Franz Schubert in the context of "Carl Loewe"

Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, with new music written for every stanza, and ternary form, with a contrasting central section.

Christian Johann Heinrich Heine (born Harry Heine; 13 December 1797 – 17 February 1856) was a German poet, writer and literary critic. He is best known outside Germany for his early lyric poetry, which was set to music in the form of Lieder (art songs) by composers such as Robert Schumann and Franz Schubert. Today, Heine is perhaps best remembered for coining the phrase “Where books burn, so do people.”

Heine's later verse and prose are distinguished by their satirical wit and irony. He is considered a member of the Young Germany movement. His radical political views led to many of his works being banned by German authorities—which, however, only added to his fame. He spent the last 25 years of his life as an expatriate in Paris.

The term string quartet is a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist.

The string quartet was developed into its present form by the Austrian composer Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since that time, the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Mozart, Beethoven and Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Mendelssohn, Schumann, Brahms, Dvořák, Janáček, and Debussy. There was a slight lull in string quartet composition later in the 19th century, but it received a resurgence in the 20th century, with the Second Viennese School, Bartók, Shostakovich, Babbitt, and Carter producing highly regarded examples of the genre, and it remains an important and refined musical form.

A march is a musical composition with a strong regular rhythm which in origin was expressly written for lockstep marching of soldiers. As a musical genre, it is a type of martial music, most frequently performed by a military band during parades.

March music pieces vary widely in mood, ranging from the emotional funeral march in Wagner's Götterdämmerung to the brisk Romantic marches of John Philip Sousa and the militaristic hymns of the late 19th century. Examples of the varied use of the march can be found in Beethoven's Eroica Symphony, in the Marches Militaires of Franz Schubert, in the Marche funèbre in Chopin's Sonata in B flat minor, the "Jäger March" in the Op. 91a by Jean Sibelius, and in the Dead March in Handel's Saul.

A musical figure or figuration is the shortest idea in music; a short succession of notes, often recurring. It may have melodic pitch, harmonic progression, and rhythmic meter. The 1964 Grove's Dictionary defines the figure as "the exact counterpart of the German 'motiv' and the French 'motif'": it produces a "single complete and distinct impression". To the self-taught Roger Scruton, however, a figure is distinguished from a motif in that a figure is background while a motif is foreground:

Allen Forte describes the term figuration as being applied to two distinct things:

Nacht und Träume (Night and Dreams) is a lied for voice and piano by Franz Schubert, from a text by Matthäus von Collin, and published in 1825. In Otto Erich Deutsch's catalogue of Schubert's works, it is D. 827.

The song, a meditation on night and dreams, is marked "Sehr langsam" (very slowly) and is in the key of B major (with a modulation to the flattened submediant, G major, in the middle). There is a single dynamic indication, "pianissimo" (very quietly), which does not change throughout the song. The piano plays broken chords in semiquavers for the song's duration in a manner similar to bar five (the bar in which the voice enters), for example:

In the Western classical music tradition, Lied (/liːd, liːt/ LEED, LEET, German: [liːt] ; pl. Lieder /ˈliːdər/ LEE-dər, German: [ˈliːdɐ] ; lit. 'song') is a term for setting poetry to music. The term is used for any kind of song in German, but among English speakers, lied is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love.

The earliest Lieder date from the late fourteenth or early fifteenth centuries, and can even refer to Minnesang from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss.

"Das Wandern ist des Müllers Lust" ("To wander is the miller's delight") is the first line of a poem by Wilhelm Müller, written in 1821 with the title "Wanderschaft" ("Errancy") as part of a collection, Die schöne Müllerin. While wandern often means "hiking" today, in this song it refers to a wandering journeyman miller.

The poem was set to music often, notably by Franz Schubert in 1823 titled "Das Wandern", as part of his song cycle Die schöne Müllerin, and by Carl Friedrich Zöllner, who wrote a four-part setting in 1844. With his melody, the poem became a popular German Wanderlied and Volkslied.

Die schöne Müllerin (German pronunciation: [diː ˈʃøːnə ˈmʏlɐʁɪn],"The Fair Maid of the Mill", Op. 25, D. 795), is a song cycle by Franz Schubert from 1823 based on 20 poems by Wilhelm Müller. It is the first of Schubert's two seminal cycles (preceding Winterreise), and a pinnacle of Lied repertoire.

