseburg Incantation, recorded anonymously in the 10th century in Old High German, in which she assists in healing the wounded foal of Phol and is referred to as Frigg's sister. Scholars have proposed theories about the implications of the goddess.
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👉 Fulla in the context of Frigg
Frigg (/frɪɡ/; Old Norse: [ˈfriɡː]) is a goddess, one of the Æsir, in Germanic mythology. In Norse mythology, the source of most surviving information about her, she is associated with marriage, prophecy, clairvoyance and motherhood, and dwells in the wetland halls of Fensalir. In wider Germanic mythology, she is known in Old High German as Frīja, in Langobardic as Frēa, in Old English as Frīg, in Old Frisian as Frīa, and in Old Saxon as Frī, all ultimately stemming from the Proto-Germanic theonym *Frijjō. Nearly all sources portray her as the wife of the god Odin.
In Old High German and Old Norse sources, she is specifically connected with Fulla, but she is also associated with the goddesses Lofn, Hlín, Gná, and ambiguously with the Earth, otherwise personified as an apparently separate entity Jörð (Old Norse: 'Earth'). The children of Frigg and Odin include the gleaming god Baldr.
Fulla in the context of List of Germanic deities
In Germanic paganism, the indigenous religion of the ancient Germanic peoples who inhabit Germanic Europe, there were a number of different gods and goddesses. Germanic deities are attested from numerous sources, including works of literature, various chronicles, runic inscriptions, personal names, place names, and other sources. This article contains a comprehensive list of Germanic deities outside the numerous Germanic Matres and Matronae inscriptions from the 1st to 5th century CE.
Fulla in the context of Gná
In Norse mythology, Gná (Old Norse) is a goddess who runs errands in other worlds for the goddess Frigg and rides the flying, sea-treading horse Hófvarpnir (Old Norse "he who throws his hoofs about", "hoof-thrower" or "hoof kicker"). Gná and Hófvarpnir are attested in the Prose Edda, written in the 13th century by Snorri Sturluson. Scholarly have proposed that Gná is a "goddess of fullness" and, in the 1800s, as potentially cognate to Fama from Roman mythology. Hófvarpnir and the eight-legged steed Sleipnir have been cited examples of transcendent horses in Norse mythology.
Fulla in the context of Hlín
In Norse mythology, Hlín is a goddess associated with the goddess Frigg. Hlín appears in a poem in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, and in kennings found in skaldic poetry. Scholars have debated whether the stanza referring to her in the Prose Edda refers to Frigg. Hlín serves as a given name in Iceland, and Hlín receives veneration in the modern era in Germanic paganism's modern extension, Heathenry.
Fulla in the context of Sinthgunt
Sinthgunt is a figure in Germanic mythology, attested solely in the Old High German 9th- or 10th-century Second Merseburg Charm. In the verse charm, Sinthgunt is referred to as the sister of the personified sun, Sunna (whose name is alliterative to Sinthgunt), and the two sisters are cited as both producing incantations to heal the horse of Phol, another otherwise unattested figure but possibly the same as Balder, who is named elsewhere in the charm. The two are then followed by Friia and Uolla, also alliterative and stated as sisters.
As Sinthgunt is otherwise unattested, her significance is otherwise unknown, but some scholarly theories exist about her role in Germanic mythology based on proposed etymologies and the potential significance of her placement within the poem.