First-person narrative in the context of "Title character"

Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in a first-person narrative.The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on an instrument known as a kithara, a seven-stringed lyre (hence "lyric"). These three are not equivalent, though song lyrics are often in the lyric mode and Ancient Greek lyric poetry was principally chanted verse.

The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is one of the earliest forms of literature.

In linguistics, grammatical person is the grammatical distinction between deictic references to participant(s) in an event; typically, the distinction is between the speaker (first person), the addressee (second person), and others (third person). A language's set of pronouns is typically defined by grammatical person. First person includes the speaker (English: I, we), second person is the person or people spoken to (English: your or you), and third person includes all that are not listed above (English: he, she, it, they). It also frequently affects verbs, and sometimes nouns or possessive relationships.

Jane Eyre (/ɛər/ AIR; originally published as Jane Eyre: An Autobiography) is a novel by the English writer Charlotte Brontë. It was published under her pen name "Currer Bell" on 19 October 1847 by Smith, Elder & Co. of London. The first American edition was published in January 1848 by Harper & Brothers of New York. Jane Eyre is a bildungsroman that follows the experiences of its eponymous heroine, including her growth to adulthood and her love for Mr Rochester, the brooding master of Thornfield Hall.

The novel revolutionised prose fiction, being the first to focus on the moral and spiritual development of its protagonist through an intimate first-person narrative, where actions and events are coloured by a psychological intensity. Charlotte Brontë has been called the "first historian of the private consciousness" and the literary ancestor of writers such as Marcel Proust and James Joyce.

The Stranger (French: L'Étranger [letʁɑ̃ʒe], lit. 'The Foreigner'), also published in English as The Outsider, is a 1942 novella written by French author Albert Camus. The first of Camus' novels to be published, the story follows Meursault, an indifferent settler in French Algeria, who, weeks after his mother's funeral, kills an unnamed Arab man in Algiers. The story is divided into two parts, presenting Meursault's first-person narrative before and after the killing.

Camus completed the initial manuscript by May 1941, with revisions suggested by André Malraux, Jean Paulhan, and Raymond Queneau that were adopted in the final version. The original French-language first edition of the novella was published on 19 May 1942, by Gallimard, under its original title; it appeared in bookstores from that June but was restricted to an initial 4,400 copies, so few that it could not be a bestseller. Even though it was published during the Nazi occupation of France, it went on sale without censorship or omission by the Propaganda-Staffel.

In literature, film, and other such arts, an unreliable narrator is a narrator who cannot be trusted, one whose credibility is compromised. They can be found in a wide range from children to mature characters. While unreliable narrators are almost by definition first-person narrators, arguments have been made for the existence of unreliable second- and third-person narrators, especially within the context of film and television, but sometimes also in literature.

The term "unreliable narrator" was coined by Wayne C. Booth in his 1961 book The Rhetoric of Fiction. James Phelan expands on Booth's concept by offering the term "bonding unreliability" to describe situations in which the unreliable narration ultimately serves to approach the narrator to the work's envisioned audience, creating a bonding communication between the implied author and this "authorial audience".

The Heroides (The Heroines), or Epistulae Heroidum (Letters of Heroines), is a collection of fifteen epistolary poems composed by Ovid in Latin elegiac couplets and presented as though written by a selection of aggrieved heroines of Greek and Roman mythology in address to their heroic lovers who have in some way mistreated, neglected, or abandoned them. A further set of six poems, widely known as the Double Heroides and numbered 16 to 21 in modern scholarly editions, follows these individual letters and presents three separate exchanges of paired epistles: one each from a heroic lover to his absent beloved and from the heroine in return.

The Heroides were long held in low esteem by literary scholars but, like other works by Ovid, were re-evaluated more positively in the late 20th century. Arguably some of Ovid's most influential works (see below), one point that has greatly contributed to their mystique—and to the reverberations they have produced within the writings of later generations—is directly attributable to Ovid himself. In the third book of his Ars Amatoria, Ovid argues that in writing these fictional epistolary poems in the personae of famous heroines, rather than from a first-person perspective, he created an entirely new literary genre. Recommending parts of his poetic output as suitable reading material to his assumed audience of Roman women, Ovid wrote of his Heroides: vel tibi composita cantetur Epistola voce: / ignotum hoc aliis ille novavit opus (Ars Amatoria 3.345–6: "Or let an Epistle be sung out by you in practiced voice: he [sc. Ovid] originated this sort of composition, which was unknown to others"). The full extent of Ovid's originality in this matter has been a point of scholarly contention: E. J. Kenney, for instance, notes that "novavit is ambiguous: either 'invented' or 'renewed', cunningly obscuring without explicitly disclaiming O[vid]'s debt to Propertius' Arethusa (4.3) for the original idea." In spite of various interpretations of Propertius 4.3, consensus nevertheless concedes to Ovid much of the credit in the thorough exploration of what was then a highly innovative poetic form.

The War of the Worlds is a science fiction novel by English author H. G. Wells about an attempted invasion of Earth by beings from the planet Mars with much greater intelligence and more advanced weapons than humans. The Martians intend to eliminate mankind and conquer Earth because their own older and smaller world has reached the "last stage of exhaustion". It was written between 1895 and 1897, and serialised in Pearson's Magazine in the UK and Cosmopolitan magazine in the US in 1897. The full novel was first published in hardcover in 1898 by William Heinemann. The War of the Worlds is one of the earliest stories to detail a conflict between humankind and an extraterrestrial race. The novel is the first-person narrative of an unnamed protagonist in Surrey and his younger brother who escapes to Tillingham in Essex as London and Southern England are invaded by Martians. It is one of the most commented-on works in the science fiction canon.

The plot is similar to other works of invasion literature from the same period and has been variously interpreted as a commentary on the theory of evolution, imperialism, and Victorian era fears, superstitions and prejudices. Wells later noted that inspiration for the plot was the catastrophic effect of European colonisation on the Aboriginal Tasmanians. Some historians have argued that Wells wrote the book to encourage his readership to question the morality of imperialism. In the preface to his collected works in 1933, Wells explained: "My early, profound and lifelong admiration for [Jonathan] Swift...is particularly evident in a predisposition to make the stories reflect upon contemporary political and social discussions", adding "The War of the Worlds like The Time Machine was another assault on human self-satisfaction", both being "consciously grim, under the influence of Swift's tradition".

The Great Gatsby (/ɡætsbiː/ ) is a 1925 tragedy novel by American writer F. Scott Fitzgerald. Set in the Jazz Age on Long Island, near New York City, the novel depicts first-person narrator Nick Carraway's interactions with Jay Gatsby, a mysterious millionaire obsessed with reuniting with his former lover, Daisy Buchanan.

The novel was inspired by a youthful romance Fitzgerald had with socialite Ginevra King and the riotous parties he attended on Long Island's North Shore in 1922. Following a move to the French Riviera, Fitzgerald completed a rough draft of the novel in 1924. He submitted it to editor Maxwell Perkins, who persuaded Fitzgerald to revise the work over the following winter. After making revisions, Fitzgerald was satisfied with the text but remained ambivalent about the book's title and considered several alternatives. Painter Francis Cugat's dust jacket art, named Celestial Eyes, greatly impressed Fitzgerald, and he incorporated its imagery into the novel.