Federico Fellini in the context of "I Vitelloni"

Rimini (/ˈrɪmɪni/ RIM-in-ee, Italian: [ˈriːmini] ; Romagnol: Rémin or Rémne; Latin: Ariminum) is a city in the Emilia-Romagna region of Northern Italy.

Sprawling along the Adriatic Sea, Rimini is situated at a strategically-important north-south passage along the coast at the southern tip of the Po Valley. It is one of the most notable seaside resorts in Europe, with a significant domestic and international tourist economy. The first bathing establishment opened in 1843. The city is also the birthplace of the film director Federico Fellini, and the nearest Italian city to the independent Republic of San Marino.

Cinecittà Studios (pronounced [ˌtʃinetʃitˈta]; Italian for Cinema City) is a large film studio in Rome, Italy. With an area of 400,000 square metres (99 acres), it is the largest film studio in Europe, and is considered the hub of Italian cinema. The studios were constructed during the Fascist era as part of a plan to revive the Italian film industry and to compete with Hollywood.

Filmmakers such as Federico Fellini, Roberto Rossellini, Luchino Visconti, Sergio Leone, Bernardo Bertolucci, Francis Ford Coppola, Martin Scorsese, Mel Gibson and Luca Guadagnino have worked at Cinecittà. More than 3,000 movies have been filmed there, of which 90 received an Academy Award nomination and 47 of these won it. In the 1950s, the number of international productions being made there led to Rome being dubbed "Hollywood on the Tiber."

Jean Henri Gaston Giraud (French: [ʒiʁo]; 8 May 1938 – 10 March 2012) was a French artist, cartoonist, and writer who worked in the Franco-Belgian bandes dessinées (BD) tradition. Giraud garnered worldwide acclaim predominantly under the pseudonym Mœbius (/ˈmoʊbiəs/; French: [møbjys]) for his fantasy/science-fiction work, and to a slightly lesser extent as Gir (French: [ʒiʁ]), which he used for his Western-themed work. Esteemed by Federico Fellini, Stan Lee, and Hayao Miyazaki, among others, he has been described as the most influential bande dessinée artist after Hergé.

His most famous body of work as Gir concerns the Blueberry series, created with writer Jean-Michel Charlier, featuring one of the first antiheroes in Western comics. As Mœbius, he achieved worldwide renown with science-fiction and fantasy comics drawn in a highly imaginative, surreal, almost abstract style. These works include Arzach and the Airtight Garage of Jerry Cornelius. He also collaborated with avant garde filmmaker Alejandro Jodorowsky for an unproduced adaptation of Dune and the comic-book series The Incal.

Marcello Vincenzo Domenico Mastroianni Cavaliere di Gran Croce OMRI (26 September 1924 – 19 December 1996) was an Italian actor. He is generally regarded as one of Italy's most iconic male performers of the 20th-century, who played leading roles for many of the country's top directors, in a career spanning 147 films between 1939 and 1996, garnering many international honours including two BAFTA Awards, two Best Actor awards at the Venice and Cannes film festivals, two Golden Globes, and three Academy Award nominations.

Born in Fontana Liri (province of Frosinone, Lazio, IT) and raised in Turin and Rome, Mastroianni made his film debut in 1939 at the age of 14, but did not seriously pursue acting until the 1950s, when he made his critical and commercial breakthrough in the caper comedy Big Deal on Madonna Street (1959). He became an international celebrity through his collaborations with director Federico Fellini, first as a disillusioned tabloid columnist in La Dolce Vita (1960), then as a creatively-stifled filmmaker in 8½ (1963). Excelling in both dramatic and comedic roles, he formed a notable on-screen duo with actress and sex symbol Sophia Loren, co-starring with her in eleven films between 1954 and 1994.

Antonio "Tonino" Guerra (16 March 1920 – 21 March 2012) was an Italian poet, writer and screenwriter who collaborated with some of the most prominent film directors, such as Andrei Tarkovsky, Michelangelo Antonioni, Theo Angelopoulos, and Federico Fellini.

Christa Päffgen (German pronunciation: [ˈkʁɪsta ˈpɛfɡn̩]; 16 October 1938 – 18 July 1988), known by her stage name Nico, was a German singer, songwriter, actress and model.

