Richard Strauss in the context of "Lieder"

A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word is loaned from French and derives from the Italian burlesco, which, in turn, is derived from the Italian burla – a joke, ridicule or mockery.

Burlesque overlaps with caricature, parody and travesty, and, in its theatrical form, with extravaganza, as presented during the Victorian era. The word "burlesque" has been used in English in this literary and theatrical sense since the late 17th century. It has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics. Contrasting examples of literary burlesque are Alexander Pope's The Rape of the Lock and Samuel Butler's Hudibras. An example of musical burlesque is Richard Strauss's 1890 Burleske for piano and orchestra. Examples of theatrical burlesques include W. S. Gilbert's Robert the Devil and the A. C. Torr – Meyer Lutz shows, including Ruy Blas and the Blasé Roué.

In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching aspects of music such as harmony, melody, sound, and rhythm, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time. The operative word most associated with it is "innovation". Its leading feature is a "linguistic plurality", which is to say that no one musical language, or modernist style, ever assumed a dominant position.

Examples include the celebration of Arnold Schoenberg's rejection of tonality in chromatic post-tonal and twelve-tone works and Igor Stravinsky's move away from symmetrical rhythm.

The Burleske in D minor is a composition for piano and orchestra written by Richard Strauss in 1885–86, when he was 21.

Germany claims some of the most renowned composers, singers, producers and performers of the world. Germany is the largest music market in Europe, and third largest in the world.

German classical music is one of the most performed in the world; German composers include some of the most accomplished, influential, and popular in history, among them Georg Friedrich Händel, Johann Sebastian Bach, Ludwig van Beethoven, Carl Maria von Weber, Felix Mendelssohn, Robert Schumann, Richard Wagner, Johannes Brahms and Richard Strauss, many of whom were among the composers who created the field of German opera.

The Dance of the Seven Veils is the dance performed by Salome before King Herod Antipas in modern stage, literature, and visual arts. It is an elaboration on the New Testament story of the Feast of Herod and the execution of John the Baptist, which refers to Salome dancing before the king, but does not give the dance a name.

The name "Dance of the Seven Veils" was chiefly popularized in modern culture with the 1894 English translation of Oscar Wilde's 1893 French play Salome in the stage direction "Salome dances the dance of the seven veils". The dance was also incorporated into Richard Strauss's 1905 opera Salome.

The Berlin Philharmonic (German: Berliner Philharmoniker) is a German symphony orchestra that is based in Berlin and was founded in 1882. It is one of the most popular, acclaimed and well-respected orchestras in the world. The orchestra is the recipient of numerous Grammy Awards, Gramophone Awards, Classic BRIT Awards, ECHO Music Prizes, Grand Prix Du Disque and Diapason d'Or.

The orchestra emerged from the Bilsesche Kapelle (“Bilse’s Band”) and rose to prominence under the leadership of pianist-conductor Hans von Bülow. During the 20th century, the orchestra was led by conductors Wilhelm Furtwängler (1922–45; 1952–54), Herbert von Karajan (1955–89), and Claudio Abbado (1989–2002). The orchestra’s early years, particularly during the later Nazi era, focused heavily on Classical music from the Austro-Germanic repertoire, featuring composers such as Beethoven, Brahms, Bruckner, Strauss, and Wagner. Under Furtwängler and Karajan, it became renowned for its distinctive sound and high-quality musicianship and toured widely. In the latter half of the 20th century, the orchestra broadened its repertoire to include more Classical, Romantic, and 20th-century works, as well as lesser-known compositions and music from outside the Austro-German tradition.