Frans Hals in the context of Judith Leyster


Frans Hals in the context of Judith Leyster

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⭐ Core Definition: Frans Hals

Frans Hals the Elder (UK: /hæls/, US: /hɑːls, hælz, hɑːlz/; Dutch: [frɑns ˈɦɑls]; c. 1582 – 26 August 1666) was a Dutch Golden Age painter. He lived and worked in Haarlem, a city in which the local authority of the day frowned on religious painting in places of worship but citizens liked to decorate their homes with works of art. Hals was highly sought after by wealthy burgher commissioners of individual, married-couple, family, and institutional-group portraits. He also painted tronies for the general market.

There were two quite distinct schools of portraiture in 17th-century Haarlem: the neat (represented, for example, by Verspronck); and a looser, more painterly style at which Frans Hals excelled. Some of Hals's portrait work is characterised by a subdued palette, reflecting the politely serious tones of his fashionable clients' wardrobe. In contrast, the personalities he paints are full of life, typically with a friendly glint in the eye or the glimmer of a smile on the lips.

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👉 Frans Hals in the context of Judith Leyster

Judith Jans Leyster (also Leijster; baptised July 28, 1609 – February 10, 1660) was a Dutch Golden Age painter of genre works, portraits, and still lifes. Her work was highly regarded by her contemporaries but largely forgotten after her death. Her entire oeuvre came to be attributed to Frans Hals or to her husband, Jan Miense Molenaer. In 1893, she was rediscovered and scholars began to attribute her works correctly.

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Frans Hals in the context of Cornelis van Haarlem

Cornelis Corneliszoon van Haarlem (1562 – 11 November 1638) was a Dutch Golden Age painter and draughtsman, one of the leading Northern Mannerist artists in the Netherlands, and an important forerunner of Frans Hals as a portraitist.

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Frans Hals in the context of Girl Singing (Hals)

Girl Singing is a figurative painting by Frans Hals, who was a male 17th-century Dutch master. Its subject is a young woman singing. More particularly, it is her expressive face as she focuses intently on singing from her music book, and the apparent spontaneity of the moment in which the artist 'captures' her. Girl Singing is one of a pair of pictures Hals painted at Haarlem in about 1628; its pendant is the Boy Playing the Violin. Both paintings have a musical theme. Both show casually dressed young people, presumably at home. They are the same quite small size and each is in square lozenge format, in oil colours on a wooden panel. Possibly the models were two of Hals's own children.

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Frans Hals in the context of Self-portrait by Judith Leyster

Self-portrait by Judith Leyster is a Dutch Golden Age painting in oils now in the collection of the National Gallery of Art in Washington DC. It was offered in 1633 as a masterpiece to the Haarlem Guild of St. Luke. It was attributed for centuries to Frans Hals and was only properly attributed to Judith Leyster upon acquisition by the museum in 1949. The style is indeed comparable to that of Hals, Haarlem's most famous portraitist.

In 2016 a second self-portrait was found, dating from around 1653.

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Frans Hals in the context of Ferens Art Gallery

The Ferens Art Gallery is an art gallery in the English city of Kingston upon Hull. The site and money for the gallery were donated to the city by Thomas Ferens, after whom it is named. The architects were S. N. Cooke and E. C. Davies. Opened in 1927,it was restored and extended in 1991. The gallery features an extensive array of both permanent collections and roving exhibitions.

Among the paintings in the permanent collection is a portrait of an unknown young woman by Frans Hals.

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Frans Hals in the context of Drinking culture

Drinking culture is the set of traditions, rituals, and social behaviors associated with the consumption of alcoholic beverages. Although alcoholic beverages and social attitudes toward drinking vary around the world, nearly every civilization has independently discovered the processes of brewing beer, fermenting wine, and distilling spirits, among other practices.