Nico had roles in films including Federico Fellini's La Dolce Vita (1960) and Andy Warhol's Chelsea Girls (1966). At the insistence of Warhol, she sang lead on three songs of the Velvet Underground's debut album, The Velvet Underground & Nico (1967). At the same time, she released her debut album, Chelsea Girl (1967), composed of songs written by other musicians. At the suggestion of her friend Jim Morrison, she started writing her own material, using a harmonium, not traditionally a rock instrument. John Cale of the Velvet Underground became her musical arranger and produced The Marble Index (1968), Desertshore (1970), The End... (1974) and other albums.

8½ (Italian: Otto e mezzo [ˈɔtto e ˈmɛddzo]) is a 1963 avant-garde comedy-drama film co-written and directed by Federico Fellini. The metafictional narrative centers on famous Italian film director Guido Anselmi (Marcello Mastroianni) who suffers from writer's block as he attempts to direct an epic science fiction film. Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella Falk, Barbara Steele, and Eddra Gale portray the various women in Guido's life. An international co-production between France and Italy, the film was shot in black and white by cinematographer Gianni Di Venanzo and features a score by Nino Rota, with costume and set designs by Piero Gherardi. Fellini also uses surrealist passages throughout the film to increase its fantastical atmosphere.

8½ was critically acclaimed and won the Academy Award for Best Foreign Language Film and Best Costume Design (black-and-white). It is acknowledged as an avant-garde film and a highly influential classic. It was ranked 10th on the British Film Institute's The Sight & Sound Greatest Films of All Time 2012 critics' poll and 4th by directors. It is included in the Vatican's compilation of 45 important films made before 1995, the 100th anniversary of cinema. The film ranked 7th in BBC's 2018 list of The 100 Greatest Foreign Language Films voted by 209 film critics from 43 countries around the world.

La Strada, also translated into English as The Road, is a 1954 Italian tragedy film directed by Federico Fellini and co-written by Fellini, Tullio Pinelli and Ennio Flaiano. The film tells the story of Gelsomina (Giulietta Masina), a simple-minded young woman bought from her mother by Zampanò (Anthony Quinn), a brutish strongman who takes her with him on the road.

Fellini described La Strada as "a complete catalogue of my entire mythological world, a dangerous representation of my identity that was undertaken with no precedent whatsoever". As a result, the film demanded more time and effort than any of his other works, before or later. The development process was long and tortuous; there were problems during production, including insecure financial backing, problematic casting, and numerous delays. Finally, just before the production completed shooting, Fellini suffered a nervous breakdown that required medical treatment so that he could complete principal photography. Initial critical reaction was harsh, and the film's screening at the Venice Film Festival was the occasion of a bitter controversy that escalated into a public brawl between Fellini's supporters and detractors.

Nights Of Cabiria (Italian: Le Notti Di Cabiria) is a 1957 Italian comedy-drama film co-written and directed by Federico Fellini. The film features Giulietta Masina as Cabiria, a kind-hearted sex worker living in Rome and her adventures and misfortunes trying to find happiness. The cast also features François Périer and Amedeo Nazzari. The film is based on a story by Fellini, who expanded it into a screenplay along with his co-writers Ennio Flaiano, Tullio Pinelli and Pier Paolo Pasolini.

In addition to the best actress award at the Cannes Film Festival for Giulietta Masina, Nights of Cabiria won the 1958 Academy Award for Best Foreign Language Film. This marked the second consecutive year that both Italy and Fellini won the award, following the previous year's win for La Strada, which also featured Masina.

La Dolce Vita (Italian: [la ˈdoltʃe ˈviːta]; Italian for 'the sweet life' or 'the good life') is a 1960 satirical comedy-drama film directed by Federico Fellini and written by Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi. The film stars Marcello Mastroianni as Marcello Rubini, a tabloid journalist who, over seven days and nights, journeys through the "sweet life" of Rome in a fruitless search for love and happiness. The screenplay can be divided into a prologue, seven major episodes interrupted by an intermezzo, and an epilogue, according to the most common interpretation.

Released in Italy on 5 February 1960, La Dolce Vita was both a critical success and worldwide commercial hit, despite censorship in some regions. It won the Palme d'Or at the 1960 Cannes Film Festival and the Academy Award for Best Costumes. It was nominated for three more Oscars, including Best Director for Federico Fellini, and Best Original Screenplay. Its success proved a watershed moment for Italian cinema and European cinema-at-large, and it has come to be regarded as a masterpiece of Italian cinema, as well as one of the greatest films ever made.

