Ergotism in the context of "Blaise Daniel Staples"

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👉 Ergotism in the context of Blaise Daniel Staples

(Blaise) Daniel "Danny" Staples (13 July 1948 – December 2005) was a Classical mythologist; a native of Somerset, Massachusetts, he received a B.A. in Comparative Religion and a Ph.D. in Classical Studies from Boston University. He lived in Hull, Massachusetts, with his spouse, Carl A.P. Ruck.

He co-authored with Ruck The World of Classical Mythology: Gods and Goddesses, Heroines and Heroes, which has become a standard textbook. The book The Road to Eleusis: Unveiling the Secret of the Mysteries claims that the psycho-active ingredient in the secret kykeion potion used in the Eleusinian Mysteries was most likely the ergotism-causing fungus Claviceps purpurea. For this book, Staples translated the Homeric Hymn to Demeter and contributed with R. Gordon Wasson, Jonathan Ott, and Ruck to the chapter in which the term "entheogen" was coined as an alternative for terms such as "psychedelic", "hallucinogen," and "drug" that can be misleading in certain contexts. The Apples of Apollo: Pagan and Christian Mysteries of the Eucharist explores the role that entheogens in general, and Amanita muscaria in particular, played in Greek and biblical mythology and later on in Renaissance painting, most notably in the Isenheim Altarpiece by Matthias Grünewald.

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Ergotism in the context of Ergot

Ergot (/ˈɜːrɡət/) or ergot fungi refers to a group of fungi of the genus Claviceps.

The most prominent member of this group is Claviceps purpurea ("rye ergot fungus"). This fungus grows on rye and related plants, and produces alkaloids that can cause ergotism in humans and other mammals who consume grains contaminated with its fruiting structure (called ergot sclerotium).

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Ergotism in the context of Isenheim Altarpiece

The Isenheim Altarpiece is an altarpiece sculpted and painted by, respectively, the Germans Nikolaus Hagenauer and Matthias Grünewald in 1512–1516. It is on display at the Unterlinden Museum at Colmar, Alsace, in France. It is Grünewald's largest work and is regarded as his masterpiece.

It was painted for the Monastery of St. Anthony in Issenheim near Colmar, which specialized in hospital work. The Antonine monks of the monastery were noted for their care of plague sufferers as well as for their treatment of skin diseases, such as ergotism. The image of the crucified Christ is pitted with plague-type sores, showing patients that Jesus understood and shared their afflictions. The veracity of the work's depictions of medical conditions was unusual in the history of European art.

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