The Great Gatsby in the context of "First-person narrative"

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⭐ Core Definition: The Great Gatsby

The Great Gatsby (/ɡætsb/ ) is a 1925 tragedy novel by American writer F. Scott Fitzgerald. Set in the Jazz Age on Long Island, near New York City, the novel depicts first-person narrator Nick Carraway's interactions with Jay Gatsby, a mysterious millionaire obsessed with reuniting with his former lover, Daisy Buchanan.

The novel was inspired by a youthful romance Fitzgerald had with socialite Ginevra King and the riotous parties he attended on Long Island's North Shore in 1922. Following a move to the French Riviera, Fitzgerald completed a rough draft of the novel in 1924. He submitted it to editor Maxwell Perkins, who persuaded Fitzgerald to revise the work over the following winter. After making revisions, Fitzgerald was satisfied with the text but remained ambivalent about the book's title and considered several alternatives. Painter Francis Cugat's dust jacket art, named Celestial Eyes, greatly impressed Fitzgerald, and he incorporated its imagery into the novel.

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The Great Gatsby in the context of Motif (narrative)

A motif (/mˈtf/ moh-TEEF) is any distinctive feature or idea that recurs across a story; often, it helps develop other narrative elements such as theme or mood.

A narrative motif can be created through the use of imagery, structural components, language, and other elements throughout literature. The flute in Arthur Miller's play Death of a Salesman is a recurrent sound motif that conveys rural and idyllic notions. Another example from modern American literature is the green light found in the novel The Great Gatsby by F. Scott Fitzgerald.

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The Great Gatsby in the context of Great American Novel

The "Great American Novel" (sometimes abbreviated as GAN) is the term for a canonical novel that generally embodies and examines the essence and character of the United States. The term was coined by John William De Forest in an 1868 essay and later shortened to GAN. De Forest noted that the Great American Novel had most likely not been written yet.

Practically, the term refers to a small number of books that have historically been the nexus of discussion, including Moby-Dick (1851), Adventures of Huckleberry Finn (1884), The Great Gatsby (1925), and several others. Exactly what novel or novels warrant the title is without consensus and an assortment have been contended as the idea has evolved and continued into the modern age, with fluctuations in popular and critical regard. William Carlos Williams, Clyde Brion Davis and Philip Roth have all written novels about the Great American Novel—titled as such—with Roth's in the 1970s, a time of great interest in the concept.

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The Great Gatsby in the context of Title page

The title page of a book, thesis or other written work is the page at or near the front which displays its title, subtitle, author, publisher, and edition, often artistically decorated. (A half title, by contrast, displays only the title of a work.)

The title page is one of the most important parts of the "front matter" or "preliminaries" of a book, as the data on it and its verso (together known as the "title leaf") are used to establish the "title proper and usually, though not necessarily, the statement of responsibility and the data relating to publication". This determines the way the book is cited in library catalogs and academic references.

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