Alcohol has been present in numerous societies over the centuries with the production and consumption of alcoholic beverages date back to ancient civilisations. Drinking is documented in the Hebrew and Christian Bibles, in the Qur'an, in Greek and Roman literature as old as Homer, in Confucius' Analects, and in various forms of artistic expression throughout history.

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Frans Hals in the context of Gemäldegalerie

The Gemäldegalerie (German pronunciation: [ɡəˈmɛːldəɡaləˌʁiː], lit.'Painting Gallery') is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (Staatliche Museen zu Berlin) is displayed. It was first opened in 1830, and the current building was completed in 1998. It is located in the Kulturforum museum district west of Potsdamer Platz.

It holds one of the world's leading collections of European paintings from the 13th to the 18th centuries. Its collection includes masterpieces from such artists as Albrecht Dürer, Lucas Cranach, Hans Holbein, Rogier van der Weyden, Jan van Eyck, Raphael, Botticelli, Titian, Caravaggio, Peter Paul Rubens, David Teniers the Younger, Rembrandt, Frans Hals, Johannes Vermeer, Thomas Gainsborough, Joshua Reynolds and Antonio Viviani.

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Frans Hals in the context of John and Mable Ringling Museum of Art

The John and Mable Ringling Museum of Art is the official art museum of the state of Florida, located in Sarasota, Florida, United States. It was established in 1927 as the legacy of Mable Burton Ringling and John Ringling for the people of Florida. Florida State University assumed governance of the museum in 2000.

The institution offers 21 galleries of European paintings as well as Cypriot antiquities and Asian, American, and contemporary art. The museum's art collection consists of more than 10,000 objects, including paintings, sculpture, drawings, prints, photographs, and decorative arts from ancient through contemporary periods. Notable holdings include 16th–20th-century European paintings, especially a significant collection of works by Peter Paul Rubens. Other artists represented include Benjamin West, Marcel Duchamp, Mark Kostabi, Diego Velázquez, Paolo Veronese, Rosa Bonheur, Gianlorenzo Bernini, Giuliano Finelli, Lucas Cranach the Elder, Frans Hals, Nicolas Poussin, Joseph Wright of Derby, Thomas Gainsborough, Eugène Boudin, and Benedetto Pagni.

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Frans Hals in the context of Painterly

Painterliness is a concept based on German: malerisch ('painterly'), a word popularized by Swiss art historian Heinrich Wölfflin (1864–1945) to help focus, enrich and standardize the terms being used by art historians of his time to characterize works of art.

A painting is said to be painterly when there are visible brushstrokes in the final work – the result of applying paint in a manner that is not entirely controlled, generally without closely following carefully drawn lines. Any painting media – oils, acrylics, watercolors, gouache, etc. – can produce either linear or painterly work. Some artists whose work could be characterized as painterly are Pierre Bonnard, Francis Bacon, Vincent van Gogh, Rembrandt, Renoir, John Singer Sargent, and Andrew Wyeth (his early watercolors). The Impressionists, Fauvists and the Abstract Expressionists tended strongly to be painterly.

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Frans Hals in the context of Mauritshuis

The Mauritshuis (Dutch pronunciation: [ˈmʌurɪtsˌɦœys], The Hague dialect: [ˈmɑːʁɪtsˌɦœːs]; lit.'Maurice House') is an art museum in The Hague, Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 854 objects, mostly Dutch Golden Age paintings. The collection contains works by Johannes Vermeer, Rembrandt van Rijn, Jan Steen, Paulus Potter, Frans Hals, Jacob van Ruisdael, Hans Holbein the Younger, and others. Originally, the 17th-century building was the residence of Count John Maurice of Nassau. The building is now the property of the government of the Netherlands and is listed in the top 100 Dutch heritage sites.

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Frans Hals in the context of Jan Miense Molenaer

Jan Miense Molenaer (1610 – buried 19 September 1668) was a Dutch Golden Age genre painter whose style was a precursor to Jan Steen's work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre painter, as well as a portraitist and painter of still-life. Both Molenaer and Leyster may have been pupils of Frans Hals.

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