Die schöne Müllerin is performed by a pianist and a solo singer. The vocal part falls in the range of a tenor or soprano voice, but is often sung by other voices, transposed to a lower range, a precedent established by Schubert himself. Since the protagonist is a young man, performances by women's voices are less common. The piano part bears much of the expressive burden of the work, and is only seldom a mere 'accompaniment' to the singer. A typical performance lasts around sixty to seventy minutes.

The First Viennese School is a name mostly used to refer to three composers of the Classical period in Western art music in late-18th-century to early-19th-century Vienna: Joseph Haydn, Wolfgang Amadeus Mozart and Ludwig van Beethoven. Sometimes, Franz Schubert is added to the list.

In German-speaking countries, the term Wiener Klassik (lit. Viennese classical era/art) is used. That term is often more broadly applied to the Classical era in music as a whole, as a means to distinguish it from other periods that are colloquially referred to as classical, namely Baroque and Romantic music.

The Latsos is an American classical piano duo formed by the husband-wife team of Giorgi Latso and Anna Latso. Although they initially pursued solo careers, they teamed up as duo-pianists in 2013 and conducted annual international tours, four-hands piano recitals and concertos for two pianos and orchestra in Europe, Americas and Asia.Duo formed in the city of Vienna in 2013 is best known for their interpretations of Franz Schubert piano pieces for Four-hands, and also known for their light arrangements of familiar classical pieces, movie soundtracks, and show tunes according to a press release from The Guardian, British daily newspaper.

The Latsos Duo has resided in Austria, from 2013-2019, where Giorgi had joined the piano faculty of the Vienna Prayner Conservatory of Music and Dramatic Arts as professor of piano and at the same time he was a guest professor at the Liceu Conservatory in Barcelona. Subsequently, since 2020 they have made their homes in Los Angeles.

The Three Marches Militaires, Op. 51, D. 733, are pieces in march form written for piano four-hands by Franz Schubert.

The first of the three is far more famous than the others. It is one of Schubert's most famous compositions, and it is often simply referred to as "Schubert's Marche militaire".

The Écossaise (in French, "Scottish") is a musical form and a type of contradanse in a Scottish style – a Scottish country dance at least in name – that was popular in France and Great Britain at the end of the 18th century and at the beginning of the 19th. Despite the Écossaise mimicking a Scottish country dance, it is actually French in origin. The écossaise was usually danced in 2/4 time in two lines, with men facing the women. As the dance is executed, couples progress to the head of the line.

Écossaise compositions were mainly written for solo piano, so that couples could dance to it. The musical form was also adopted by some classical composers, including Ludwig van Beethoven, (WoO 83 and WoO 86 for piano and WoO 22 and WoO 23, now lost, for military band); Franz Schubert, (D.145, 158, 299, 421, 511, 529, 643, 697, 734, 735, 781, 782, 783, 816, and 977); Frédéric Chopin (Op. 72 number 3) and Cécile Chaminade's Écossaise, Op. 151.

The German Dance, also known as Deutsche, Deutscher Tanz and Teutsche, was a generic term utilized in the late 18th and early 19th centuries for partner dances written in triple metre. These encompassed several different types of dances, including the waltz, ländler, and allemande. Composers of German Dances frequently wrote and published them in sets of three, six, or twelve for use at balls. Many composers published sets of Deutsche, including Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, and Franz Schubert to name a few.

The Octet in F major, D. 803 was composed by Franz Schubert in March 1824. It was commissioned by the renowned clarinetist Ferdinand Troyer and came from the same period as two of Schubert's other major chamber works, the 'Rosamunde' and 'Death and the Maiden' string quartets.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos.

Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates.

"Erlkönig", Op. 1, D 328, is a Lied composed by Franz Schubert in 1815, which sets Johann Wolfgang von Goethe's poem of the same name. The singer takes the role of four characters — the narrator, a father, his small son, and the titular "Erlking", a supernatural creature who pursues the boy — each of whom exhibit different tessitura, harmonic and rhythmic characteristics. A technically challenging piece for both performers and accompanists, "Erlkönig" has been popular and acclaimed since its premiere in 1821, and has been described as one of the "commanding compositions of the century".

Among Schubert's most famous works, the piece has been arranged by various composers, such as Franz Liszt (solo piano) and Heinrich Wilhelm Ernst (solo violin); Hector Berlioz, Franz Liszt, and Max Reger have orchestrated the piece.