Judith Leyster in the context of Frans Hals


Judith Leyster in the context of Frans Hals

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⭐ Core Definition: Judith Leyster

Judith Jans Leyster (also Leijster; baptised July 28, 1609 – February 10, 1660) was a Dutch Golden Age painter of genre works, portraits, and still lifes. Her work was highly regarded by her contemporaries but largely forgotten after her death. Her entire oeuvre came to be attributed to Frans Hals or to her husband, Jan Miense Molenaer. In 1893, she was rediscovered and scholars began to attribute her works correctly.

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Judith Leyster in the context of Self-portrait by Judith Leyster

Self-portrait by Judith Leyster is a Dutch Golden Age painting in oils now in the collection of the National Gallery of Art in Washington DC. It was offered in 1633 as a masterpiece to the Haarlem Guild of St. Luke. It was attributed for centuries to Frans Hals and was only properly attributed to Judith Leyster upon acquisition by the museum in 1949. The style is indeed comparable to that of Hals, Haarlem's most famous portraitist.

In 2016 a second self-portrait was found, dating from around 1653.

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Judith Leyster in the context of Serenade

In music, a serenade (/ˌsɛrəˈnd/; also sometimes called a serenata, from the Italian) is a musical composition or performance delivered in honour of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian word serenata, which itself derives from the Latin serenus. Sense influenced by Italian sera "evening", from Latin sera, fem. of serus "late".

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Judith Leyster in the context of Jan Miense Molenaer

Jan Miense Molenaer (1610 – buried 19 September 1668) was a Dutch Golden Age genre painter whose style was a precursor to Jan Steen's work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre painter, as well as a portraitist and painter of still-life. Both Molenaer and Leyster may have been pupils of Frans Hals.

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