Verso in the context of "Title page"

The Apocalypse, properly Apocalypse with Pictures (Latin: Apocalipsis cum figuris; German: Die heimliche Offenbaru[n]g ioh[an]nis), is a 1498 printed book by Albrecht Dürer containing fifteen woodcuts accompanied by text. The book depicts scenes from the Book of Revelation, and rapidly brought Dürer fame across Europe. These woodcuts likely drew on theological advice, particularly from Johannes Pirckheimer, the father of Dürer's friend Willibald Pirckheimer.

Work on the book started during Dürer's first trip to Italy (1494–95), It was published in both Latin and German at Nuremberg in 1498, at a time when much of secular Europe feared an invasion of the Ottoman Empire and Christian Europe anticipated a possible Last Judgment in the year 1500. Dürer was the publisher and seller of this series, and became the first artist to publish a book and create a copyright. Considering the 15 woodcuts, The Four Horsemen of the Apocalypse (c. 1497–98), referring to Revelation 6:1–8, is often viewed as the most famous piece. The overall layout of the cycle has the illustrations on the recto (right) and the text on the following verso (left). This would suggest the importance of illustration over text.

A frontispiece in books is a decorative or informative illustration facing a book's title page, usually on the left-hand, or verso, page opposite the right-hand, or recto page of a book. In some ancient editions or in modern luxury editions the frontispiece features thematic or allegorical elements, in others is the author's portrait that appears as the frontispiece. In medieval illuminated manuscripts, a presentation miniature showing the book or text being presented (by whom and to whom varies) was often used as a frontispiece.

A New Testament papyrus is a copy of a portion of the New Testament made on papyrus. To date, over 140 such papyri are known. In general, they are considered the earliest witnesses to the original text of the New Testament.

This elite status among New Testament manuscripts only began in the 20th century. The grouping was first introduced by Caspar René Gregory, who assigned papyri texts the Blackletter character 𝔓 followed by a superscript number. This number refers not to the age of the papyrus, but to the order in which it was registered. Before 1900, only 9 papyri manuscripts were known, and only one had been cited in a critical apparatus (𝔓 by Constantin von Tischendorf). These 9 papyri were just single fragments, except for 𝔓, which consisted of a single whole leaf. The discoveries of the twentieth century brought about the earliest known New Testament manuscript fragments. Kenyon in 1912 knew 14 papyri, Aland in his first edition of Kurzgefasste... in 1963 enumerated 76 papyri, in 1989 there were 96 known papyri, and in 2008 124 papyri. As of 2021, a total of 141 papyri are known, although some of the numbers issued were later deemed to be fragments of the same original manuscript.

Ubba (Old Norse: Ubbi; died 878) was a 9th-century Viking and one of the commanders of the Great Heathen Army that invaded Anglo-Saxon England in the 860s. The Great Army appears to have been a coalition of warbands drawn from Scandinavia, Ireland, the Irish Sea region and Continental Europe. There is reason to suspect that a proportion of the Viking forces specifically originated in Frisia, where some Viking commanders are known to have held fiefdoms on behalf of the Franks. Some sources describe Ubba as dux of the Frisians, which could be evidence that he also associated with a Frisian benefice.

In 865, the Great Army, apparently led by Ivar the Boneless, overwintered in the Kingdom of East Anglia, before invading and destroying the Kingdom of Northumbria. In 869, having been bought off by the Mercians, the Vikings conquered the East Angles, and in the process killed their king, Edmund, a man who was later regarded as a saint and martyr. While near-contemporary sources do not specifically associate Ubba with the latter campaign, some later, less reliable sources associate him with the legend of Edmund's martyrdom. In time, Ivar and Ubba came to be regarded as archetypal Viking invaders and opponents of Christianity. As such, Ubba features in several dubious hagiographical accounts of Anglo-Saxon saints and ecclesiastical sites. Non-contemporary sources also associate Ivar and Ubba with the legend of Ragnar Lodbrok, a figure of dubious historicity. Whilst there is reason to suspect that Edmund's cult was partly promoted to integrate Scandinavian settlers in Anglo-Saxon England, the legend of Ragnar Lodbrok may have originated in attempts to explain why they came to settle. Ubba is largely non-existent in the Icelandic traditions of Ragnar Lodbrok.