Epigraphic in the context of "Taranis"

The Sangam literature (Tamil: சங்க இலக்கியம், caṅka ilakkiyam), historically known as 'the poetry of the noble ones' (Tamil: சான்றோர் செய்யுள், Sāṉdṟōr Seyyuḷ), connotes the early classical Tamil literature and is the earliest known literature of South India. The Tamil tradition links it to legendary literary gatherings around Madurai in the ancient Pandya kingdom. It is generally accepted by most scholars that the historical Sangam literature era, also known as the Sangam period, spanned from c. 100 BCE to 250 CE, on the basis of linguistic, epigraphic, archaeological, numismatic and historical data; though some scholars give a broader range of 300 BCE to 300 CE.

The Eighteen Greater Texts (Patiṉeṇmēlkaṇakku), along with the Tamil grammar work Tolkappiyam, are collectively considered as Sangam literature. These texts are classified into the Ettuttokai (Eight Anthologies) and Pattupattu (Ten Idylls). They encompass both Akam (interior) themes, focusing on personal emotions and love, and Puram (exterior) themes, emphasizing heroism, ethics, and societal values. Notable works include Akananuru (400 love poems), Purananuru (400 heroic poems), Kurunthogai (short love poems), and Natrinai (poems set in five landscapes). The Pattuppāṭṭu highlights specific regions and rulers, with works like Malaipadukadam and Perumpanarrupadai serving as guides to wealth and prosperity.

Jupiter Dolichenus was a Roman god whose mystery cult was widespread in the Roman Empire from the early-2nd to mid-3rd centuries AD. Like several other figures of the mystery cults, Jupiter Dolichenus was one of the so-called 'oriental' gods; that is Roman re-inventions of ostensibly foreign figures in order to give their cults legitimacy and to distinguish them from the cults of the traditional Roman gods. assumed to have really been a Roman continuation of an oriental figure. In the case of Jupiter Dolichenus, the cult's exoticism was attributed to an interpretatio romana derivation from a semitic Hadad-Baal-Teshub cult, which had its cult center on a hill (37°07′40″N 37°20′43″E / 37.12778°N 37.34528°E / 37.12778; 37.34528 (Excavation site of the temple of Hadad-Baal-Teshub, Baba Tepesi, Turkey)) near Doliche, 30 Roman Miles west of Samosata on the Euphrates, in the Commagene in eastern Asia Minor.

Like the other mystery cults (including the other pseudo-oriental ones), the cult of Jupiter Dolichenus gained popularity in the Roman Empire as a complement of the open 'public' religion of mainstream Roman society. Unlike the Roman public cults, but like the other mysteries, the temples of the cult of Jupiter Dolichenus were nominally closed to outsiders and followers had to undergo rites of initiation before they could be accepted as devotees. As a result, very little is known about the cult's beliefs and practices from the few clues that can be obtained from the sparse iconographic, archaeological or epigraphic evidence.

Lugus (sometimes Lugos or Lug) is a Celtic god whose worship is attested in the epigraphic record. No depictions of the god are known. Lugus perhaps also appears in Roman sources and medieval Insular mythology.

Various dedications, concentrated in Iberia and dated to between the 1st century BCE and the 3rd century CE, attest to the worship of the god Lugus. However, these predominately describe the god in the plural, as the Lugoves. The nature of these deities, and their relationship to Lugus, has been much debated. Only one, early inscription from Peñalba de Villastar, Spain is widely agreed to attest to Lugus as a singular entity. The god Lugus has also been cited in the etymologies of several Celtic personal and place-names incorporating the element "Lug(u)-" (for example, that of the prominent Roman settlement Lugdunum).

Teutates (spelled variously Toutatis, Totatis, Totates) is a Celtic god attested in literary and epigraphic sources. His name, which is derived from a proto-Celtic word meaning "tribe", suggests he was a tribal deity.

The Roman poet Lucan's epic Pharsalia mentions Teutates, Esus, and Taranis as gods to whom the Gauls sacrificed humans. This rare mention of Celtic gods under their native names in a Latin text has been the subject of much comment. Almost as often commented on are the scholia to Lucan's poem (early medieval, but relying on earlier sources) which tell us the nature of these sacrifices: in particular, that victims of Teutates were immersed headfirst into a small barrel and drowned. This sacrifice has been compared with a poorly understood ritual depicted on the Gundestrup cauldron, some motifs in Irish mythology, and the death of the bog body known as the Lindow Man.