Poetic Edda in the context of "Hlín"

In prosody, alliterative verse is a form of verse that uses alliteration as the principal device to indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic Beowulf, as well as most other Old English poetry, the Old High German Muspilli, the Old Saxon Heliand, the Old Norse Poetic Edda, and many Middle English poems such as Piers Plowman, Sir Gawain and the Green Knight, Layamon's Brut and the Alliterative Morte Arthur all use alliterative verse.

While alliteration is common in many poetic traditions, it is 'relatively infrequent' as a structured characteristic of poetic form. However, structural alliteration appears in a variety of poetic traditions, including Old Irish, Welsh, Somali and Mongol poetry. The extensive use of alliteration in the so-called Kalevala meter, or runic song, of the Finnic languages provides a close comparison, and may derive directly from Germanic-language alliterative verse.

A dwarf (pl. dwarfs or dwarves) is a type of supernatural short human-shaped being in Germanic folklore. Accounts of dwarfs vary significantly throughout history. They are commonly, but not exclusively, presented as living in mountains or stones and being skilled craftsmen. In early literary sources, only males are explicitly referred to as dwarfs. However, they are described as having sisters and daughters, while male and female dwarfs feature in later saga literature and folklore. Dwarfs are sometimes described as short; however, scholars have noted that this is neither explicit nor relevant to their roles in the earliest sources.

Dwarfs continue to feature in modern popular culture, such as in the works of J. R. R. Tolkien and Terry Pratchett, where they are often, but not exclusively, presented as distinct from elves.

An elf (pl. elves) is a type of humanoid supernatural being in Germanic folklore. Elves appear especially in North Germanic mythology, being mentioned in the Icelandic Poetic Edda and the Prose Edda.

In medieval Germanic-speaking cultures, elves were thought of as beings with magical powers and supernatural beauty, ambivalent towards everyday people and capable of either helping or hindering them. Beliefs varied considerably over time and space and flourished in both pre-Christian and Christian cultures. The word elf is found throughout the Germanic languages. It seems originally to have meant 'white being'. However, reconstructing the early concept depends largely on texts written by Christians, in Old and Middle English, medieval German, and Old Norse. These associate elves variously with the gods of Norse mythology, with causing illness, with magic, and with beauty and seduction.

Germanic heroic legend (German: germanische Heldensage) is the heroic literary tradition of the Germanic-speaking peoples, most of which originates or is set in the Migration Period (4th-6th centuries AD). Stories from this time period, to which others were added later, were transmitted orally, traveled widely among the Germanic speaking peoples, and were known in many variants. These legends typically reworked historical events or personages in the manner of oral poetry, forming a heroic age. Heroes in these legends often display a heroic ethos emphasizing honor, glory, and loyalty above other concerns. Like Germanic mythology, heroic legend is a genre of Germanic folklore.

Heroic legends are attested in Anglo-Saxon England, medieval Scandinavia, and medieval Germany. Many take the form of Germanic heroic poetry (German: germanische Heldendichtung): shorter pieces are known as heroic lays, whereas longer pieces are called Germanic heroic epic (germanische Heldenepik). The early Middle Ages preserves only a small number of legends in writing, mostly from England, including the only surviving early medieval heroic epic in the vernacular, Beowulf. Probably the oldest surviving heroic poem is the Old High German Hildebrandslied (c. 800). There also survive numerous pictorial depictions from Viking Age Scandinavia and areas under Norse control in the British Isles. These often attest scenes known from later written versions of legends connected to the hero Sigurd. In the High and Late Middle Ages, heroic texts are written in great numbers in Scandinavia, particularly Iceland, and in southern Germany and Austria. Scandinavian legends are preserved both in the form of Eddic poetry and in prose sagas, particularly in the legendary sagas such as the Völsunga saga. German sources are made up of numerous heroic epics, of which the most famous is the Nibelungenlied (c. 1200).

Old Norse was a North Germanic language spoken in Scandinavia and in Norse settlements during the Viking Age and the early Middle Ages (approximately the 8th–14th centuries). It is the conventional term for the medieval West and East Scandinavian dialects (often labelled Old West Norse and Old East Norse) that developed from Proto-Norse and later evolved into the modern North Germanic languages, including Icelandic, Faroese, Norwegian, Danish, and Swedish.

Old Norse is attested in runic inscriptions (written in the Younger Futhark) and in numerous medieval manuscripts written with the Latin alphabet; its literary corpus includes the Poetic Edda, the Prose Edda, the Icelandic sagas, skaldic verse, law codes, and religious texts. Contact between Old Norse speakers and other languages — particularly Old English and the Celtic languages — left a substantial legacy of loanwords and toponyms; many common English words such as egg, knife, sky, and window derive from Old Norse.

In Norse mythology, Víðarr (Old Norse: [ˈwiːðɑrː], possibly "wide ruler", sometimes anglicized as Vidar /ˈviːdɑːr/, Vithar, Vidarr, and Vitharr) is a god among the Æsir associated with vengeance. Víðarr is described as the son of Odin and the jötunn Gríðr and is foretold to avenge his father's death by killing the wolf Fenrir at Ragnarök, a conflict he is described as surviving. Víðarr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, and is interpreted as depicted with Fenrir on the Gosforth Cross. A number of theories surround the figure, including theories around potential ritual silence and a Proto-Indo-European basis.

The Nibelungenlied (German pronunciation: [ˈniːbəlʊŋən-], [ˈnɪbəlʊŋən-] or [ˌniːbəˈlʊŋənˌliːt] ; Middle High German: Der Nibelunge liet or Der Nibelunge nôt), translated as The Song of the Nibelungs, is an epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The Nibelungenlied is based on an oral tradition of Germanic heroic legend that has some of its origin in historic events and individuals of the 5th and 6th centuries and that spread throughout almost all of Germanic-speaking Europe. Scandinavian parallels to the German poem are found especially in the heroic lays of the Poetic Edda and in the Völsunga saga.

The poem is split into two parts. In the first part, the prince Siegfried comes to Worms to acquire the hand of the Burgundian princess Kriemhild from her brother King Gunther. Gunther agrees to let Siegfried marry Kriemhild if Siegfried helps Gunther acquire the warrior-queen Brünhild as his wife. Siegfried does this and marries Kriemhild; however, Brünhild and Kriemhild become rivals, leading eventually to Siegfried's murder by the Burgundian vassal Hagen with Gunther's involvement.

Völuspá (also Vǫluspá, Vǫlospá, or Vǫluspǫ́; Old Norse: 'Prophecy of the völva, a seeress') is the best known poem of the Poetic Edda. It dates back to the tenth century and tells the story from Norse Mythology of the creation of the world, its coming end, and its subsequent rebirth that is related to the audience by a völva addressing Odin. Her name is given twice as Heiðr. The poem is one of the most important primary sources for the study of Norse mythology. Parts of the poem appear in the Prose Edda, but the earliest known wholly preserved version of the poem is in the Codex Regius and Hauksbók manuscripts.