Finnegans Wake in the context of "The Transatlantic Review"

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⭐ Core Definition: Finnegans Wake

Finnegans Wake is a novel by the Irish writer James Joyce. It was published in installments starting in 1924, under the title "fragments from Work in Progress". The final title was only revealed when the book was published on 4 May 1939.

Although the base language of the novel is English, it is an English that Joyce modified by combining and altering words from many languages into his own distinctive idiom. Some commentators believe this technique was Joyce's attempt to reproduce the way that memories, people, and places are mixed together and transformed in a dreaming or half-awakened state; metaphor mixing.

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👉 Finnegans Wake in the context of The Transatlantic Review

The Transatlantic Review (often styled the transatlantic review) was an influential monthly literary magazine edited by Ford Madox Ford in 1924. The magazine was based in Paris but was published in London by Gerald Duckworth and Company.

Although it published only 12 issues—one in each month in 1924—the magazine had an influential impact on early 20th-century English literature by publishing works such as an early extract from James Joyce's Finnegans Wake. The magazine also contained works by Djuna Barnes, Jean Cassou, H.D., Ernest Hemingway, Selma Lagerlöf, Jean Rhys, Gertrude Stein, and Baroness Elsa von Freytag-Loringhoven. The magazine was funded by John Quinn, who had been persuaded by Ezra Pound to give money to Ford for the publication of a literary magazine. Ernest Hemingway was the guest editor of the August 1924 edition.

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Finnegans Wake in the context of James Joyce

James Augustine Aloysius Joyce (born James Augusta Joyce; 2 February 1882 – 13 January 1941) was an Irish novelist, poet, and literary critic. He contributed to the modernist movement and is regarded among the most influential and important writers of the 20th century. Joyce's novel Ulysses (1922) is a landmark in which the episodes of Homer's Odyssey are paralleled in a variety of literary styles, particularly stream of consciousness. Other well-known works are the short-story collection Dubliners (1914) and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His other writings include three books of poetry, a play, letters, and occasional journalism.

Born in Dublin into a middle-class family, Joyce attended the Jesuit Clongowes Wood College in County Kildare, then, briefly, the Christian Brothers–run O'Connell School. Despite the chaotic family life imposed by his father's unpredictable finances, he excelled at the Jesuit Belvedere College and graduated from University College Dublin in 1902. In 1904, he met his future wife, Nora Barnacle, and they moved to mainland Europe. He briefly worked in Pola (now in Croatia) and then moved to Trieste in Austria-Hungary, working as an English instructor. Except for an eight-month stay in Rome working as a correspondence clerk and three visits to Dublin, Joyce lived there until 1915. In Trieste, he published his book of poems Chamber Music and his short-story collection Dubliners, and began serially publishing A Portrait of the Artist as a Young Man in the English magazine The Egoist. During most of World War I, Joyce lived in Zurich, Switzerland, and worked on Ulysses. After the war, he briefly returned to Trieste and in 1920 moved to Paris, which was his primary residence until 1940.

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Finnegans Wake in the context of A Portrait of the Artist as a Young Man

A Portrait of the Artist as a Young Man is the second book and first novel of Irish writer James Joyce, published in 1916. A Künstlerroman written in a modernist style, it traces the religious and intellectual awakening of young Stephen Dedalus, Joyce's fictional alter ego, whose surname alludes to Daedalus, Greek mythology's consummate craftsman. Stephen questions and rebels against the Catholic and Irish conventions under which he has grown, culminating in his self-exile from Ireland to Europe. The work uses techniques that Joyce developed more fully in Ulysses (1922) and Finnegans Wake (1939).

A Portrait began life in 1904 as Stephen Hero—a projected 63-chapter autobiographical novel in a realistic style. After 25 chapters, Joyce abandoned Stephen Hero in 1907 and set to reworking its themes and protagonist into a condensed five-chapter novel, dispensing with strict realism and making extensive use of free indirect speech that allows the reader to peer into Stephen's developing consciousness. American modernist poet Ezra Pound had the novel serialised in the English literary magazine The Egoist in 1914 and 1915, and published as a book in 1916 by B. W. Huebsch of New York. The publication of A Portrait and the short story collection Dubliners (1914) earned Joyce a place at the forefront of literary modernism.

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Finnegans Wake in the context of Black Sun Press

The Black Sun Press was an English-language press noted for publishing the early works of many modernist writers including Hart Crane, D. H. Lawrence, Archibald MacLeish, Ernest Hemingway, and Eugene Jolas. It enjoyed the greatest longevity among the several expatriate presses founded in Paris during the 1920s, publishing nearly three times as many titles as did Edward Titus under his Black Manikin Press. American expatriates living in Paris, Harry Crosby and his wife Caresse Crosby (American inventor of the modern bra) founded the press to publish their own work in April 1927 as Éditions Narcisse. They added to that in 1928 when they printed a limited edition of 300 numbered copies of "The Fall of the House of Usher" by Edgar Allan Poe. They enjoyed the reception their initial work received, and decided to expand the press to serve other authors, renaming the company the Black Sun Press, following on Harry's obsession on the symbolism of the sun.

They published exclusively limited quantities of meticulously produced, hand-manufactured books, printed on high-quality paper. During the 1920s and 1930s Paris was at the crossroads of many emerging expatriate American writers, collectively called the Lost Generation. They published early works of a number of writers before they were well-known, including James Joyce's Tales Told of Shem and Shaun (later integrated into Finnegans Wake). They published Kay Boyle's first book-length work, Short Stories, in 1929. The Black Sun Press evolved into one of the most important small presses in Paris in the 1920s. After Harry died in a suicide pact with one of his many lovers, Caresse Crosby continued the press' work into the 1940s.

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