Juliet of the Spirits (Italian: Giulietta degli spiriti) is a 1965 fantasy comedy-drama film directed by Federico Fellini and starring Giulietta Masina, Sandra Milo, Mario Pisu, Valentina Cortese, and Valeska Gert. The film is about the visions, memories, and mysticism that help a middle-aged woman find the strength to leave her philandering husband. The film uses "caricatural types and dream situations to represent a psychic landscape". It was Fellini's first feature-length color film, but followed his use of color in "The Temptation of Doctor Antonio" episode in the portmanteau film, Boccaccio '70 (1962).

The film was shown in competition at the 26th Venice International Film Festival; and received Academy Award nominations for Best Costume Design and Best Set Decoration. It won the 1966 Golden Globe Award for Best Foreign Language Film, and Giulietta Masina won a David di Donatello for her performance. Woody Allen loosely remade it with his 1990 film Alice.

Fellini Satyricon, or simply Satyricon, is a 1969 Italian film written and directed by Federico Fellini and loosely based on Petronius's work Satyricon, written during the reign of Emperor Nero and set in Imperial Rome. The film "uses the pre-Christian Roman world of debauchery during the time of Nero as an analogue of the modern post-Christian period." The film is divided into nine episodes, following Encolpius (Martin Potter) and his friend Ascyltus (Hiram Keller) as they try to win the heart of a young boy named Gitón within a surreal and dreamlike Roman landscape.

Fellini Satyricon was entered into the 30th Venice International Film Festival, where it won the Pasinetti Award for Best Italian Film. It received acclaim from international critics, with particular praise toward Fellini's direction and Danilo Donati's vivid production design. The film earned Fellini his third Oscar nomination for Best Director, and the film was nominated for the Golden Globe Award for Best Foreign Language Film.

Roma (also known as Fellini's Roma or Federico Fellini's Roma) is a 1972 semi-autobiographical comedy-drama film depicting director Federico Fellini's move from his native Rimini to Rome as a youth. The film was directed by Fellini from a screenplay by himself and Bernardino Zapponi. It is a homage to the city, shown in a series of loosely connected episodes set during both Rome's past and present. The plot is minimal, and the only "character" to develop significantly is Rome herself. Peter Gonzales plays the young Fellini, and the film features mainly newcomers in the cast.

Amarcord (Italian: [amarˈkɔrd]) is a 1973 comedy-drama film directed by Federico Fellini, a semi-autobiographical tale about Titta, an adolescent boy growing up among an eccentric cast of characters in the village of Borgo San Giuliano (situated near the ancient walls of Rimini) in 1930s Fascist Italy.

The film's title is a univerbation (multiple words combined to form a single word) of the Romagnol phrase a m'arcôrd (pronounced [a marˈkoːrd]), 'I remember'. Fellini elaborated further by suggesting that the Italian words amare ('to love'), cuore ('heart'), ricordare ('to remember') and amaro ('bitter') could be expressed simultaneously through the Romagnol word. The title then became a neologism of the Italian language, with the meaning of 'nostalgic evocation', 'fond memory'.

Fellini's Casanova (Italian: Il Casanova di Federico Fellini, lit. 'The Casanova by Federico Fellini') is a 1976 Italian film directed by Federico Fellini from a screenplay he co-wrote with Bernardino Zapponi, adapted from the autobiography of 18th-century Venetian adventurer and writer Giacomo Casanova, played by Donald Sutherland. The film depicts Casanova's life as a journey into sexual abandonment, and his relationship with the "love of his life" Henriette (played by Tina Aumont). The narrative presents Casanova's adventures in a detached, methodical fashion, as the respect for which he yearns is constantly undermined by his more basic urges.

Shot entirely at the Cinecittà studios in Rome, the film won an Academy Award for Best Costume Design, with the Oscar going to Danilo Donati. Fellini and his co-writer Bernardino Zapponi were nominated for a Best Adapted Screenplay Oscar. The film also won BAFTA Awards for Best Costume Design and Best Production Design, and a David di Donatello for Best Score.