French culture in the context of "Scoto-Norman"

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⭐ Core Definition: French culture

The culture of France has been shaped by geography, by historical events, and by foreign and internal forces and groups. France, and in particular Paris, has played an important role as a center of high culture since the 17th century and from the 19th century on, worldwide. France and in particular Paris was viewed during the 19th and early 20th century as the capital of Western art and culture. From the late 19th century, France has also played an important role in cinema, fashion, cuisine, literature, technology, the social sciences, and mathematics. The importance of French culture has waxed and waned over the centuries, depending on its economic, political and military importance. French culture today is marked both by great regional and socioeconomic differences and strong unifying tendencies. A global opinion poll for the BBC saw France ranked as the country with the fourth most positive influence in the world (behind Germany, Canada and the UK) in 2014.

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👉 French culture in the context of Scoto-Norman

The term Scoto-Norman (also Franco-Scottish or Franco-Gaelic) is used to describe people, families, institutions and archaeological artifacts that are partly Scottish (in some sense) and partly Anglo-Norman (in some sense), after the Norman Conquest. It is used to refer to people or things of Norman, Anglo-Norman, French or even Flemish or Breton origin, but who are associated with Scotland in the Middle Ages like Scoto-Anglo-Saxon. It is also used for any of these things where they exhibit syncretism between French or Anglo-French culture on the one hand and Gaelic culture on the other.

For instance, the Kings of Scotland between the reign of the David I and the Stewart period are often described as Scoto-Norman. A classic case of Gaelic and French cultural syncretism would be Lochlann, Lord of Galloway, who used both a Gaelic (Lochlann) and French name (Roland), and kept followers of both languages. Another example of a Scoto-Norman would be Robert the Bruce.

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French culture in the context of Georges Boulanger

Georges Ernest Jean-Marie Boulanger (29 April 1837 – 30 September 1891), nicknamed Général Revanche ("General Revenge"), was a French Army officer and politician. An enormously popular public figure during the second decade of the Third Republic, he won multiple elections. At the zenith of his popularity in January 1889, he was feared to be powerful enough to establish himself as dictator. His base of support was the working-class districts of Paris and other cities, plus rural traditionalist Catholics and royalists. He introduced an obsessive and almost pathological anti-German sentiment, known as revanchism, which demanded the complete destruction of Imperial Germany as vengeance for the defeat and fall of the Second French Empire during the Franco-Prussian War (1870–71), into French culture and accordingly laid the foundations for the outbreak of the First World War.

The elections of September 1889 marked a decisive defeat for the Boulangists. Changes in the electoral laws prevented Boulanger from running in multiple constituencies and the aggressive opposition of the established government, combined with Boulanger's self-imposed exile, contributed to a rapid decline of the movement. The decline of Boulanger severely undermined the political strength of the conservative and royalist elements of French political life; they would not recover strength until the establishment of the Vichy regime in 1940. The defeat of the Boulangists ushered in a period of political dominance by the Opportunist Republicans.

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French culture in the context of Walloon Movement

The Walloon Movement (French: Mouvement wallon) is an umbrella term for all Belgium political movements that either assert the existence of a Walloon identity and of Wallonia and/or defend French culture and language within Belgium, either within the framework of the 1830 Deal or either defending the linguistic rights of French-speakers. The movement began as a defence of the primacy of French but later gained political and socio-economic objectives. In French, the terms wallingantisme and wallingants are also used to describe, sometimes pejoratively, the movement and its activists. To a lesser extent, the Walloon Movement is also associated with the representation of the small German-speaking population in the East Belgium of the Walloon Region.

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French culture in the context of Grand Siècle

Grand Siècle (French pronunciation: [ɡʁɑ̃ sjɛkl]) or Great Century refers to the period of French history during the 17th century, under the reigns of Louis XIII and Louis XIV.

The period was notable for its development of art, music and literature, along with the construction of the Palace of Versailles, the effects of the French Wars of Religion, and the impacts of the Thirty Years' War, which made France the dominant power in Europe instead of Spain. Significant figures during this period include gardener André Le Nôtre, architects François Mansart, Louis Le Vau and Jules Hardouin-Mansart, painters Nicolas Poussin, Simon Vouet, Claude Lorrain, Georges de La Tour, Philippe de Champaigne, Charles Le Brun, sculptors Pierre Puget, François Girardon and Antoine Coysevox, playwrights Pierre Corneille, Molière and Jean Racine, the poets François de Malherbe, Jean de La Fontaine and Nicolas Boileau, writers Madame de La Fayette, Charles Perrault, composers Henri Dumont, Jean-Baptiste Lully, Marc-Antoine Charpentier, Michel Richard Delalande, André Campra, Henri Desmarest, Marin Marais and François Couperin, philosophers René Descartes, Blaise Pascal, Antoine Arnauld, Nicolas Malebranche, Pierre Gassendi, La Rochefoucauld, La Bruyere, and Pierre Bayle.

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