Exposure (photography) in the context of "Multiple exposure"

Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. A person who operates a camera to capture or take photographs is called a photographer, while the captured image, also known as a photograph, is the result produced by the camera.

Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive, depending on the purpose of the photographic material and the method of processing. A negative image on film is traditionally used to photographically create a positive image on a paper base, known as a print, either by using an enlarger or by contact printing.

Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film. Film is typically segmented in frames, that give rise to separate photographs.

The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically developed into a visible photograph. In addition to visible light, most films are sensitive to ultraviolet light, X-rays, gamma rays, and high-energy particles. Unmodified silver halide crystals are sensitive only to the blue part of the visible spectrum, producing unnatural-looking renditions of some colored subjects. This problem was resolved with the discovery that certain dyes, called sensitizing dyes, when adsorbed onto the silver halide crystals made them respond to other colors as well. First orthochromatic (sensitive to blue and green) and finally panchromatic (sensitive to all visible colors) films were developed. Panchromatic film renders all colors in shades of gray approximately matching their subjective brightness. By similar techniques, special-purpose films can be made sensitive to the infrared (IR) region of the spectrum.

Film stock is a type of photographic film that is used for recording motion pictures or animation. It is recorded on by a movie camera, developed, edited, and projected onto a screen using a movie projector.

Photographic film consists of a long strip of transparent plastic film base, coated on one side with a photographic emulsion: a mixture of gelatin and microscopic light-sensitive silver halide crystals. A very short exposure is made, producing an invisible latent image in the emulsion, which can be chemically developed into a visible photograph.

Color photography (also spelled as colour photography in Commonwealth English) is photography that uses media capable of capturing and reproducing colors. By contrast, black-and-white or gray-monochrome photography records only a single channel of luminance (brightness) and uses media capable only of showing shades of gray.

In color photography, electronic sensors or light-sensitive chemicals record color information at the time of exposure. This is usually done by analyzing the spectrum of colors into three channels of information, one dominated by red, another by green and the third by blue, in imitation of the way the normal human eye senses color. The recorded information is then used to reproduce the original colors by mixing various proportions of red, green and blue light (RGB color, used by video displays, digital projectors and some historical photographic processes), or by using dyes or pigments to remove various proportions of the red, green and blue which are present in white light (CMY color, used for prints on paper and transparencies on film).

A camera obscura (pl. camerae obscurae or camera obscuras; from Latin camera obscūra 'dark chamber') is the natural phenomenon in which light passing through the small hole of a dark chamber or box will project an image of a scene outside the chamber (box) onto the surface opposite to the hole, resulting in an inverted (upside down) and reversed (left to right) projection of the view outside.

Camera obscura refers to analogous constructions such as a darkened room, box or tent in which an exterior image is projected inside or onto a translucent screen viewed from outside. Camera obscuras with a lens in the opening have been used since the second half of the 16th century and became popular as aids for drawing and painting. The technology was developed further into the photographic camera in the first half of the 19th century, when camera obscura boxes were used to expose light-sensitive materials to the projected image.

An f-number is a measure of the light-gathering ability of an optical system such as a camera lens. It is defined as the ratio of the system's focal length to the diameter of the entrance pupil ("clear aperture"). The f-number is also known as the focal ratio, f-ratio, or f-stop, and it is key in determining the depth of field, diffraction, and exposure of a photograph. The f-number is dimensionless and is usually expressed using a lower-case hooked f with the format f/N, where N is the f-number.

The f-number is also known as the inverse relative aperture, because it is the inverse of the relative aperture, defined as the aperture diameter divided by the focal length. A lower f-number means a larger relative aperture and more light entering the system, while a higher f-number means a smaller relative aperture and less light entering the system. The f-number is related to the numerical aperture (NA) of the system, which measures the range of angles over which light can enter or exit the system. The numerical aperture takes into account the refractive index of the medium in which the system is working, while the f-number does not.

In photography, exposure value (EV) is a number that represents a combination of a camera's shutter speed and f-number, such that all combinations that yield the same exposure have the same EV (for any fixed scene luminance). Exposure value is also used to indicate an interval on the photographic exposure scale, with a difference of 1 EV corresponding to a standard power-of-2 exposure step, commonly referred to as a stop.

The EV concept was developed by the German shutter manufacturer Friedrich Deckel in the 1950s. Its intent was to simplify choosing among equivalent camera exposure settings by replacing combinations of shutter speed and f-number (e.g., 1/125 s at f/16) with a single number (e.g., 15).On some lenses with leaf shutters, the process was further simplified by allowing the shutter and aperture controls to be linked such that, when one was changed, the other was automatically adjusted to maintain the same exposure. This was especially helpful to beginners with limited understanding of the effects of shutter speed and aperture and the relationship between them. But it was also useful for experienced photographers who might choose a shutter speed to stop motion or an f-number for depth of field, because it allowed for faster adjustment—without the need for mental calculations—and reduced the chance of error when making the adjustment.