Formwork in the context of "Béton brut"

Carpentry is a skilled trade and a craft in which the primary work performed is the cutting, shaping and installation of building materials during the construction of buildings, ships, timber bridges, concrete formwork, etc. Carpenters traditionally worked with natural wood and did rougher work such as framing, but today many other materials are also used and sometimes the finer trades of cabinetmaking and furniture building are considered carpentry. In the United States, 98.5% of carpenters are male, and it was the fourth most male-dominated occupation in the country in 1999. In 2006 in the United States, there were about 1.5 million carpentry positions. Carpenters are usually the first tradesmen on a job and the last to leave. Carpenters normally framed post-and-beam buildings until the end of the 19th century; now this old-fashioned carpentry is called timber framing. Carpenters learn this trade by being employed through an apprenticeship training—normally four years—and qualify by successfully completing that country's competence test in places such as the United Kingdom, the United States, Canada, Switzerland, Australia and South Africa. It is also common that the skill can be learned by gaining work experience other than a formal training program, which may be the case in many places.

Carpentry covers various services, such as furniture design and construction, door and window installation or repair, flooring installation, trim and molding installation, custom woodworking, stair construction, structural framing, wood structure and furniture repair, and restoration.

Domes were a characteristic element of the architecture of Ancient Rome and of its medieval continuation, the Byzantine Empire. They had widespread influence on contemporary and later styles, from Russian and Ottoman architecture to the Italian Renaissance and modern revivals. The domes were customarily hemispherical, although octagonal and segmented shapes are also known, and they developed in form, use, and structure over the centuries. Early examples rested directly on the rotunda walls of round rooms and featured a central oculus for ventilation and light. Pendentives became common in the Byzantine period, provided support for domes over square spaces.

Early wooden domes are known only from a literary source, but the use of wooden formwork, concrete, and unskilled labor enabled domes of monumental size in the late Republic and early Imperial period, such as the so-called "Temple of Mercury" bath hall at Baiae. Nero introduced the dome into Roman palace architecture in the 1st century and such rooms served as state banqueting halls, audience rooms, or throne rooms. The Pantheon's dome, the largest and most famous example, was built of concrete in the 2nd century and may have served as an audience hall for Hadrian. Imperial mausolea, such as the Mausoleum of Diocletian, were domed beginning in the 3rd century. Some smaller domes were built with a technique of using ceramic tubes in place of a wooden centering for concrete, or as a permanent structure embedded in the concrete, but light brick became the preferred building material over the course of the 4th and 5th centuries. Brick ribs allowed for a thinner structure and facilitated the use of windows in the supporting walls, replacing the need for an oculus as a light source.

Self-consolidating concrete or self-compacting concrete (SCC) is a concrete mix which has a low yield stress, high deformability, good segregation resistance (prevents separation of particles in the mix), and moderate viscosity (necessary to ensure uniform suspension of solid particles during transportation, placement (without external compaction), and thereafter until the concrete sets).

In everyday terms, when poured, SCC is an extremely fluid mix with the following distinctive practical features – it flows very easily within and around the formwork, can flow through obstructions and around corners ("passing ability"), is close to self-leveling (although not actually self-levelling), does not require vibration or tamping after pouring, and follows the shape and surface texture of a mold (or form) very closely once set. As a result, pouring SCC is also much less labor-intensive compared to standard concrete mixes. Once poured, SCC is usually similar to standard concrete in terms of its setting and curing time (gaining strength), and strength. SCC does not use a high proportion of water to become fluid – in fact SCC may contain less water than standard concretes. Instead, SCC gains its fluid properties from an unusually high proportion of fine aggregate, such as sand (typically 50%), combined with superplasticizers (additives that ensure particles disperse and do not settle in the fluid mix) and viscosity-enhancing admixtures (VEA).

Falsework consists of temporary structures used in construction to support a permanent structure until its construction is sufficiently advanced to support itself. For arches, this is specifically called centering. Falsework includes temporary support structures for formwork used to mold concrete in the construction of buildings, bridges, and elevated roadways.

The British Standards of practice for falsework, BS 5975:2008, defines falsework as "Any temporary structure used to support a permanent structure while it is not self-supporting."

Tongue and groove is a method of fitting similar objects together, edge to edge, used mainly with wood, in flooring, parquetry, panelling, and similar constructions. A strong joint, it allows two flat pieces to be joined strongly together to make a single flat surface. Before plywood became common, tongue-and-groove boards were also used for sheathing buildings and to construct concrete formwork.

Each piece has a slot (the groove or dado) cut all along one edge or along two adjacent edges, and a thin, deep ridge (the tongue) on the opposite edge or edges. The tongue projects a little less than the depth of the groove. Two or more pieces thus fit together closely. The joint is not normally glued, as shrinkage would then pull the tongue off. The effect of wood shrinkage is concealed when the joint is beaded or otherwise moulded. In another assembly method, the pieces are end-matched. This method eliminates the need for mitre joints, face nailing, and the use of joints on 16-inch (410 mm) or 24-inch (610 mm) centres of conventional framing. For joining thicker materials, several tongue-and-groove joints may be used one above the other. In fine woodworking such as cabinet making, both glued dovetail joints and tongue-and-groove joints are used.

A chamfer (/ˈ(t)ʃæmfər/ SHAM-fər, CHAM-) is a transitional edge between two faces of an object. Sometimes defined as a form of bevel, it is often created at a 45° angle between two adjoining right-angled faces.

Chamfers are frequently used in machining, carpentry, furniture, concrete formwork, mirrors, and to facilitate assembly of many mechanical engineering designs.

Monolithic architecture describes buildings which are carved, cast or excavated from a single piece of material, historically from rock. The most basic form of monolithic architecture is a rock-cut building, such as the monolithic churches of Ethiopia built by the Zagwe dynasty, or the Pancha Rathas in India. These are cut out of solid rock, to which they remain attached at the base. In most cases, this is evident from the remaining surrounding rock, but sometimes a building is cut from an outcrop, as in the Shore Temple in southern India, and only inspection at close quarters reveals that the building is monolithic.

The terms monolith and monolithic column are normally used for objects made from a single large piece of rock which is detached from the ground. They may have been moved a considerable distance, as with several ancient Egyptian obelisks, which have been moved around the world. Buildings with a structural material that is poured into place, most commonly concrete, can also be described as monolithic. Extreme examples are monolithic domes, where the material is sprayed inside of a form to produce the solid structure.